Robert Dunham
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Robert Dunham
Robert Dunham (July 6, 1931 – August 6, 2001) was an American actor, entrepreneur, writer, racecar driver, journalist, and a US Marine. He is probably best known for his role as Antonio, Emperor of Seatopia in ''Godzilla vs. Megalon'' (1973); Dunham's biggest role would be that of Mark Jackson in the Japanese film, ''Dogora'' (1964) and Captain Martin in ''The Green Slime'' (1968). Dunham was an American living in Japan during most of the country's "Golden Age" of cinema, and worked in films directed by Ishirō Honda, Jun Fukuda, and Kinji Fukasaku. He sometimes was billed as Dan Yuma or Danny Yuma. Born in Maine, to an affluent family, his parents were Earl and Charlotte Dunham. He has a sister named Patricia June. Robert grew up in Wellesley Hills, Massachusetts. He attended Noble and Greenough School in Dedham, Massachusetts. Dunham was later accepted into Williams College, in Williamstown, Massachusetts, where he received his Bachelor of Arts degree in Art History. After g ...
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Dogora
is a 1964 Japanese Kaiju, ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho, Toho Studios, the film stars Yosuke Natsuki, Nobuo Nakamura, Hiroshi Koizumi, and Akiko Wakabayashi, along with American actor Robert Dunham. The film tells the story of a huge jellyfish-like carbon-eating creature from space that attacks Japan. ''Dogora'' was released theatrically in Japan on August 11, 1964. It was released directly to television in the United States in 1966 by American International Television, under the title ''Dagora, the Space Monster''. Plot When several Communications satellite, TV satellites launched by the Electric Wave Laboratory go missing above Japan, people later discover that they collided with unidentified protoplasmic "space cells" of unknown origin. Meanwhile, Inspector Komai's investigation of unexplained disappearances of diamonds across the globe leads him to the Crystallography, crystallographer Dr. ...
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Yokohama, Japan
is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin Industrial Zone. Yokohama was one of the cities to open for trade with the West following the 1859 end of the policy of seclusion and has since been known as a cosmopolitan port city, after Kobe opened in 1853. Yokohama is the home of many Japan's firsts in the Meiji period, including the first foreign trading port and Chinatown (1859), European-style sport venues (1860s), English-language newspaper (1861), confectionery and beer manufacturing (1865), daily newspaper (1870), gas-powered street lamps (1870s), railway station (1872), and power plant (1882). Yokohama developed ra ...
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ESPY (film)
is a 1974 film based on a story by Sakyo Komatsu. The film was directed by Jun Fukuda from a screenplay by Ei Ogawa. It stars Hiroshi Fujioka, Masao Kusakari, Kaoru Yumi, Tomisaburo Wakayama and Eiji Okada. Plot The International Psychic Power Group is a covert organization financed by the United Nations. Made up of clairvoyant supermen under the guise of the International Pollution Research Center, they wage a private war against enemies that threaten world peace and the total annihilation of the human race. With hostility between the East and West reaching a boiling point, four Eastern European delegates are assassinated aboard the Milan-Geneva International Express on their way to the United Nations for the Mediation Committee of International Dispute. The Baltonian Prime Minister is the next to be targeted for termination. A ruthless psychic assassin named Goro hunts down the psychokinetic saviors, themselves marked for death by an anti-ESPY group led by the insidious and s ...
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The Face Of Another (film)
is a 1966 Japanese New Wave film directed by Hiroshi Teshigahara and based on the 1964 novel of the same name written by Kōbō Abe. The story follows engineer Okuyama, who suffered severe facial burns in a work-related accident and is given a new face in the form of a lifelike mask. Plot Engineer Okuyama's face was disfigured by an explosion in an industrial accident, and wears bandages to cover the burns. Feeling isolated and being physically rejected by his wife, he consults a psychiatrist. Seeing the frustration Mr. Okuyama experiences with his facial disfiguration, the psychiatrist proposes to make an experimental prosthetic mask for him, apparently with great reluctance. The psychiatrist and Okuyama offer a man 10,000 yen to serve as the model for the mask, and the mask is built and fitted onto Okuyama. The psychiatrist demands that Okuyama regularly reports his sensations and thoughts to him, and cautions Okuyama that the mask may change his behavior and personalit ...
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Mothra Vs
is a fictional monster, or ''kaiju'', that first appeared in the 1961 film ''Mothra'', produced and distributed by Toho Studios. Mothra has appeared in several Toho ''tokusatsu'' films, most often as a recurring character in the ''Godzilla'' franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture,''Mothra'' (1961). Directed by Ishirō Honda. Toho the Earth''Godzilla vs. Mothra'' (1992). Directed by Takao Okawara. Toho and Japan.'' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'' (2001). Directed by Shusuke Kaneko. Toho. Mothra's design is influenced by silk worms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching offspring (in some cases, twins) when approaching death, ...
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Flight From Ashiya
''Flight from Ashiya'' (aka ''Ashiya Kara no hiko'') is a 1964 film about the U.S. Air Force's Air Rescue Service, flying from Ashiya Air Base, Japan. In this fictionalized American-Japanese co-production film set in the early 1960s, a flight crew's mission is to rescue a liferaft of Japanese civilians stranded in rough seas. The film was based on the 1956 novel ''Rescue!'' by Elliott Arnold (repressed as ''Flight from Ashiya'' in 1959). It was released in Japan as ''Ashiya Kara no hiko''. Plot MSgt Mike Takashima (Yul Brynner), Col Glenn Stevenson (Richard Widmark) and 1st Lt John Gregg (George Chakiris), all members of the U. S. Air Force Air Rescue Service at Ashiya Air Base, Japan, set out to rescue the survivors of a Japanese ship wrecked in a still-raging storm. As they fly to the site of the wreck, each man recalls a part of his past: Gregg remembers the avalanche caused in Europe when his Sikorsky H-19 Chickasaw helicopter came too close to a mountain. The avalanche su ...
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Woman In The Dunes
is a 1964 Japanese New Wave drama directed by Hiroshi Teshigahara, starring Eiji Okada as an entomologist searching for insects and Kyōko Kishida as the titular woman. It received positive critical reviews and was nominated for two Academy Awards. The screenplay for the film was adapted by Kōbō Abe from his 1962 novel. Plot School teacher and amateur entomologist Niki Junpei leaves Tokyo on a beach expedition to collect tiger beetles and other insects that live in sandy soil. After a long day of searching, Junpei misses the last bus ride back to town. A village elder and some of his fellow local villagers suggest that he stay the night at their village. Junpei agrees and is guided down a rope ladder to a hut at the bottom of a sand dune, the home of a young woman. Junpei learns that she lost her husband and daughter in a sandstorm a year ago and now lives alone; their bodies are said to be buried under the sand somewhere near the hut. After dinner, the woman goes outside to ...
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King Kong Vs
King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king. *In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European traditions of tribal rulership (c.f. Indic ''rājan'', Gothic ''reiks'', and Old Irish ''rí'', etc.). *In the context of classical antiquity, king may translate in Latin as '' rex'' and in Greek as '' archon'' or '' basileus''. *In classical European feudalism, the title of ''king'' as the ruler of a ''kingdom'' is understood to be the highest rank in the feudal order, potentially subject, at least nominally, only to an emperor (harking back to the client kings of the Roman Republic and Roman Empire). *In a modern context, the title may refer to the ruler of one of a number of modern monarchies (either absolute or constitutional). The title of ''king'' is us ...
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High Noon For Gangsters
, also known as ''Greed in Broad Daylight'', is a 1961 Japanese black-and-white yakuza crime drama film directed by Kinji Fukasaku starring Tetsurō Tamba. Plot A Japanese man named Miyahara gathers together a group of people of various nationalities with stains on their records to plan an attack on a U.S. military cash transport truck. The members of the team are Tom, a black soldier previously convicted for murder, Kanayama, a South Korean who pretends to be a radio dealer but is actually a spy who travels between North and South Korea, and John Kennedy, a delinquent American. Tensions boil among the group, gleefully fueled by Miyahara. Miyahara buys Hanako, a half-black and half-Japanese girl, from a restaurant and gives her to Tom to calm him down. Love soon develops between the two outsiders who discover a mutual understanding of each other. Miyahara obtains a pistol from Zhao, a Chinese mastermind who leads to the underworld, and sets out to attack the cash truck. However, t ...
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The Last War (1961 Film)
is a 1961 Japanese tokusatsu science-fiction film directed by Shūe Matsubayashi. Produced and distributed by Toho, it was the Toho's second highest-grossing film in Japan that year. Plot The film begins with a narration over shots of a modern-day Tokyo, noting that 16 years have passed since the end of World War II, and Japan has achieved rapid recovery. Mokichi Tamura works as a driver for a press center, hoping for happiness for his family. His daughter, Saeko, is in love with a merchant, Takano, who has been at sea for a long time. When he returns, the young couple agrees to get married with the consent of Saeko's father. Meanwhile, tensions between the Federation and the Alliance (fictional stand-ins for the United States/NATO and the USSR/Warsaw Pact, respectively) build, especially after an intelligence-gathering vessel is captured. A new Korean War breaks out across the 38th parallel, with the Federation and Alliance drawn into the war. Tensions reach a critical leve ...
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Marines, Let's Go
''Marines, Let's Go'' is a 1961 CinemaScope DeLuxe Color Korean War film about three Marine buddies (Tom Tryon, David Hedison and Tom Reese) on shore leave in Japan and at war in Korea. It was produced and directed by Raoul Walsh, who also wrote the story. Walsh had previously had successes with films about the U.S. Marine Corps in World War I (''What Price Glory? (1926 film), What Price Glory?''), the 1920s (''The Cock-Eyed World'' and ''Sadie Thompson (film), Sadie Thompson''), and World War II (''Battle Cry (film), Battle Cry''). This was the next-to-last film of Walsh's long directing career. Plot summary Four privates romp their way through occupied Japan while on leave, finding a little romance and some laughs. After it's over they head to the front lines of the Korean War where brutality and death are constant. Cast * Tom Tryon as Pfc. Roth * David Hedison as Pfc. Chatfield * Tom Reese (actor), Tom Reese as Pfc. McCaffrey * Linda Hutchings as Grace * Barbara Stuart as Ina ...
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Mothra (film)
is a 1961 Japanese ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the first film in the ''Mothra'' franchise. The film stars Frankie Sakai, Hiroshi Koizumi, Kyōko Kagawa, Jerry Ito, and The Peanuts. In 1960, producer Tomoyuki Tanaka hired Shin'ichirō Nakamura to write an original story for a new ''kaiju'' film. Co-written with Takehiko Fukunaga, and Yoshie Hotta, ''The Glowing Fairies and Mothra'' was serialized in a magazine in January 1961. Screenwriter Shinichi Sekizawa later adapted the story into a screenplay, patterning his version after ''King Kong'' (1933) and ''Godzilla'' (1954). ''Mothra'' was theatrically released in Japan on July 30, 1961. An edited, English dubbed version was released theatrically in the United States on May 10, 1962 by Columbia Pictures. The titular monster, Mothra, would become Toho's second most popular ''kaiju'' character after Godzilla, appearing in eleve ...
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