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Rite Now
''Rite Now'' is the eighteenth solo album by Julian Cope, released in 2002. It is also the third album in the ''Rite'' series following the earlier albums ''Rite'' (1992) and '' Rite²'' (1997). Mostly instrumental, the album features four "meditational funk-a-thons", as Cope's website describes them, combining funky grooves and krautrock rhythms with wah-wah guitars and " cosmic" synthesizers."The S.P.A.C.E.R.O.C.K.E.R.’s Guide to Julian Cope"
(Aural Innovations magazine #23, April 2003) Retrieved 27 April 2018.


Track listing


Personnel

Credits adapted from the album's liner notes. Musicians * – b ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Rite (album)
''Rite'' is an ambient album by Julian Cope and Donald Ross Skinner, released in February 1993 on Cope's own Ma-Gog label. It is the first album in the ''Rite'' series and has been described as "a series of lengthy, mostly instrumental jamming freakouts influenced by both Krautrock and psychedelic funk.""The S.P.A.C.E.R.O.C.K.E.R.’s Guide to Julian Cope"
(Aural Innovations magazine #23, April 2003)
The album was available as mail-order only.Head Heritage - Story of the Drude
Retrieved 6 March 2018


Track listing


Personnel

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Donald Ross Skinner
Donald Skinner is a guitarist, songwriter and producer primarily known for his work with Julian Cope. Skinner is commonly known by the name Donald Ross Skinner with the addition of the middle name of ''Ross'' attributed to him by Cope after Glenn Ross Campbell, the pedal steel player from The Misunderstood. He is currently a guitarist for Love Amongst Ruin and DC Fontana. Pre-Cope career Skinner played in a number of Tamworth bands including The Fretz, DHSS (named after the Department of Health and Social Security) and Freight train. Julian Cope Band After the split of The Teardrop Explodes Julian retreated to his home town of Tamworth and the 18-year-old Skinner visited the singer's home on a number of occasions. Skinner was subsequently invited to join Cope's band and to play on a Kid Jensen radio session. Skinner played on the '' Fried'' album and was Cope's main collaborator on the 4 albums subsequently released on Island Records. Skinner was a mainstay in Cope's touring ban ...
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Thighpaulsandra
Timothy Lewis – best known by the stage name Thighpaulsandra – is a Welsh experimental musician and multi-instrumentalist, known mostly for performing on synthesizers and keyboards. He began his career working with Julian Cope in the late 1980s, becoming a member of Cope's touring band. A collaboration with Cope in 1993 followed, forming the experimental duo Queen Elizabeth. In 1997, former Cope guitarist Mike Mooney invited Thighpaulsandra to fill in for the departing Kate Radley on a Spiritualized tour, and he remained with the band until early 2008. In 1998, Lewis also became a member of the experimental band Coil. He has subsequently released several solo albums under the Thighpaulsandra moniker. Lewis currently performs and records as part of URUK with Massimo Pupillo (of Italian band Zu) and UUUU, a band also featuring Valentina Magaletti and Wire members Graham Lewis and Matthew Simms. He has also been playing with The Charlatans' Tim Burgess since 2020, as part ...
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Synthesizers
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ...
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Afro/Cosmic Music
In music, the terms Afro/cosmic disco, “Looking over to the blogosphere, the largest hipster tremors came from the rediscovery of the Italian ‘Cosmic Disco’ sound (a mid-tempo stew of balearic disco pioneered by Beppe Loda and Daniele Baldelli)…” “Originally championed by Italian DJ Daniele Baldelli, cosmic disco funkily trudges along at about 80–105 bpm, as if Robitussin replaced coke as the producers' and dancers' drug of choice. In these slow-mo dance anthems, every element somehow becomes more dilated and psychedelic.” the cosmic sound, free-style sound, and combinations thereof (Afro, cosmic Afro, Afro-cosmic, Afro-freestyle, etc., as well as Afro-funky “In the following months I heard reports that Chee had now sold his entire ‘Italo' collection and was into the cosmic & afro-funky vibe, being inspired by the early Loda and Baldelli tapes. Hearing several of their Discossession mixes, I realised that the dudes had carved out their own sound, not only citing ...
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Wah-wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre (known as a “cocked-wah”); they may be used when a guitarist is soloing; or, classically, they may be used to create a "wa ...
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Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ...
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Rite²
''Rite²'' is an ambient music album by Julian Cope, released in 1997. It is technically Cope's fourteenth solo album, but is also the follow-up to the earlier album '' Rite'' (released in 1992 and credited to "Julian Cope & Donald Ross Skinner") and is the second in the ''Rite'' series. For ''Rite²'', Cope collaborated extensively with synthesizer player Thighpaulsandra ( Coil, Spiritualized) although the album was credited to Cope alone. The album has been described as a tribute of sorts to Krautrock bands such as Amon Düül II and Tangerine Dream and is based on the sound of the Mellotron and the wah-wah guitar, although it also employs miscellaneous tone generators the ARP 2600 synthesizer and the Hammond B3 organ, as well as vocal chants."The S.P.A.C.E.R.O.C.K.E.R.’s Gu ...
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Martin C
Martin may refer to: Places * Martin City (other) * Martin County (other) * Martin Township (other) Antarctica * Martin Peninsula, Marie Byrd Land * Port Martin, Adelie Land * Point Martin, South Orkney Islands Australia * Martin, Western Australia * Martin Place, Sydney Caribbean * Martin, Saint-Jean-du-Sud, Haiti, a village in the Sud Department of Haiti Europe * Martin, Croatia, a village in Slavonia, Croatia * Martin, Slovakia, a city * Martín del Río, Aragón, Spain * Martin (Val Poschiavo), Switzerland England * Martin, Hampshire * Martin, Kent * Martin, East Lindsey, Lincolnshire, hamlet and former parish in East Lindsey district * Martin, North Kesteven, village and parish in Lincolnshire in North Kesteven district * Martin Hussingtree, Worcestershire * Martin Mere, a lake in Lancashire ** WWT Martin Mere, a wetland nature reserve that includes the lake and surrounding areas * Martin Mill, Kent North America Canada * Rural Municipality of ...
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Julian Cope
Julian David Cope (born 21 October 1957) is an English musician and author. He was the singer and songwriter in Liverpool post-punk band the Teardrop Explodes and has followed a solo career since 1983 in addition to working on musical side projects such as Queen Elizabeth, Brain Donor and Black Sheep. Cope is also an author on Neolithic culture, publishing ''The Modern Antiquarian'' in 1998, and a political and cultural activist with a public interest in occultism and paganism. He has written two volumes of autobiography, ''Head-On'' (1994) and ''Repossessed'' (1999); two volumes of archaeology, ''The Modern Antiquarian'' (1998) and ''The Megalithic European'' (2004); and three volumes of musicology, ''Krautrocksampler'' (1995), ''Japrocksampler'' (2007); and ''Copendium: A Guide to the Musical Underground'' (2012). Early life Cope's family resided in Tamworth, Staffordshire, but he was born in Deri, Glamorgan, Wales, where his mother's parents lived, while she was stayi ...
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Omnibus Press
Omnibus Press is a publisher of music-related books. It publishes around 30 new titles a year to add to a backlist of over 250 titles currently in print. History Omnibus Press was launched in 1972 as a general non-fiction publisher to complement the sheet music published and distributed by its parent company Music Sales Group. Music Sales had launched a separate company called Book Sales Ltd and the earliest Book Sales catalogue, issued in the early 70s, included compilations of underground comic strips, art and photography titles and one of the earliest books on the then newly discovered art of video. After former ''Melody Maker'' music journalist Chris Charlesworth joined as Omnibus editor in 1983, it was decided to concentrate exclusively on music books, and among its earliest acquisitions was Rock Family Trees by music archivist Pete Frame which remains in print and have been the basis of two BBC TV series. Over the succeeding decades Omnibus has published many biographies ...
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