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Robert Irving (conductor)
Robert Augustine Irving, DFC*, (28 August 191313 September 1991) was a British conductor whose reputation was mainly as a ballet conductor. Born in Winchester, England, the son of mountaineer and author R. L. G. Irving, he was educated at Winchester College and New College, Oxford, graduating with a degree in music. He studied with Malcolm Sargent and Constant Lambert at the Royal College of Music from 1934 to 1936. During World War II, he served with the Royal Air Force, and was awarded the Distinguished Flying Cross (DFC) and bar. He then became assistant conductor with the BBC Scottish Symphony Orchestra, and was conductor and musical director of Sadler's Wells Ballet from 1949 to 1958, working closely with Sir Frederick Ashton on several ballets. Having assisted Ashton in choosing music for his ''Picnic at Tintagel'' for New York City Ballet in 1952, Irving helped the choreographer to surmount musical problems in the last act of his '' Sylvia'' in September the same y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Irving (conductor)
Robert Augustine Irving, DFC*, (28 August 191313 September 1991) was a British conductor whose reputation was mainly as a ballet conductor. Born in Winchester, England, the son of mountaineer and author R. L. G. Irving, he was educated at Winchester College and New College, Oxford, graduating with a degree in music. He studied with Malcolm Sargent and Constant Lambert at the Royal College of Music from 1934 to 1936. During World War II, he served with the Royal Air Force, and was awarded the Distinguished Flying Cross (DFC) and bar. He then became assistant conductor with the BBC Scottish Symphony Orchestra, and was conductor and musical director of Sadler's Wells Ballet from 1949 to 1958, working closely with Sir Frederick Ashton on several ballets. Having assisted Ashton in choosing music for his ''Picnic at Tintagel'' for New York City Ballet in 1952, Irving helped the choreographer to surmount musical problems in the last act of his '' Sylvia'' in September the same y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Boutique Fantasque
''La Boutique fantasque'', also known as ''The Magic Toyshop'' or ''The Fantastic Toyshop'', is a ballet in one act conceived by Léonide Massine, who devised the choreography for a libretto written with the artist André Derain, a pioneer of Fauvism. Derain also designed the décor and costumes for the ballet. Ottorino Respighi wrote the music based on piano pieces by Gioachino Rossini. Its world premiere was at the Alhambra Theatre in London on 5 June 1919, performed by Sergei Diaghilev's Ballets Russes. Massine described how, in Rome for a ballet season, Respighi brought the score of Rossini's '' Péchés de vieillesse'' to Diaghilev. The impresario played them to Massine and Respighi. Toulouse-Lautrec was an influence on the period setting and style of ''La Boutique fantasque'', and Massine envisaged the principal character "quite Lautrec-like". Diaghilev arranged for Massine to meet Derain in Paris, and they worked out the scenario with the artist's marionette theatre at hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Patineurs (ballet)
''Les Patineurs'' (''The Skaters'') is a ballet choreographed by Frederick Ashton to music composed by Giacomo Meyerbeer and arranged by Constant Lambert. With scenery and costumes designed by William Chappell, it was first presented by the Vic-Wells Ballet at the Sadler's Wells Theatre, London, on 16 February 1937. It has been called "a paradigm of an Ashton ballet, perfectly crafted with a complex structure beneath the effervescent surface." Synopsis The ballet, in one act, depicts a Victorian skating party that takes place on a frozen pond on a winter's evening. A semicircle of arched trellises painted white separates the pond from the snowy woods behind. Suspended above are colourful Chinese lanterns, shedding light on the white canvas stage covering, simulating ice, and dimly illuminating the dark trees silhouetted against the starry night sky. The first skaters to enter are four couples dressed in matching brown jackets. They are soon joined by others: two girls wearing blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Cid (opera)
''Le Cid'' is an opera in four acts and ten tableaux by Jules Massenet to a French libretto by Louis Gallet, Édouard Blau and Adolphe d'Ennery. It is based on the play of the same name by Pierre Corneille. It was first performed by a star-studded cast at the Paris Opéra on 30 November 1885 in the presence of President Grévy, with Jean de Reszke as Rodrigue. The staging was directed by Pedro Gailhard, with costumes designed by Comte Lepic, and sets by Eugène Carpezat (act 1), Enrico Robecchi and his student Amable (act 2), Auguste Alfred Rubé, Philippe Chaperon and their students Marcel Jambon (act 3), and Jean-Baptiste Lavastre (act 4). The opera had been seen 150 times by 1919 but faded from the repertory and was not performed again in Paris until the 2015 revival at the Palais Garnier. While ''Le Cid'' is not in the standard operatic repertory, the ballet suite is a popular concert and recording piece which includes dances from different regions of Spain. It was speciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinderella (Ashton)
This version of the ''Cinderella'' ballet, using Sergei Prokofiev's ''Cinderella'' music and re-choreographed by Frederick Ashton, is a comic ballet. Ballet productions Plot outline Ashton's ''Cinderella'' is his own realised dream of a Petipa ballet and the ballet itself enacts the realisation of dreams, notably Cinderella's own. When we first see her she is a demi-caractere dancer dreaming of being a ballerina—that seems to be the balletic point of her solo with the broomstick in the kitchen—and it is as a ballerina that she magically enters the ballroom, stepping ''en pointe'' down the stairs and advancing in ''pas de bourree'' to the front of the stage. Back in the kitchen she recalls the slipper (or rather the pointe shoe) that she carries in her apron; the shoe is the clue to her dream and persuades her it was true. The Prince finds Cinderella, but in his arms she discovers her own identity as a ballerina and her dream of herself has been realised. Cinderella's mic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadia Nerina
Nadia is a female name. Variations include Nadja, Nadya, Nadine, Nadiya, and Nadiia. Most variations of the name are derived from Arabic, Slavic languages, or both. In Slavic, names similar to ''Nadia'' mean "hope" in many Slavic languages: Ukrainian ''Nadiya'' (Надія, accent on the ''i''), Belarusian ''Nadzieja'' (Надзея, accent on the ''e''), and Old Polish ''Nadzieja'', all of which are derived from Proto-Slavic ''*naděja'', the first three from Old East Slavic. In Bulgarian and Russian, on the other hand, Nadia or Nadya (Надя, accent on first syllable) is the diminutive form of the full name Nadyezhda (Надежда), meaning "hope" and derived from Old Church Slavonic, which it entered as a translation of the Greek word ''ἐλπίς'' (Elpis (mythology), Elpis), with the same meaning. In Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Sylphides
''Les Sylphides'' () is a short, non-narrative ''ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Somes
Michael George Somes CBE (28 September 191718 November 1994), was an English ballet dancer. He was a principal dancer of The Royal Ballet, London, and the frequent partner of Margot Fonteyn. Early years Somes was born in Horsley, Gloucestershire, England, the son of Edwin Joseph Somes (1882-1973), a professional musician, and Ethel M. M. Pridham (1889-1972), a schoolmistress. He had an elder brother, Laurence Joseph Somes (1913-1987). Career In 1934, he was awarded the first scholarship given to a male by the Royal Ballet (then known as the Vic-Wells Ballet). In 1938, he and Fonteyn created the principal rôles in the Frederick Ashton/Constant Lambert ballet '' Horoscope'', after which he was described as "potentially the finest British male dancer of the half century". He originated rôles in 24 ballets choreographed for the company by Ashton, and was the lead male dancer for the company from 1951 until the arrival of Rudolf Nureyev in 1962. From then on, Somes appeared in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margot Fonteyn
Dame Margaret Evelyn de Arias DBE (''née'' Hookham; 18 May 191921 February 1991), known by the stage name Margot Fonteyn, was an English ballerina. She spent her entire career as a dancer with the Royal Ballet (formerly the Sadler's Wells Theatre Company), eventually being appointed ''prima ballerina assoluta'' of the company by Queen Elizabeth II. Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work. Her training in Shanghai was with Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet. Returning to London at the age of 14, she was invited to join the Vic-Wells Ballet School by Ninette de Valois. She succeeded Alicia Markova as prima ballerina of the company in 1935. The Vic-Wells choreographer, Sir Frederick Ashton, wrote numerous parts for Fonteyn and her partner, Robert Helpmann, with whom she danced from the 1930s to the 1940s. In 1946, the company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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