Rockwell (typeface)
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Rockwell (typeface)
Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934. The project was supervised by Monotype's engineering manager Frank Hinman Pierpont. This typeface is distinguished by a serif at the apex of the uppercase ''A'', while the lowercase ''a'' has two storeys. Because of its monoweighted stroke, Rockwell is used primarily for display or at small sizes rather than as a body text. Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique. Rockwell is a geometric slab-serif with a monoline construction, with all of its strokes appearing to be roughly the same width and its capital ''O'' roughly circular. This gives it a similar impression to common sans-serif designs of the period like Akzidenz Grotesk, Franklin Gothic, or Futura. Rockwell is influenced by a style of geometric slab serif that had become popular around the time, including the earlier Memphis and Beton, and less ...
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Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic", and serif typefaces as "Roman type, roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into stone in Roman Classical antiquity, antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, ...
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Memphis (typeface)
Memphis is a slab-serif typeface designed bDr. Rudolf Wolfand released in 1929 by the Stempel Type Foundry. Memphis is a "geometric" slab serif, reflecting the style of German Sans-serif#Geometric, geometric sans-serifs (in particular Futura (typeface), Futura) which had attracted considerable attention, and adapting the design to the slab serif structure. Its structure is strictly monoline, with a "single-storey" 'a' similar to blackletter or handwriting, in an almost-perfect circle. It was released in several weights and with stylistic alternative, alternative characters such as Swash (typography), swashes, which digitisations have mostly not included. Memphis has an Egyptian name, in reference to the fact that early slab serifs were often called "Egyptians" as an exoticism by nineteenth-century typefounders. Memphis and other similar designs were popular in printing during the hot metal typesetting period and several foundries brought out similar designs or direct imitations ...
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Geometric Slab-serif Typefaces
Geometry (; ) is, with arithmetic, one of the oldest branches of mathematics. It is concerned with properties of space such as the distance, shape, size, and relative position of figures. A mathematician who works in the field of geometry is called a ''geometer''. Until the 19th century, geometry was almost exclusively devoted to Euclidean geometry, which includes the notions of point, line, plane, distance, angle, surface, and curve, as fundamental concepts. During the 19th century several discoveries enlarged dramatically the scope of geometry. One of the oldest such discoveries is Carl Friedrich Gauss' ("remarkable theorem") that asserts roughly that the Gaussian curvature of a surface is independent from any specific embedding in a Euclidean space. This implies that surfaces can be studied ''intrinsically'', that is, as stand-alone spaces, and has been expanded into the theory of manifolds and Riemannian geometry. Later in the 19th century, it appeared that geometries ...
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