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Robert Garfias
Robert Garfias (b. 1932 in San Francisco) is an American ethnomusicologist and musicologist. He is a professor of Anthropology and a member of The Social Dynamics and Complexity Group at the University of California, Irvine as well as a professor at the Japanese National Museum of Ethnology in Senri, Osaka. During the 1950s Garfias performed for several years in the Sausalito ensemble of Harry Partch, appearing on two LPs (''Plectra & Percussion Dances'', 1953; and ''Oedipus'', 1954In 1955 he produced an 11-part radio series about the music of Japan for the KPFA radio station, and from 1962 to 1968 he served as the first music director for KRAB, a noncommercial listener-supported station in Seattle, WA, producing several hundred programs for a series called "Ethnic Music with Robert Garfias" between 1963 and 19He completed his doctorate at University of California, Los Angeles and taught at the University of Washington where he established the graduate program in ethnomusicology b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Culture
The culture of Japan has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world. Historical overview The ancestry of Japanese people remains mysterious; however, there are two competing hypotheses that try to explain the lineage of the Japanese people. The first hypothesis proposes a dual-structure model, in which Japanese populations are descendants of the indigenous Jomon people and later arrivals of people from the East Eurasian continent, known as the Yayoi people. Japan's indigenous culture originates primarily from the Yayoi people who settled in Japan between 1000 BCE and 300 CE. Yayoi culture spread to the main island of Honshū, mixing with the native Jōmon culture. Modern Japanese have an estimated 80% Yayoi and 20% Jōmon ancestry. The second hypothesis posits a tripartite model of genomic origin. This hypothesis proposes that co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyeongyeong
The ''bianqing'' (Chinese: 编磬) is a traditional Chinese percussion instrument consisting of a set of L-shaped flat stone chimes known as ''qing'', played melodically. The chimes were hung in a wooden frame and struck with a mallet. Along with the bronze bells called ''bianzhong'', they were an important instrument in China's ritual and court music going back to ancient times. The instrument was imported to Vietnam (where it is called ''biên khánh''), and Korea (where it is called ''pyeongyeong''). In the 11th year of King Yejong of Goryeo (1116), it was imported from the Song Dynasty. It is still used in Korean court and ritual music. History The bianqing existed before Shang Dynasty. The bianqing in the Shang Dynasty are made of stone, jade and bronze. The tiger shaped stone bianqing unearthed from the Yin tomb in the village of Wu Guan in Anyang, Henan Province, is made of marble and has a history of more than 3000 years. Its timbre is as clear as that of bronze musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jongmyo (Seoul)
Jongmyo (Hangul: 종묘; Hanja: 宗廟) is a Confucian shrine dedicated to the perpetuation of memorial services for the deceased kings and queens of the Korean Joseon Dynasty (1392–1897). According to UNESCO, the shrine is the oldest royal Confucian shrine preserved and the ritual ceremonies continue a tradition established in the 14th century. Such shrines existed during the Three Kingdoms of Korea period (57–668), but these have not survived. The Jongmyo Shrine was added to the UNESCO World Heritage list in 1995. Changdeok Palace and Changgyeong Palace lie to the north of Jongmyo. Yulgok-ro separated Jongmyo from the palaces from 1932 to 2019, until Yulgok-ro was turned into a road tunnel and the connection between Jongmyo and the palaces restored. The main buildings of Jongmyo were constructed in October 1394 when Taejo, founder and first king of Joseon, moved the capital to Hanseong (present-day Seoul). The shrine was destroyed by fire in the Japanese invasions of Kor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayageum
The ''gayageum'' or ''kayagum'' (in Korean 가야금, 伽倻琴 in Chinese characters) is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is similar with other Asian instruments like Chinese ''guzheng'', Japanese ''koto'', Mongolian ''yatga'', Vietnamese ''đàn tranh'', Sundanese ''kacapi'' and Kazakh ''jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' gayageu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajaeng
The ''ajaeng'' is a Korean string instrument. It is a wide zither with strings of twisted silk. It is played with a slender stick of forsythia wood that is drawn across the strings in the manner of a bow. The ''ajaeng'' mainly plays the bass part in ensemble music. And the ''ajaeng'' is divided into two types. The ''ajaeng'' used in court music is called ''jeongak ajaeng'', and the ''ajaeng'' used in folk music is called '' sanjo ajaeng''. The original version of the instrument, and that used in court music (called the ''jeongak ajaeng''), has seven strings; while the ''ajaeng'' used for '' sanjo'' and ''sinawi'' (called the ''sanjo ajaeng'') has eight. Some instruments have as many as nine to twelve strings. The ''ajaeng'' is generally played while seated on the floor. It has a tone similar to that of a cello, but raspier. Some contemporary players prefer to use an actual horsehair bow rather than a stick, believing the sound to be smoother. The instrument is used in court, ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Korean Musical Instruments
Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String Korean string instruments include those that are plucked, bowed, and struck. Most Korean string instruments use silk strings, except as noted. Plucked Zithers * Gayageum (hangul: 가야금; hanja: 伽 倻 琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings * Geomungo (hangul: 거문고) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth ** Cheolhyeongeum (hangul: 철현금; hanja: 鐵 絃 琴) – A geomungo with 8 steel strings plucked with a bamboo stick and played with a slide made out of either glass or metal in the manner of a slide guitar, developed in the 20th century [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shona Music
Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In Shona music, there is little distinction between the performer and the audience, both are often actively involved in the music-making, and both are important in the religious ceremonies where Shona music is often heard. Mbira The mbira is a traditional instrument of the Shona People often used in religious ceremonies. There are several different varieties of mbira including the mbira dzavadzimu and mbira nyunga nyunga. Shona music is well known as representative of mbira ("thumb piano") music. The performer of the "kushaura" (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanjo (music)
''Sanjo'', literally meaning 'scattered melodies', is a style of traditional Korean music, involving an instrumental solo accompanied by drumming on the ''janggu'', an hourglass-shaped drum. The art of ''sanjo'' is a real crystallization of traditional Korean melody and rhythm which may have been handed down by rote generation after generation. The drummer who beats the ''janggu'' also makes '' chuimsae'' (exclamations) in order to please the audience. The audience can also express their excited feeling with ''chuimsae'' while listening to ''sanjo''. A big ''chuimsae'' indicates a good performance, so the musician can make a better performance. Like ''pansori'', ''chuimsae'' plays an important role in ''sanjo''. Without ''chuimsae'', the music is meaningless. ''Chuimsae'' connects musician and audience during a ''sanjo'' performance. Almost every Korean traditional musical instrument is used in ''sanjo'': gayageum, geomungo, daegeum, haegeum, piri, taepyeongso, ajaeng, danso. ''Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of University Of California, Irvine People
This article lists noted individuals associated with the University of California, Irvine. Students and alumni The following are noted alumni and students of the University of California, Irvine, listed by the field(s) they have been noted for. When the information is known and available, degree and year are listed in parentheses. Art * Michael Asher (B.F.A. 1966) – conceptual artist * Dan Bayles (M.F.A. 2007) – abstract artist * Chris Burden (M.F.A. 1971) – performance artist * Erica Cho (M.F.A) – artist * Garnet Hertz (M.F.A, PhD.) – artist, designer, academic * Tom Jancar, (B.A. 1974 and M.F.A. 1976) - contemporary art dealer Jancar Kuhlenschmidt Gallery and Jancar Gallery * Barbara T. Smith (M.F.A. 1971) – performance artist * James Turrell - attended, minimalist artist primarily known for his use of light and space installations Film, television, and entertainment * Colet Abedi (B.A. English literature) – writer and television producer * Aras Baskauskas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
