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Robert Moevs
Robert Walter Moevs (2 December 1920 – 10 December 2007) was an American composer of contemporary classical music. He was known for his highly Chromaticism, chromatic music. Career Moevs was born in La Crosse, Wisconsin, and served in the United States Army Air Forces as a pilot during World War II. He then received his degree from Harvard University. Moevs was a student of Walter Piston and Nadia Boulanger. He taught at Harvard University and Rutgers University. He received the Rome Prize (1952) and a Guggenheim Fellowship (1962). In 1978 his Concerto Grosso was awarded the Karlheinz Stockhausen, Stockhausen International Prize in Composition. His music has been performed by the Cleveland Orchestra, the Boston Symphony Orchestra and the NBC Symphony Orchestra, Symphony of the Air. His papers, including unpublished scores and recordings, are held by the Rutgers Music Library. He died in Hillsborough, New Jersey. Music Discography Notes Sources *Archibald, Bruce, and Richar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bloch
Joseph Meyer Bloch (pronounced "block", November 6, 1917 – March 4, 2009) was an American concert pianist and professor of piano literature at the Juilliard School in New York City. During a career at Juilliard that spanned five decades, Bloch's students included Emanuel Ax, Van Cliburn, Misha Dichter, Garrick Ohlsson, Jeffrey Siegel, Şahan Arzruni, and Jeffrey Swann. During his time at the school, with the exception of an attempted retirement in the 1980s, Bloch taught every piano student at Juilliard. While other Juilliard piano instructors taught prowess at the keyboard, Bloch focused on what ''The New York Times'' described as "the who, the why and the what-if" of the piano, not "the how-to". For one year, 1995–96, Mr. Bloch co-taught the Juilliard piano literature courses with Bruce Brubaker. After Mr. Bloch’s retirement in 1996, Brubaker continued teaching the piano literature courses at Juilliard for nine years. Bloch was born on November 6, 1917 in Indianapolis, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Presser Company
The Theodore Presser Company is an American music publishing and distribution company located in Malvern, Pennsylvania, formerly King of Prussia, Pennsylvania, and originally based in Bryn Mawr, Pennsylvania. It is the oldest continuing music publisher in the United States. It has been owned by Carl Fischer Music since 2004. History Theodore Presser Theodore Presser was born July 3, 1848, in Pittsburgh, Pennsylvania, to German emigrant Christian Presser and Caroline Dietz. As a young man, he worked in an iron foundry helping to mold cannon balls for the army during the Civil War. This activity proved too strenuous for his young physique, and at 16, he began selling tickets for the Strokosch Opera Company in Pittsburgh. In 1864, he began working as a clerk at C.C. Mellor's music store in Pittsburgh. He eventually achieved the position of sheet-music department manager. Presser began his musical studies at 19 by learning to play the piano. At 20, he began studies music at Mt. U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-Century Music
''19th-Century Music'' is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." The Journal is "interested equally in the music that belongs to the era and in the impact of the era's music on later times, media, and technologies." It is published by University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer. Abstracting and indexing The journal is indexed in: *Scopus *Arts and Humanities Citation Index *Current Contents ''Current Contents'' is a rapid alerting service database from Clarivate Analytics, formerly the Institute for Scientific Information and Thomson Reuters. It is published online and in several different printed subject sections. History ''Cur .../Arts & Humanities * EBSCO databases * ProQuest databases References External links * Publications established in 1977 Triannual journals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellen Rosand
Ellen Rosand is an American musicologist, historian, and opera critic who specializes in Italian music and poetry of the 16th through 18th centuries. Her work has been particularly focused on the music and culture of Venice and Italian opera of the baroque era. She is an acknowledged expert on the operas of Handel and Vivaldi, and on Venetian opera. Her books include ''Opera in Seventeenth-Century Venice: The Creation of a Genre'' (1991, University of California Press) and ''Monteverdi's last operas: a Venetian trilogy'' (2007, University of California Press). She has also contributed articles to numerous publications, including ''The New Grove Dictionary of Music and Musicians''. Rosand is a graduate of Vassar College (B.A.), Harvard University (M.A.), and New York University (Ph.D.). From 1981–1983 she was editor of the ''Journal of the American Musicological Society''. From 1992–1994 she was President of the American Musicological Society, and from 1997–2002 she was Vice-pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Music (journal)
The ''Journal of the Society for American Music'', published quarterly, is a peer-reviewed academic journal and the official journal of the Society for American Music. It is published by Cambridge University Press and edited by Loren Kajikawa at George Washington University. The journal is the continuation of ''American Music'', which was first published Spring 1983 (Vol. 1, No. 1), and obtained its current title in spring 2007. Selected people * Allen Perdue Britton (1914–2003), founding editor * Irving Lowens Irving Lowens (19 August 1916 – 14 November 1983) was an American musicologist, critic, and librarian in the Washington, D.C. area. He served as the chief music critic at the ''Washington Star'' newspaper, the Assistant Head of the music divi ... (1916–1983), founding book review editor * * Richard Jackson, founding bibliographer External links * Music journals Cambridge University Press academic journals Quarterly journals Publications established in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Edward Wilson
Richard Edward Wilson (born May 15, 1941) is an American composer and pianist. Rejecting serialism, to some extent Wilson engages in tonality, though often with the use of considerable chromaticism. His ''oeuvre'' includes orchestral, operatic, instrumental, and chamber music among other genres. Life and career Wilson was born in Cleveland, Ohio, where he was at a young age drawn to the concerts of George Szell and the Cleveland Orchestra. In 1963, Wilson graduated ''magna cum laude'' and Phi Beta Kappa from Harvard University, where he studied with Robert Moevs and Randall Thompson. He later received an MA from Rutgers University. From 1966 to 2016, he taught at Vassar College, where he was Mary Conover Mellon Professor of Music. Since 1992 he has been composer-in-residence with the American Symphony Orchestra. Music Richard Wilson's compositions are marked by a stringent yet lyrical atonality which often sets him apart from the established schools of modern American mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jory Vinikour
Jory Vinikour (born May 12, 1963 in Chicago) is an American born harpsichordist. He has been living in Paris since 1990, where he studied on a scholarship from the Fulbright U.S. Student Program with Huguette Dreyfus and Kenneth Gilbert. Vinikour has appeared as soloist throughout Europe and the United States, as well as in Asia and South America. Important solo appearances include Carnegie (Weill) Recital Hall, Music Before 1800 (New York), Baldwin-Wallace Bach Festival, and many others. His concerto repertoire ranges from Bach to Nyman, and he regularly performs modern harpsichord concertos, such as the Petite Symphonie Concertante by Frank Martin, and the Harpsichord Concerto by the same composer. He has accompanied Swedish mezzo-soprano Anne Sofie von Otter in recitals and, with lutenist Jakob Lindberg, they have recorded a programme of English and Italian music of the 17th century entitled "Music for a While". In recent seasons, Vinikour has appeared as conductor with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
