Robert Goble
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Robert Goble
Robert Goble (1903–1991) was an English harpsichord builder. The son of Harriet and John Goble, a wheelwright, he grew up in Thursley, Surrey. He first encountered pioneering early-instrument-maker Arnold Dolmetsch and his family in the autumn of 1917, when they took refuge from London air raids by renting a small house in Thursley before settling in nearby Jesses, Haslemere. He was later taken on by Dolmetsch as an assistant. In 1928, a music scholarship from Dolmetsch went to Elizabeth Brown, of Liverpool, who was to become Goble's wife in 1930; he survived her by 10 years. She was primarily a keyboard player; she later became a player of the bass viol. In the late 1930s he set up independently, making recorders and furniture. He also made a harpsichord for his wife, using a plucking mechanism that he had invented and was to patent; though it was not practical in the long run and he did not take it further. He had two sons: Andrea, born in 1931, followed his father into the ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Early Instrument
In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments". This article consists of a list of such instruments in the European tradition, including both instruments that are now obsolete and early versions of instruments that continued to be used in later classical music. Renaissance (1400–1600) Strings * Violin * Viol * Viola * Cello * Lira da braccio * Contrabass * Violone * Lute * Theorbo * Archlute * Gittern * Mandore (instrument), Mandore * Harp * Cittern * Vihuela Woodwinds * Cornamuse * Cromorne * Crumhorn * Rauschpfeife * Recorder (musical instrument), Recorder * Shawm * Dulcian Brasses * Trumpet * Cornett * Sackbut * Serpent (instrument), Serpent * Natural horn * Slide trumpet * Natural trumpet * Horn (instrument), Horn Keyboards * Clavichord * Harpsichord * Regal (i ...
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Harpsichord Makers
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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List Of Historical Harpsichord Makers
This page presents a graphical timelines, listing historical makers of the harpsichord and related instruments such as the virginal, spinet and clavicytherium. The makers are grouped according to which regional building tradition they belong. Graphical timeline overview Below is an overview of arguably the most important harpsichord makers whose names are known today, but the list is by no means exhaustive. Some of those listed were founders and members of influential harpsichord building dynasties. Others are known only through one or two instruments that have serendipitously survived, but are included because these instruments have proven a popular inspiration to modern builders who copy them. Some of the makers who started the historically informed harpsichord revival are also included. Notes on overview * Makers whose dates of birth or death are unknown are marked with an asterisk (*). In such cases, the time period indicated by the graphic is demarcated by the earliest or la ...
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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ...
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Christian Zell
Christian Zell (or Zelle) (c. 1683An entry in the register of deaths and burials at the Jacobikirche in Hamburg states he was 79½ when he died, though there is no record of his exact birth date. – 13 April 1763) was a German harpsichord maker. He was probably a pupil of harpsichord maker Michael Mietke. The first mention of him is in 1722 in the register of citizens of Hamburg, the city where he was to spend the rest of his life. In that year, he took over the workshop of instrument maker Carl Conrad Fleischer after marrying his widow; they had three children. There are three of his harpsichords surviving: a 1728 instrument in the Museum für Kunst und Gewerbe Hamburg; a 1737 instrument in thMuseu de la Música de Barcelona and a 1741 instrument in the Museum of the Organeum in Weener, Lower Saxony. They are noted for the richness of their decoration, with lacquered chinoiserie typical of Hamburg harpsichords, and most significantly, their 'matchless tone'. The harpsichord ...
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Boys For Pele
''Boys for Pele'' is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos's least radio friendly material to date, ''Boys for Pele'' debuted at number two on both the US ''Billboard'' 200 and the UK Albums Chart, making it her biggest simultaneous transatlantic debut, her first ''Billboard'' top 10 debut, and the highest-charting US debut of her career to date. ''Boys for Pele'' was recorded in rural Ireland and Louisiana and features 18 songs that incorporate harpsichord, clavichord, harmonium, gospel choirs, brass bands and full orchestras. Amos wrote all of the tracks, and for the first time, she served as sole producer for her own album. For Amos, the album was a step into a different direction, in terms of singing, songwriting, an ...
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Tori Amos
Tori Amos (born Myra Ellen Amos; August 22, 1963) is an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She had to leave at the age of eleven when her scholarship was discontinued for what ''Rolling Stone'' described as "musical insubordination". Amos was the lead singer of the short-lived 1980s Pop music, pop group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics, and religion. Her charting singles include "Crucify (song), Crucify", "Silent All These Years", "God (Tori Amos song), God", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark (Tori Amos song), Spark", "1000 O ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ...
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Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day (Netherlands), Liberation Day , established_date5 = 5 May 1945 , established_title6 = Charter for the Kingdom of the Netherlands, Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Dissolution of the Netherlands Antilles, Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch language, Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Reco ...
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Millicent Silver
Millicent Irene Silver (17 November 19051 May 1986) was an English harpsichordist, who began her career as a pianist and violinist. Early life Born in South London, her father, James Brand Silver, was a violinist and oboist, and had been a boy chorister at St. George's Chapel, Windsor where his singing attracted the attention of Queen Victoria. Her mother Amelia Argyle Silver was a piano teacher. Millicent was the second of four children. Her musical talent was discovered at the age of three, when she imitated her elder brother's practising. She won a scholarship to the Royal College of Music where she studied piano and violin equally. She was awarded the Chappell Silver Medal for piano playing and, in 1928, the college's Tagore Gold Medal for the best student of her year. As a violinist she was guided by W. H. "Billy" Reed, leader of the London Symphony Orchestra and friend of Edward Elgar. She earned her first professional fees playing as a violinist in the Hallé Orchest ...
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