Robin Maconie
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Robin Maconie
Robin John Maconie (born 22 October 1942) is a New Zealand composer, pianist, and writer. Born in Auckland, New Zealand, Maconie studied with Frederick Page and Roger Savage at the Victoria University of Wellington, receiving a Master of Arts in the History and Literature of Music in 1964. He studied analysis with Olivier Messiaen in 1963–64 at the Paris Conservatoire, and in 1964–65 studied composition for film and radio under Bernd Alois Zimmermann, and electronic music under Herbert Eimert at the Cologne Conservatory. He also studied composition with Karlheinz Stockhausen, Henri Pousseur, and Luc Ferrari at the Second Cologne Courses for New Music at the , also in Cologne, as well as piano with Aloys Kontarsky, conducting with Herbert Schernus, and information science with Georg Heike. Following a temporary lectureship at the University of Auckland, New Zealand, in 1967–69, Maconie emigrated to England to study for a Ph.D in the Psychology of Music at Southampton Univers ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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University Of Surrey
The University of Surrey is a public research university in Guildford, Surrey, England. The university received its royal charter in 1966, along with a number of other institutions following recommendations in the Robbins Report. The institution was previously known as Battersea College of Technology and was located in Battersea Park, London. Its roots however, go back to Battersea Polytechnic Institute, founded in 1891 to provide further and higher education in London, including its poorer inhabitants. The university's research output and global partnerships have led to it being regarded as one of the UK's leading research universities. The university is a member of the Association of MBAs and is one of four universities in the University Global Partnership Network. It is also part of the SETsquared partnership along with the University of Bath, the University of Bristol, the University of Southampton and the University of Exeter. The university's main campus is on Stag Hi ...
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Early Music (journal)
''Early Music'' is a peer-reviewed academic journal specialising in the study of early music. It was established in 1973 and is published quarterly by Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books .... The co-editors are Helen Deeming, Alan Howard and Stephen Rose. History ''Early Music''s founder was John Mansfield Thomson, an eminent New Zealand musicologist who worked for many decades in London, where he was a leading figure at the beginning of the early music revival. Through Baroque Concerts, his concert promotion agency, he brought major performers of early music to London in the late 1960s. Among the musicians were Gustav Scheck (flute and treble recorder) and Walter Bergmann (basso continuo and harpsichord) whose concert at the Purcell Room in Ja ...
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Leonardo (journal)
''Leonardo'' is a peer-reviewed academic journal published by the MIT Press covering the application of contemporary science and technology to the arts and music. History ''Leonardo'' journal was established in 1968 by artist and scientist Frank Malina in Paris, France. ''Leonardo'' has published writings by artists who work with science- and technology-based art media for 50 years. Journal operations were moved to the San Francisco Bay Area by Frank's son Roger Malina, an astronomer and space scientist, who took over operations of the journal upon Frank Malina's death in 1981. In 1982, the International Society for the Arts Sciences and Technology (Leonardo/ISAST) was founded to further the aims of ''Leonardo'' by providing avenues of communication for artists working in contemporary media. The society also publishes ''Leonardo Music Journal'', the ''Leonardo Electronic Almanac'', ''Leonardo Reviews'', and the ''Leonardo Book Series''. All publications are produced in collabor ...
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Inori (Stockhausen)
''Inori'' (Japanese for "Adorations"), for one or two soloists with orchestra, is a composition by Karlheinz Stockhausen, written in 1973–74 (Nr. 38 in the composer's catalog of works). History ''Inori'' is a meditative work. The word ''inori'' (祈り) in Japanese means "prayer, invocation, adoration". "It is like an opera with only one character and no singing, only thoughts visible as gesture and audible as reciprocally modulated sound". "The solo part is composed as a melody and is theoretically performable by a melody instrument; however the relationship between solo gesture and orchestra response is so complete that the solo melody is invariably interpreted in silence by a dancer-mime, employing a vocabulary of gestures drawn from a variety of religious practices". The Australian dancer and choreographer Philippa Cullen, who spent some time in Germany working with Stockhausen in 1973, is credited with drawing his attention to choreographic prayer gestures, in particular t ...
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The Times Literary Supplement
''The Times Literary Supplement'' (''TLS'') is a weekly literary review published in London by News UK, a subsidiary of News Corp. History The ''TLS'' first appeared in 1902 as a supplement to ''The Times'' but became a separate publication in 1914. Many distinguished writers have contributed, including T. S. Eliot, Henry James and Virginia Woolf. Reviews were normally anonymous until 1974, when signed reviews were gradually introduced during the editorship of John Gross. This aroused great controversy. "Anonymity had once been appropriate when it was a general rule at other publications, but it had ceased to be so", Gross said. "In addition I personally felt that reviewers ought to take responsibility for their opinions." Martin Amis was a member of the editorial staff early in his career. Philip Larkin's poem "Aubade", his final poetic work, was first published in the Christmas-week issue of the ''TLS'' in 1977. While it has long been regarded as one of the world's pre-emi ...
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Momente
''Momente'' (Moments) is a work by the German composer Karlheinz Stockhausen, written between 1962 and 1969, scored for solo soprano, four mixed choirs, and thirteen instrumentalists (four trumpets, four trombones, three percussionists, and two electric keyboards). A "cantata with radiophonic and theatrical overtones", it is described by the composer as "practically an opera of Mother Earth surrounded by her chicks". It was Stockhausen's first piece composed on principles of modular transposability, and his first musical form to be determined from categories of sensation or perception rather than by numerical units of musical terminology, which marks a significant change in the composer's musical approach from the abstract forms of the 1950s. History Stockhausen began work on ''Momente'' in January 1962, with a performance planned for the following May. He had been invited by Baron Francesco Agnello to withdraw for the period of composition of the work to his palazzo in Siculiana ...
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Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and r ...
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Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
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Mikrophonie (Stockhausen)
''Mikrophonie'' is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which "normally inaudible vibrations ... are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible". Together with Stockhausen's immediately preceding work ''Mixtur'', for five orchestra groups, four sine-wave generators, four ring modulators, they form a triptych of live-electronic works, where electronic transformations are accomplished during the performance (as opposed to studio-produced electronic music on tape). Similar to a group of three of the composer's works from the previous decade, ''Gruppen'', ''Zeitmaße'', and ''Gesang der Jünglinge'', there is one work each for orchestral, chamber, and vocal forces. Derivation of the term Stockhausen uses the t ...
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John O'Shea
John Francis O'Shea (; born 30 April 1981) is an Irish professional football coach and former player. He was known for his versatility in playing several positions on either side of the pitch or the centre. Born in Waterford, O'Shea joined Manchester United when he was 17. He spent loan spells at AFC Bournemouth and Royal Antwerp before establishing himself in the Manchester United first team, going on to make 393 appearances and scoring 15 times in all competitions across 12 seasons. O'Shea won 14 trophies at United; five Premier League titles, one FA Cup, two Football League Cups, four FA Community Shields, the UEFA Champions League and the FIFA Club World Cup. He is one of the most decorated Irish footballers of all time, with only Denis Irwin, Roy Keane, Steve Heighway and Ronnie Whelan having accrued more honours. He joined Sunderland in July 2011. Having played 256 times for the Wearside club and scoring four goals, he signed for Championship side Reading in July 2018 u ...
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Runaway (1964 Film)
''Runaway'', also called ''Runaway Killer'', is a 1964 New Zealand made thriller film and a road movie. John O'Shea (director), John O’Shea of Pacific Films produced, directed and co-wrote it. Shot in black and white and released on 35 mm and also 16 mm, it was cut to 80 minutes and renamed ''Runaway Killer'' for release in Britain, although this lost continuity between scenes. The film stars Colin Broadley in the lead, and several New Zealanders who became famous in other fields; Kiri Te Kanawa, Barry Crump and Ray Columbus. Plot High-flying but high-living accountant David Manning gets heavily into debt, loses his job and goes on the road. He is given a lift by the wealthy Laura, who fancies him and is jealous of Isobel, a young Maori woman they meet. After a fight he steals Laura's car and heads for the mountains of his childhood, meeting Diana on the inter-island ferry and pursued by police. They head up the glacier for a mountain pass. Diana falls, but Manning c ...
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