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Rococo Architecture In Spain
The Spanish Rococo style of the 18th century is relatively unexplored and bears little resemblance to its French equivalent. Under the reign of Philip V of the Bourbon Dynasty, architectural commissions were primarily awarded to Italian architects, rather than the French who were the pioneers of the rococo style. This is largely due to the influence of his second wife, Elisabeth Farnese of Parma, who aimed to transcend French influence through the promotion of the Italians. Consequently, Rococo was left to be discovered by the Spanish school and therefore evolved separately from French and other variations of Rococo. Rococo, also referred to as Late Baroque, originated in Paris, France in the 1730s as a continuation of the Baroque style. It is a highly dramatic and ornamental style of art and architecture characterized by its lavish curves and counter-curves, white and pastel colors, asymmetry, and elements that represent nature. Elements such as acanthus leaves, shells, flowers, bir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murcia Cathedral
The Cathedral Church of Saint Mary in Murcia (Spanish: ''Iglesia Catedral de Santa María en Murcia''), commonly called the Cathedral of Murcia, is a Catholic church in the city of Murcia, Spain. It is the cathedral of the Roman Catholic Diocese of Cartagena. History The Christian king Jaime I the Conqueror conquered the city during the Mudéjar revolt of 1264–66. Jaime I took the Great Mosque or Aljamía to consecrate it to the Virgin Mary; a custom he put in place when he conquered any settlement. However, it was not until the 14th century that construction of the cathedral would begin. In 1385 work on the foundations started and in 1388 the first stone was laid. Another six years passed until constructions upwards continued; the cathedral would be finished in October 1467. Nevertheless, the cathedral continued to evolve until the 18th century, demonstrating a variety of artistic styles. The interior is largely Gothic in style; the facade is Baroque and it was designed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicente Calderón De La Barca
Vicente Calderón de la Barca (1762–1794) was a Spanish painter, who was born at Guadalajara. He was a pupil of Francisco Goya, and distinguished himself as a painter of history and portraits, particularly the latter, in which he executeded. He painted a ''Birth of St. Norbert'' for one of the colleges at Ávila Ávila (, , ) is a city of Spain located in the autonomous community of Castile and León. It is the capital and most populated municipality of the Province of Ávila. It lies on the right bank of the Adaja river. Located more than 1,130 m abov .... References * 18th-century Spanish painters 18th-century Spanish male artists Spanish male painters 1762 births 1794 deaths {{Spain-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
María Juana Hurtado De Mendoza
Doña María Juana Hurtado de Mendoza (died 1818) was a Spanish painter. Hurtado de Mendoza, a member of the Spanish nobility was elected an ''academica de mérito'' to the Real Academia de Bellas Artes de San Fernando in 1791. She exhibited eight pastels after Guido Reni and also a pencil drawing of Minerva. It appears that she was the sister of Francisco Hurtado de Mendoza and Doña María de Loreto Hurtado de Mendoza, through whom she was the sister-in-law of violinist Francisco Balcarén y Gamot y Cristóbal de Ronda. The three were descended from an old noble family of Andalusia. Hurtado de Mendoza died in Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariano Salvador Maella
Mariano Salvador Maella Pérez (21 August 1739 – 10 May 1819) was a Spanish painter known primarily for his portraits and religious frescoes. Biography Maella was born in Valencia. His artistic education began with his father, who was also a painter. In 1752, at the age of eleven, he moved to Madrid and received lessons from Felipe de Castro, a sculptor who helped introduce the Neoclassical style to Spain.Brief biography @ the . This was followed by enrollment at the |
Antonio Palomino
Acislo Antonio Palomino de Castro y Velasco (165513 April 1726) was a Spanish painter of the Baroque period, and a writer on art, author of ''El Museo pictórico y escala óptica'', which contains a large amount of important biographical material on Spanish artists. Life Antonio Palomino was born to a respectable family at Bujalance, near Córdoba in 1655. He studied philosophy, theology and law at Córdoba, and had lessons in painting from Juan de Valdés Leal, who visited there in 1672, and afterwards from Juan de Alfaro y Gamez in 1675. After taking minor orders Palomino moved to Madrid in 1678, where he associated with Alfaro, Claudio Coello, and Juan Carreño de Miranda, and executed some indifferent frescoes. He soon afterwards married a lady of rank, and, having been appointed ''alcalde'' of the ''mesta'', was himself ennobled; in 1688 he was appointed painter to King Charles II. The artist visited Valencia in 1697, and remained there for three or four years, agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joaquín Bernardo Rubert
Joaquín Bernardo Rubert (1772–1817) was a Spanish painter, active in Valencia and mainly painting still life A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ... floral arrangements. External links Valencia Art exhibit 1772 births 1817 deaths People from Valencia 18th-century Spanish painters 18th-century Spanish male artists Spanish male painters 19th-century Spanish painters 19th-century Spanish male artists Spanish floral still life painters {{Spain-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Carnicero
Antonio Carnicero (1748–1814) was a Spanish painter of the Neoclassical style. In addition to his paintings, over the course of his career he also produced prints and engravings as well as creating theatrical decorations. Family and training Carnicero was born in Salamanca on 10 January 1748. His father, the sculptor Alejandro Carnicero, went to the court of Madrid in 1749 to fulfill a commission for a series of sculptures in the royal palace. Antonio's brothers Gregorio and Isidro were also artists. After initial training from his father, Carnicero entered the Royal Academy of Fine Arts of San Fernando in 1758. At age 12, he was awarded a scholarship to accompany his brother Isidro to Rome so they could further their study of painting. In 1766 he returned to Madrid, where he began to paint for civil and religious institutions as well as private clients. Early career In 1775, Carnicero collaborated with Joseph del Castillo in the execution of tapestry cartoons for the royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Paret Y Alcázar
Luis Paret y Alcázar (11 February 1746 – 14 February 1799) was a Spanish painter of the late- Baroque or Rococo period. Biography He was born in Madrid he first trained with Antonio González Velázquez and attended the Academia Real de San Fernando in Madrid, where he won a second prize in a painting contest in 1760, and first prize in 1766. He entered the studio of the French painter Charles de la Traverse, who worked for the Marchese of Ossun, the ambassador of France in Spain. Unfortunately upon returning to Madrid, despite becoming a teacher in the Academia de San Fernando at age 33 years, he mainly received royal commissions to paint and engrave vistas of ports, the Spanish equivalent of vedute, and also of planned works of construction. For some years, he was banished to Puerto Rico, where he trained the painter Jose Campeche. He also painted flowers in still life and genre paintings called ''bambochadas'' for their focus on the customs of the underclasses. Gallery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Egidio Meléndez
Luis Egidio Meléndez (1716–1780) was a Spanish painter. Though he received little acclaim during his lifetime and died in poverty, Meléndez is recognized as the greatest Spanish still-life painter of the 18th century. His mastery of composition and light, and remarkable ability to convey the volume and texture of individual objects enabled him to transform the most mundane of kitchen fare into powerful images. Life Luis Egidio Meléndez de Rivera Durazo y Santo Padre was born in Naples in 1716 to Francisco Meléndez de Rivera Diaz (1682 – after 1758) and Maria Josefa Durazo y Santo Padre Barrille. Meléndez's father, a miniaturist painter from Oviedo,Martin, p. 76 had moved to Madrid with his older brother, the portrait painter Miguel Jacinto Meléndez (1679–1734) in pursuit of artistic instruction.Tufts, p. 10 Whereas Miguel remained in Madrid to study and became a painter in the court of Philip V of Spain, Francisco left for Italy in 1699 to seek greater artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
