Ritual Wine Server (guang), Indianapolis Museum Of Art, 60.43
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Ritual Wine Server (guang), Indianapolis Museum Of Art, 60.43
An elaborately decorated "ritual wine server" in the '' guang'' shape (; pinyin: gōng; Wade–Giles: kung1) is a Chinese ritual bronze wine vessel, accession number 60.43, in the permanent Asian collection at the Indianapolis Museum of Art. It dates to about 1100 BCE in the Shang dynasty period. The piece is currently on display in the Arthur R. & Frances D. Baxter Gallery of the museum. Description This ritual wine server, referred to in Chinese as a ''guang'', is a bronze, piece-mold cast vessel complete with removable lid. Adorning the surface of the vessel are three primary decorative animal motifs, including fifteen imaginary creatures cast in relief along the sides. The first animal depicted is apparent in the overall shape and design of the removable lid. Here a battle-horned beast dominates the wide spout, with its large head merging seamlessly with reverse-S shaped bodies descending to the base of the vessel. Under the spout, the beast's forepaws appear posed in a posi ...
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Indianapolis Museum Of Art
The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus and organization was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" to better reflect the breadth of offerings and venues. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields. The Indianapolis Museum of Art is the ninth oldest and eighth largest encyclopedic art ...
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Guang (vessel)
A ''guang'' or ''gong'' is a particular shape used in Chinese art for vessels, originally made as Chinese ritual bronzes in the Shang dynasty (c. 1600 – c. 1046 BC), and sometimes later in Chinese porcelain. They are a type of ewer which was used for pouring rice wine at ritual banquets, and often deposited as grave goods in high-status burial. Examples of the shape may be described as ewers, ritual wine vessels, wine pourers and similar terms, though all of these terms are also used of a number of other shapes, especially the smaller tripod '' jue'' and the larger ''zun''. The ''guang'' has a single thick foot, and a thick hollow body that represents one or more stylized animals (some have a head at both ends). Guangs have a vertical handle at one end and a spout at the other, both zoomorphic, and were often highly decorated with taotie. The handle of the guang is of often in the shape of the neck and head of an animal with stylized horns, and the spout of the vessel is in ...
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Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese form, to learners already familiar with the Latin alphabet. The system includes four diacritics denoting tones, but pinyin without tone marks is used to spell Chinese names and words in languages written in the Latin script, and is also used in certain computer input methods to enter Chinese characters. The word ' () literally means "Han language" (i.e. Chinese language), while ' () means "spelled sounds". The pinyin system was developed in the 1950s by a group of Chinese linguists including Zhou Youguang and was based on earlier forms of romanizations of Chinese. It was published by the Chinese Government in 1958 and revised several times. The International Organization for Standardization (ISO) adopted pinyin as an international standard ...
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Wade–Giles
Wade–Giles () is a romanization system for Mandarin Chinese. It developed from a system produced by Thomas Francis Wade, during the mid-19th century, and was given completed form with Herbert A. Giles's '' Chinese–English Dictionary'' of 1892. The romanization systems in common use until the late 19th century were based on the Nanjing dialect, but Wade–Giles was based on the Beijing dialect and was the system of transcription familiar in the English-speaking world for most of the 20th century. Both of these kinds of transcription were used in postal romanizations (romanized place-names standardized for postal uses). In mainland China Wade–Giles has been mostly replaced by the Hanyu Pinyin romanization system, which was officially adopted in 1958, with exceptions for the romanized forms of some of the most commonly-used names of locations and persons, and other proper nouns. The romanized name for most locations, persons and other proper nouns in Taiwan is based on th ...
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Chinese Ritual Bronze
Sets and individual examples of ritual bronzes survive from when they were made mainly during the Chinese Bronze Age. Ritual bronzes create quite an impression both due to their sophistication of design and manufacturing process, but also because of their remarkable durability. From around 1650 BCE, these elaborately decorated vessels were deposited as grave goods in the tombs of royalty and the nobility, and were evidently produced in very large numbers, with documented excavations finding over 200 pieces in a single royal tomb. They were produced for an individual or social group to use in making ritual offerings of food and drink to his or their ancestors and other deities or spirits. Such ceremonies generally took place in family temples or ceremonial halls over tombs. These ceremonies can be seen as ritual banquets in which both living and dead members of a family were supposed to participate. Details of these ritual ceremonies are preserved through early literary records ...
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Shang Dynasty
The Shang dynasty (), also known as the Yin dynasty (), was a Chinese royal dynasty founded by Tang of Shang (Cheng Tang) that ruled in the Yellow River valley in the second millennium BC, traditionally succeeding the Xia dynasty and followed by the Western Zhou dynasty. The classic account of the Shang comes from texts such as the '' Book of Documents'', '' Bamboo Annals'' and '' Records of the Grand Historian''. According to the traditional chronology based on calculations made approximately 2,000 years ago by Liu Xin, the Shang ruled from 1766 to 1122 BC, but according to the chronology based upon the "current text" of ''Bamboo Annals'', they ruled from 1556 to 1046 BC. Comparing the same text with dates of five-planet conjunctions, David Pankenier, supported by David Nivison, proposed dates of the establishment of the dynasty to 1554 BC. The Xia–Shang–Zhou Chronology Project dated the establishment to c. 1600 BC based on the carbon-14 dates of th ...
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Taotie
The ''Taotie'' () is an ancient Chinese mythological creature that was commonly emblazoned on bronze and other artifacts during the 1st millennium BC. ''Taotie'' are one of the " four evil creatures of the world". In Chinese classical texts such as the "Classic of Mountains and Seas", the fiend is named alongside the ''Hundun'' (), ''Qiongqi'' () and ''Taowu'' (). They are opposed by the Four Holy Creatures, the Azure Dragon, Vermilion Bird, White Tiger and Black Tortoise. The four fiends are also juxtaposed with the four benevolent animals which are Qilin (), Dragon (), Turtle () and Fenghuang (). The ''Taotie'' is often represented as a motif on '' dings'', which are Chinese ritual bronze vessels from the Shang (1766-1046 BCE) and Zhou dynasties (1046–256 BCE). The design typically consists of a zoomorphic mask, described as being frontal, bilaterally symmetrical, with a pair of raised eyes and typically no lower jaw area. Some argue that the design can be traced back ...
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Zoomorphic
The word ''zoomorphism'' derives from the Greek ζωον (''zōon''), meaning "animal", and μορφη (''morphē''), meaning "shape" or "form". In the context of art, zoomorphism could describe art that imagines humans as non-human animals. It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style." In ancient Egyptian religion, deities were depicted in animal form which is an example of zoomorphism in not only art but in a religious context. It is also similar to the term therianthropy; which is the ability to shape shift into animal form, except that with zoomorphism the animal form is applied to a physical object. It means to attribute animal forms or animal characteristics to other animals, or things other than an animal; similar to but broader than anthropomorphism. Contrary to anthropomorphism, which views animal or non-animal behavior in human terms, zo ...
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Shanghai Museum
The Shanghai Museum is a museum of ancient Chinese art, situated on the People's Square in the Huangpu District, Shanghai, Huangpu District of Shanghai, China. Rebuilt at its current location in 1996, it is considered one of China's first world-class modern museums and famous for its large collection of rare cultural pieces. History The museum was founded in 1952 and was first open to the public in the former Shanghai Racecourse club house, now at 325 West Nanjing Road. The founding collections came principally from three sources: a batch of artifacts gathered by the Communist 3rd Field Army during the civil war from accidental finds and confiscations of private property and brought to Shanghai upon the Communists' conquest of the city; artifacts confiscated by the customs service; items sold by private collectors due to political pressure during political purges and purchased by the government. The former Shanghai Municipal Museum was also merged into the new Shanghai Museum. I ...
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Gong Fu Yi Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting b ...
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Circa
Circa is a word of Latin origin meaning 'approximately'. Circa or CIRCA may also refer to: * CIRCA (art platform), art platform based in London * Circa (band), a progressive rock supergroup * Circa (company), an American skateboard footwear company * Circa (contemporary circus), an Australian contemporary circus company * Circa District, Abancay Province, Peru * Circa, a disc-binding notebook system * Circa Theatre, in Wellington, New Zealand * Clandestine Insurgent Rebel Clown Army, a UK activist group * Circa News, an online news and entertainment service * Circa Complex, twin skyscrapers in Los Angeles, California * ''Circa'' (album), an album by Michael Cain * Circa Resort & Casino Circa Resort & Casino is a casino and hotel resort in downtown Las Vegas, Nevada, on the Fremont Street Experience. The property was previously occupied by the Las Vegas Club hotel-casino, the Mermaids Casino, and the Glitter Gulch strip club. Ci ...
, a hotel in downtown Las Vegas ...
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Bronze Age
The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second principal period of the three-age system proposed in 1836 by Christian Jürgensen Thomsen for classifying and studying ancient societies and history. An ancient civilization is deemed to be part of the Bronze Age because it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from production areas elsewhere. Bronze is harder and more durable than the other metals available at the time, allowing Bronze Age civilizations to gain a technological advantage. While terrestrial iron is naturally abundant, the higher temperature required for smelting, , in addition to the greater difficulty of working with the metal, placed it out of reach of common use until the end o ...
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