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Robert F. Denzler
Robert Heinrich Friedrich Denzler (19 March 1892 – 25 August 1972) was a Swiss composer and conductor. He was committed to the music of Richard Wagner and contemporary works. Life Denzler was the son of a rope maker. He studied with Fritz Niggli (piano) as well as with William Ackroyd and with Willem de Boer (violin) at the Zurich University of the Arts. He also received private lessons in theory and composition from Volkmar Andreae, principal conductor of the Tonhalle Orchester Zürich. In 1911/12, he was trained as a concert pianist at the with Lazzaro Uzielli. During the summer months, he also worked as a musical assistant at the Bayreuth Festival under the conductors Hans Richter, Karl Muck and Michael Balling and as répétiteur at the Cologne Stadttheater. From 1912 to 1915, he was municipal music director in Lucerne. In 1913, he became cantonal music director. After that, he became the 1st Kapellmeister of the Zurich Opera House, succeeding Lothar Kempters. There, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rope
A rope is a group of yarns, plies, fibres, or strands that are twisted or braided together into a larger and stronger form. Ropes have tensile strength and so can be used for dragging and lifting. Rope is thicker and stronger than similarly constructed cord, string, and twine. Construction Rope may be constructed of any long, stringy, fibrous material, but generally is constructed of certain natural or synthetic fibres. Synthetic fibre ropes are significantly stronger than their natural fibre counterparts, they have a higher tensile strength, they are more resistant to rotting than ropes created from natural fibres, and they can be made to float on water. But synthetic ropes also possess certain disadvantages, including slipperiness, and some can be damaged more easily by UV light. Common natural fibres for rope are Manila hemp, hemp, linen, cotton, coir, jute, straw, and sisal. Synthetic fibres in use for rope-making include polypropylene, nylon, polyesters (e.g. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Götterdämmerung
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Rudolf Vaget
Hans Rudolf Vaget (born February 2, 1938 in Marienbad, Czechoslovakia) is Professor emeritus of German Studies at Smith College. Life Hans Rudolf Vaget is Professor emeritus of German Studies at Smith College, where he taught from 1967 to 2004. A graduate of the Eberhard-Ludwigs Gymnasium, Stuttgart, he received his academic training at the University of Munich and University of Tübingen, the University of Wales at Cardiff and at Columbia University, New York. He has published widely in the field of German Studies from the 18th century to the present. In addition to Smith College, Vaget has taught at the University of California, Irvine; at Yale, at Columbia, at Princeton, the University of Massachusetts, Amherst, Middlebury College, and Hamburg University. The emphasis of Vaget's scholarship has been on Goethe, Wagner, and Thomas Mann. A co-founder and former president; of the Goethe Society of North America, Vaget is one of the chief editors of the new edition of the works, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NSDAP
The Nazi Party, officially the National Socialist German Workers' Party (german: Nationalsozialistische Deutsche Arbeiterpartei or NSDAP), was a far-right politics, far-right political party in Germany active between 1920 and 1945 that created and supported the ideology of Nazism. Its precursor, the German Workers' Party (; DAP), existed from 1919 to 1920. The Nazi Party emerged from the Extremism, extremist German nationalism, German nationalist, racism, racist and populism, populist paramilitary culture, which fought against the communism, communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeoisie, bourgeois, and anti-capitalism, anti-capitalist rhetoric. This was later downplayed to gain the support of business leaders, and in the 1930s, the party's main focus shifted to Antisemitism, antisemitic and Criticism of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo Und Julia (Sutermeister Opera)
is an opera in two acts by Heinrich Sutermeister. The composer wrote the libretto, after Shakespeare's ''Romeo and Juliet''. Erik Levi explains that the opera: "presents a synthesis of Romantic and impressionist elements. It marks a ... return to the conception of opera as a sequence of closed forms, incorporating ... stylistic features related to madrigal, oratorio and pantomime." Performance history It was first performed on 13 April 1940, at the Semperoper, Dresden, under the musical direction of Karl Böhm, who also commissioned the work, with Maria Cebotari as Julia, and was a considerable success. It was also performed at Sadler's Wells in London in the mid-50s. Roles Synopsis Sutermeister's version follows Shakespeare's plot. In the final scene, a celestial chorus celebrate the union in death of the two lovers. Recordings Sutermeister: ''Romeo und Julia'' – Bavarian Radio Chorus, Tölzer Knabenchor, Munich Radio Orchestra *Conductor: Heinz Wallberg *Principal singer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Macbeth Of The Mtsensk District (opera)
''Lady Macbeth of Mtsensk'' (russian: Леди Макбет Мценского уезда, translit=Ledi Makbet Mtsenskogo uyezda, link=no, translation=Lady Macbeth of the Mtsensk District) is an opera in four acts and nine scenes by Dmitri Shostakovich, his Opus 29. The libretto, jointly written by Alexander Preys and the composer, is based on the novella ''Lady Macbeth of the Mtsensk District'' by Nikolai Leskov. Dedicated by Shostakovich to his first wife, physicist Nina Varzar, the roughly 160-minute opera was first performed on 22 January 1934 at the Leningrad Maly Operny, and two days later in Moscow. It incorporates elements of expressionism and verismo, telling the story of a lonely woman in 19th-century Russia who falls in love with one of her husband's workers and is driven to murder. Performance history Despite early success on popular and official levels, ''Lady Macbeth'' became the vehicle for a general denunciation of Shostakovich's music by the Communist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schweigsame Frau
''Die schweigsame Frau'' (''The Silent Woman''), Op. 80, is a 1935 comic opera in three acts by Richard Strauss with libretto by Stefan Zweig after Ben Jonson's '' Epicoene, or the Silent Woman''. Composition history Since '' Elektra'' and ''Der Rosenkavalier'', with only the exception of ''Intermezzo'', all previous operas by Strauss were based on libretti by Hugo von Hofmannsthal, who died in 1929. Stefan Zweig, who was then a celebrated author, had never met Strauss, who was his senior by 17 years. In his autobiography '' The World of Yesterday'', Zweig describes how Strauss got in touch with him after Hofmannsthal's death to ask him to write a libretto for a new opera. Zweig chose a theme from Ben Jonson. Politics of the opera Strauss was seen as an important icon of German music by the Nazis, who had seized power in Germany in April 1933. Strauss himself was co-operating with the Nazis and became the president of the Reichsmusikkammer in November 1933. Zweig had gotten to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathis Der Maler (opera)
''Mathis der Maler'' (''Matthias the Painter'' is an opera by Paul Hindemith. The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, inspired many creative figures in the early 20th century. Hindemith completed the opera, writing his own libretto, in 1935. By that time, however, the rise of Nazism prevented Hindemith from securing a performance in Germany. The story, set during the German Peasants' War (1524-25), concerns Matthias's struggle for artistic freedom of expression in the repressive climate of his day, which mirrored Hindemith's own struggle as the Nazis attained power and repressed dissent. The opera's obvious political message did not escape the regime. Performance history The opera was first performed at the Opernhaus Zürich on 28 May 1938, conducted by Robert Denzler. On 14 October 1956, a rebuilt Schauspiel Köln in Cologne opened with a gala performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lulu (opera)
''Lulu'' (composed from 1929 to 1935, premièred incomplete in 1937 and complete in 1979) is an opera in three acts by Alban Berg. Berg adapted the libretto from Frank Wedekind's two ''Lulu'' plays, ''Erdgeist'' ('' Earth Spirit'', 1895) and ''Die Büchse der Pandora'' (''Pandora's Box'', 1904). The opera tells the story of a mysterious young woman known as Lulu, who follows a downward spiral from a well-kept mistress in Vienna to a street prostitute in London, while being both a victim and a purveyor of destruction. It explores the idea of the '' femme fatale'' and the duality between her feminine and masculine qualities. Berg died before completing the third and final act, and in the following decades the opera was typically performed incomplete. Since the 1979 publication of the version including Friedrich Cerha's orchestration of the act 3 sketches, it has become standard. ''Lulu'' is especially notable for using serialism at a time that was particularly inhospitable to it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degenerate Music
Degenerate music (german: Entartete Musik, link=no, ) was a label applied in the 1930s by the government of Nazi Germany to certain forms of music that it considered harmful or decadent. The Nazi government's concerns about degenerate music were a part of its larger and better-known campaign against degenerate art (german: Entartete Kunst, link=no). In both cases, the government attempted to isolate, discredit, discourage, or ban the works. Racial emphasis Jewish composers such as Felix Mendelssohn and Gustav Mahler were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to '' A Midsummer Night's Dream''. Though the Nazis wanted to discredit Jewish artists because of their ethnicity, they also wanted to have a better reason . The excuse was that some music was "anti-German" and that was why some songs needed to be banned . The certainty of this philosophy was contrasted by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Dictionary Of Switzerland
The ''Historical Dictionary of Switzerland'' is an encyclopedia on the history of Switzerland that aims to take into account the results of modern historical research in a manner accessible to a broader audience. The encyclopedia is published by a foundation under the patronage of the Swiss Academy of Humanities and Social Sciences (SAGW/ASSH) and the Swiss Historical Society (SGG-SHH) and is financed by national research grants. Besides a staff of 35 at the central offices, the contributors include 100 academic advisors, 2500 historians and 100 translators. Print edition The encyclopedia is published simultaneously in three of Switzerland's national languages: German (''Historisches Lexikon der Schweiz'', HLS, in red), French (''Dictionnaire Historique de la Suisse'', DHS, in blue) and Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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