Robert Jefferson Bingham
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Robert Jefferson Bingham
Robert Jefferson Bingham (bapt. 7 March 1824 – 21 February 1870) was an English pioneer photographer, mainly active in France, making portraits and reproductions of paintings. He is one of the first photographers to use and write about the collodion process, which he claimed to have invented. Early life and family Bingham was born in Billesdon, Leicestershire, England, where he was baptised in March 1824. His parents were John Cowener Bingham and his wife, Martha. In 1853, at the British Embassy in Paris, he married Emma Reeve, daughter of surgeon John Reed of Kinver, Staffordshire. She died 15 years later at their home on rue de La Rochefoucauld in Paris. Career Bingham first started working as a chemist at the London Institution. In 1847, he published a new edition of "''Photogenic manipulation'', containing the theory and plain instructions in the art of photography", a work that would be expanded and reprinted at least four times over the next few years. He showed 19 p ...
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Mgr Georges Darboy Photographie Ca1860 BNF Gallica
M. G. Ramachandran (1917–1987) was the Former Chief Minister of Tamil Nadu. MGR may also refer to: * ManaGeR (MGR), graphical window system * Merry-go-round train, British freight-train design Mgr. is an honorific or abbreviation for: * Manager (other) * Monseigneur (also Msgr.) * Monsignor (also Msgr., Mons.) {{disambig ...
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Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Gustave Le Gray
Jean-Baptiste Gustave Le Gray (; 30 August 1820 – 30 July 1884)Le Corre, Florence "Translated from the catalogue ''Une visite au camp de Châlons sous le Second Empire: photographies de Messieurs Le Gray, Prévot...'', Paris: musée de l'Armée, 1996, pp. 130-131." Retrieved September 15, 2008. was a French painter, draughtsman, sculptor, print-maker, and photographer. He has been called "the most important French photographer of the nineteenth century" because of his technical innovations, his instruction of other noted photographers, and "the extraordinary imagination he brought to picture making."J. Paul Getty MuseumGustave Le Gray, Photographer. July 9 - September 29, 2002.Retrieved September 14, 2008. He was an important contributor to the development of the wax paper negative. Biography Gustave Le Gray was born on 30 August 1820 in Villiers-le-Bel, Val-d'Oise. He was an only child, and his parents encouraged him to become a solicitor's clerk, but from a young age, he aspir ...
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Frederick Scott Archer
] Frederick Scott Archer (1813 – 1 May 1857) was an English photographer and sculptor who is best known for having invented the photographic collodion process which preceded the modern gelatin emulsion. He was born in either Bishop's Stortford or Hertford, within the county of Hertfordshire, England (United Kingdom of Great Britain and Ireland) and is remembered mainly for this single achievement which greatly increased the accessibility of photography for the general public. Life Scott Archer was the second son of a butcher in Bishops Stortford in Hertfordshire who went to London to take an apprenticeship as a goldsmith and silversmith with a Mr Massey of 116 Leadenhall Street. On the recommendation of Edward Hawkins he trained at the Royal Academy Schools a sculptor and found calotype photography useful as a way of capturing images of his sculptures. Dissatisfied with the poor definition and contrast of the calotype and the long exposures needed, Scott Archer invented the ...
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Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ...
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Paul Durand-Ruel
Paul Durand-Ruel (31 October 1831, Paris – 5 February 1922, Paris) was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system. Early life and education Born Paul-Marie-Joseph Durand-Ruel in Paris, son of Jean Marie Fortuné Durand and Marie Ferdinande Ruel. His parents, who opened an art shop in 1839, used the Durand-Ruel name for the family business. In 1851, Paul e ...
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Alfred Cadart
Alfred Cadart (4 April 1828 – 27 April 1875) was a French printer, writer and publisher, notable for his major part in the etching revival in mid-19th-century France and beyond. As founder of the French Société des Aquafortistes, he combined strategic understanding with a passion for the artistic qualities of the etching. His efforts to promote the art of etching did not bring him financial success, but he did help develop the infrastructure for original printmaking that emerged in the 1890s. Life He was born in Saint-Omer to a hotelier and began his working life in the Compagnie des chemins de fer du Nord. He married the sister of François Chifflart, a painter. He made contact with emerging realist artists such as Alphonse Legros and François Bonvin and later published several plates after paintings by Gustave Courbet. Bibliography * Janine Bailly-Herzberg Janine Bailly-Herzberg (1920–2005) was a French art historian, specialising in 19th-century ...
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Goupil & Cie
Goupil & Cie is an international auction house and merchant of contemporary art and collectibles. Jean-Baptiste Adophe Goupil founded Goupil & Cie in 1850. Goupil & Cie became a leading art dealership in 19th-century France, with its headquarters in Paris. Step by step, Goupil established a worldwide trade in fine art reproductions of paintings and sculptures, with a network of branches and agents in London and other major art capitals across Continental Europe as well as in New York City and Australia. ''Les'' ''Ateliers Photographiques'', their workshop north of Paris, in Asnières, was instrumental in their expansion from 1869. The leading figure of Goupil & Cie was Jean-Baptiste Adolphe Goupil (1806–1893). His daughter Marie married the French artist Jean-Léon Gérôme. History Jean-Baptiste Adolphe Goupil Jean-Baptiste Adolphe Goupil, was born on March 7, 1806 in Paris. He was the son of Auguste Goupil, pharmacist, and Anne Lutton (1774-1849) and ancestor of Hube ...
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Société Française De Photographie
The Société française de photographie (SFP) is an association, founded on 15 November 1854, devoted to the history of photography. It has a large collection of photographs and old cameras. Among the founding members were Olympe Aguado, Hippolyte Bayard, Alexandre Edmond Becquerel, Eugène Durieu, Edmond Fierlants, Jean-Baptiste Louis Gros, Gustave Le Gray and Henri Victor Regnault. Henri Victor Regnault was the first president. History The Société française de photographie, founded on 15 November 1854, was based on the short-lived Société héliographique (1851) but differed in that it was less elitist and more forward-looking. Some accounts mistakenly link the two organizations more closely, referring simply to a change in the name with a view to giving the SFP the status of the world's oldest photography organization. A careful analysis of the Société héliographique describes in detail how the initial enthusiasm for the organization quickly disappeared resulting in the ...
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1862 International Exhibition
The International Exhibition of 1862, or Great London Exposition, was a world's fair. It was held from 1 May to 1 November 1862, beside the gardens of the Royal Horticultural Society, South Kensington, London, England, on a site that now houses museums including the Natural History Museum and the Science Museum. Organisation The exposition was sponsored by the Royal Society of Arts, Manufactures and Trade, and featured over 28,000 exhibitors from 36 countries, representing a wide range of industry, technology, and the arts. William Sterndale Bennett composed music for the opening ceremony. All told, it attracted about 6.1 million visitors. Receipts (£459,632) were slightly above cost (£458,842), leaving a total profit of £790. It was held in South Kensington, London, on a site now occupied by the Natural History Museum. The buildings, which occupied 21 acres, were designed by Captain Francis Fowke of the Royal Engineers, and built by Lucas Brothers and Sir John Kelk. They ...
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Salon Des Refusés
The Salon des Refusés, French for "exhibition of rejects" (), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863. Today, by extension, ''salon des refusés'' refers to any exhibition of works rejected from a juried art show. Background of the Salon of 1863 The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was a showcase of the best academic art. A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government, and were sought after for portraits and private commissions. Since the 18th century, the paintings were classified by genre, following a specific hierarchy; history paintings were ranked first, followed by the portrait, the landscape, the "genre scene", and the still life. The jury, headed by the Comte de Nieuwerkerke, the h ...
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Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ...
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