|
Robert Elliot Bewick
Robert Elliot Bewick (1788–1849) was the son of the engraver Thomas Bewick. He was trained in engraving by his father, but is primarily remembered now as a player of the Northumbrian smallpipes. Background Thomas Bewick had wished to encourage the Northumbrian smallpipes, and to support the piper John Peacock; in his autobiographical ''Memoir'', written in the 1820s, he wrote ''Some time before the American War broke out, there had been a lack of musical performers upon our streets, and in this interval, I used to engage John Peacock, our inimitable performer, to play on the Northumberland or Small-pipes; and with his old tunes, his lilts, his pauses, and his variations, I was always excessively pleased.'' William Green, piper to the Duke of Northumberland, considered Peacock to be the best small pipes player he ever heard in his life. He was probably the first player of the instrument to play an extended keyed chanter. Such chanters were developed in the first decades of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Bewick
Thomas Bewick (c. 11 August 17538 November 1828) was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in ''A History of Quadrupeds''. His career began when he was apprenticed to engraver Ralph Beilby in Newcastle upon Tyne. He became a partner in the business and eventually took it over. Apprentices whom Bewick trained include John Anderson, Luke Clennell, and William Harvey, who in their turn became well known as painters and engravers. Bewick is best known for his '' A History of British Birds'', which is admired today mainly for its wood engravings, especially the small, sharply observed, and often humorous vignettes known as tail-pieces. The book was the forerunner of all modern field guides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northumbrian Smallpipes
The Northumbrian smallpipes (also known as the Northumbrian pipes) are bellows-blown bagpipes from North East England, where they have been an important factor in the local musical culture for more than 250 years. The family of the Duke of Northumberland have had an official piper for over 250 years. The Northumbrian Pipers' Society was founded in 1928, to encourage the playing of the instrument and its music; Although there were so few players at times during the last century that some feared the tradition would die out, there are many players and makers of the instrument nowadays, and the Society has played a large role in this revival. In more recent times the Mayor of Gateshead and the Lord Mayor of Newcastle have both established a tradition of appointing official Northumbrian pipers. In a survey of the bagpipes in the Pitt Rivers Museum, Oxford University, the organologist Anthony Baines wrote: "It is perhaps the most civilized of the bagpipes, making no attempt to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peacock (piper)
John Peacock (c. 1756 in Morpeth – 1817 in Newcastle) was one of the finest Northumbrian smallpipers of his age, and probably a fiddler also, and the last of the Newcastle Waits. He studied the smallpipes with Old William Lamshaw, of Morpeth, and later with Joseph Turnbull, of Alnwick. His playing was highly regarded in his lifetime: Thomas Bewick, the engraver, who also lived and worked in Newcastle, wrote ''Some time before the American War broke out, there had been a lack of musical performers upon our streets, and in this interval, I used to engage John Peacock, our inimitable performer, to play on the Northumberland or Small-pipes; and with his old tunes, his lilts, his pauses, and his variations, I was always excessively pleased.'' William Green, piper to the Duke of Northumberland from 1806, considered him the best small pipes player he ever heard in his life. He is also closely associated with the first printed collection of music for smallpipes, ''A Favorite C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dunn (bagpipe Maker)
John Dunn (ca. 1764–1820) was a noted pipemaker, or maker of bagpipes. Born in Newcastle upon Tyne, England, Dunn was a cabinet maker by profession, initially a junior partner with George Brummell. In the trade directories, he also appears in his own right as a turner (Whitehead 1790) and a plumb maker and turner (Mackenzie & Dent 1811). His address was Bell's Court, off Pilgrim Street. He was buried on 6 February 1820 in St. John's, Newcastle. His father may have been one John Dunn of Longhorsley; if so, he was born on 3 September 1764. He should not be confused with one M. Dunn, the maker of several surviving sets of Union pipes. Work with bagpipes Dunn was a maker of Northumbrian smallpipes and is regarded as the first to have added keys to the chanter, (c. 1800 AD), extending the range of the instrument from an octave to a twelfth. He may thus be regarded as an inventor of the modern instrument. The earliest evidence of such a keyed chanter is the illustration and fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Reid (pipemaker)
Robert Reid (1784 – 1837) is widely acknowledged as the creator of the modern form of the Northumbrian Smallpipes. He lived and worked at first in Newcastle upon Tyne, but moved later to the nearby town of North Shields at the mouth of the Tyne, probably in 1802. North Shields was a busy port at this time. The Reids were a family with a long-standing connection to piping; Robert's father Robert Reed (sic), a cabinet maker, had been a player of ''the Northumbrian big-pipes'', and an associate of James Allan, his son Robert was described later by James Fenwick as ''a beautiful player as well as maker'' of smallpipes, while Robert's son James (1814–1874) joined his father in the business. Robert died in North Shields on the 13th or 14 January 1837, and his death notice in the Newcastle Journal referred to him as a "piper, and as a maker of such instruments is known from the peer to the peasant, for the quality of their tone, and elegance of finish". He is buried in the graveyard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Border Pipes
The border pipes are a type of bagpipe related to the Scottish Great Highland Bagpipe. It is perhaps confusable with the Scottish smallpipe, although it is a quite different and much older instrument. Although most modern Border pipes are closely modelled on similar historic instruments, the modern Scottish smallpipes are a modern reinvention, inspired by historic instruments but largely based on Northumbrian smallpipes in their construction. The name, which is modern, refers to the Anglo-Scottish Border region, where the instrument was once common, so much so that many towns there used to maintain a piper. The instrument was found much more widely than this, however; it was noted as far north as Aberdeenshire, south of the Border in Northumberland and elsewhere in the north of England. Indeed, some late 17th-century paintings, such as a tavern scene by Egbert van Heemskerck, probably from south-eastern England, show musicians playing such instruments. Other names have been use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morpeth Chantry Bagpipe Museum
The Morpeth Chantry Bagpipe Museum is located in Morpeth Chantry, Morpeth, Northumberland, England. The museum, founded in 1987, contains a large collection of historic bagpipes, especially, but not exclusively, historic Northumbrian smallpipes and Border pipes, mainly based on the collection of William Alfred Cocks (1892-1971). The collection had initially been housed in the Black Gate, Newcastle upon Tyne, the home of the city's Society of Antiquaries. The collection also includes a large collection of bagpipe music, both in print and in manuscript, and Cocks's collection of photographs and press cuttings relating to bagpipes; many of these refer to the early years of the Northumbrian Pipers' Society. The current curator is Anne Moore. The museum provides a venue for the regular meetings of the Northumbrian Pipers' Society. In September 2008, disastrous flooding in central Morpeth forced the successful evacuation of the entire collection. After extensive repairs and refur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century British Musicians
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
copy.jpg "Click for more on -> Robert Elliot Bewick")
