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Rihm
Wolfgang Rihm (born 13 March 1952) is a German composer and academic teacher. He is musical director of the Institute of New Music and Media at the University of Music Karlsruhe and has been composer in residence at the Lucerne Festival and the Salzburg Festival. He was honoured as Officier of the Ordre des Arts et des Lettres in 2001. His musical work includes more than 500 works. In 2012, The Guardian wrote: "enormous output and bewildering variety of styles and sounds". Career Rihm was born on 13 March 1952, in Karlsruhe. He finished both his school and his studies in music theory and composition at the Hochschule für Musik Karlsruhe with in 1972, two years before the premiere of his early work ''Morphonie'' at the 1974 Donaueschingen Festival launched his career as a prominent figure in the European new music scene. Rihm's early work, combining contemporary techniques with the emotional volatility of Mahler and of Schoenberg's early expressionist period, was regarded by many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos (opera)
''Dionysos'' is an opera by Wolfgang Rihm based on Friedrich Nietzsche's '' Dionysian Dithyrambs''. The composer wrote the libretto and subtitled his work: "Opernphantasie nach Texten von Friedrich Nietzsche / Szenen und Dithyramben" ("Operatic fantasy after texts by Friedrich Nietzsche / Scenes and dithyrambs"). It premiered at the Salzburg Festival on 27 July 2010. History ''Dionysos'' is Rihm's eleventh work for the stage. He considered an opera around Dionysos for 15 years and realized it when he received a commission from the Salzburg Festival, the Staatsoper Unter den Linden Berlin and De Nederlandse Opera. Rihm wrote the libretto, based on Nietzsche's late work, which he fragmented and arranged in a different order. He chose the passages according to his plans for the music. Rihm said in an interview that opera needed more ''Magic Flute'', "mehr Machwerk" (More action), citing the opening scene with three ladies coming to the rescue of the prince attacked by a snake. Rih ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Hamletmaschine (opera)
''Die Hamletmaschine'' is an opera composed by Wolfgang Rihm to a German-language libretto based on Heiner Müller's 1977 play of the same name. The libretto, subtitled ''Musiktheater in 5 Teilen'' (Music Drama in 5 parts), was written by the composer. The opera was composed between 1983 and 1986 and premiered on 30 March 1987 at the Nationaltheater Mannheim.Universal EditionWolfgang Rihm, ''Die Hamletmaschine: Musiktheater in 5 Teilen'' Retrieved 21 July 2013. Background Müller's play, on which the opera is based, paraphrases Shakespeare's ''Hamlet''. In the play's first staged production, directed by Robert Wilson, the first words—"Ich war Hamlet." (I was Hamlet.)—were spoken after 20 minutes of silent action.Herbort, Heinz Josef Herbort (29 May 1987)Letzte Szenen in Momentform / Verwirrung und Tod, Zwiespalt und Entscheidungslosigkeit gebannt in Bildern aus dem Geist der Musik Die Zeit Rihm composed his opera between 1983 and 1986 and presented parts of the score for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Lenz (opera)
''Jakob Lenz'' is a one-act chamber opera by Wolfgang Rihm, written 1977–78 to a libretto by Michael Fröhling after Georg Büchner's 1836 novella ''Lenz'' which in turn is based on an incident in the life of the German poet Jakob Michael Reinhold Lenz (1751–1792). Rihm dedicated the opera to his teacher, .Work details Rihm received for ''Jakob Lenz'' the of the city of Bonn in 1980. __TOC__ Performance history The first performance was given at the |
New Simplicity
New Simplicity (in German, ''Neue Einfachheit'') was a stylistic tendency amongst some of the younger generation of German composers in the late 1970s and early 1980s, reacting against not only the European avant garde of the 1950s and 1960s, but also against the broader tendency toward objectivity found from the beginning of the twentieth century. Alternative terms sometimes used for this movement are "Inclusive Composition", "New Subjectivity" (''Neue Subjektivität''), "New Inwardness" (''Neue Innigkeit''), "New Romanticism", "New Sensuality", "New Expressivity", "New Classicism", and "New Tonality". Goals At the end of the 1970s, the German movement was first recognized by Aribert Reimann, who named seven composers, not previously associated as a group, who had each come to similar positions "in an entirely personal fashion". These seven composers were: Hans-Jürgen von Bose, Hans-Christian von Dadelsen, Detlev Müller-Siemens, Wolfgang Rihm, Wolfgang von Schweinitz, Ulrich St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Huber
Klaus Huber (30 November 1924 – 2 October 2017) was a Swiss composer and academic based in Basel and Freiburg. Among his students were Brian Ferneyhough, Michael Jarrell, Younghi Pagh-Paan, Toshio Hosokawa, Wolfgang Rihm, and Kaija Saariaho. He received the Ernst von Siemens Music Prize in 2009, among other awards. Life Born in Bern, Huber first studied violin and music pedagogy from 1947 to 1949 at the Zurich Conservatory with Stefi Geyer. From 1949 to 1955, he was a violin teacher at the Zurich Conservatory. At the same time he studied composition with Willy Burkhard. He continued his composition studies with Boris Blacher in Berlin. As a composer, Huber began with serial music influenced by Anton Webern. His international breakthrough came in 1959 with the world premiere of his chamber cantata ''Des Engels Anredung an die Seele'' at the Weltmusiktage (World Music Days) of the Internationale Gesellschaft für Neue Musik in Rome. Unusually for the time, he used conson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Von Siemens Music Prize
The Ernst von Siemens Music Prize (short: Siemens Music Prize, german: link=no, Ernst von Siemens Musikpreis) is an annual music prize given by the Bayerische Akademie der Schönen Künste (Bavarian Academy of Fine Arts) on behalf of the Ernst von Siemens Musikstiftung (Ernst von Siemens Music Foundation), established in 1972. The foundation was established by Ernst von Siemens (1903–1990) and promotes contemporary music. The prize honors a composer, performer, or musicologist who has made a distinguished contribution to the world of music. In addition to the main prize, other prizes are also given. The total prize money given is currently 3.5 million euros, with the winner of the main prize receiving €250,000. The prize is sometimes known as "the Nobel Prize of music". Smaller awards are called "Förderpreis" (encouragement award). "Komponisten-Förderpreise" ("Composers' Prizes") are given to young composers for one of their works. "Förderprojekte" ("Grant-in-Aid Project ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucerne Festival
Lucerne Festival is one of the leading international festivals in the world of classical music and presents a series of classical music festivals based in Lucerne, Switzerland. Founded in 1938 by Ernest Ansermet and Walter Schulthess, it currently produces three festivals per year. Since 1999, Michael Haefliger has been its Executive and Artistic Director. Each festival features resident orchestras and soloists alongside guest performances from international ensembles and artists. The central festival takes place in summer from mid-August to mid-September and offers a widely varied range of approximately 100 concerts and related events primarily at the Lucerne Culture and Congress Centre (KKL) designed by Jean Nouvel. History The festival started with the so-called "Concert de Gala" in the gardens of Richard Wagner's villa at Tribschen in 1938 conducted by Arturo Toscanini, who had formed an orchestra with members of different orchestras and soloists from around Europe. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Fortner
Wolfgang Fortner (12 October 1907 – 5 September 1987) was a German composer, composition teacher and conductor. Life Fortner was born in Leipzig. From his parents, who were both singers, Fortner very early on had intense contact with music. In 1927 he began his studies at the Leipzig Conservatory ( organ with Karl Straube, composition with Hermann Graubner) and at University of Leipzig, (philosophy with Hans Driesch, musicology with Theodor Kroyer, and German studies with Hermann August Korff) . While still a student, two of his early compositions were publicly performed: ''Die vier marianischen Antiphonen'' at the Lower Rhineland Festival in Düsseldorf in 1928, and his First String Quartet in Königsberg in 1930 . In 1931 he completed his studies with the State Exam for a high teaching office, after he accepted a lectureship in music theory at the Hochschule für Kirchenmusik Heidelberg. There his music was attacked as Cultural Bolshevism. In 1935 and 1936 Fortner create ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donaueschingen Festival
The Donaueschingen Festival (german: Donaueschinger Musiktage, links=no) is a festival for new music that takes place every October in the small town of Donaueschingen in south-western Germany. Founded in 1921, it is considered the oldest festival for contemporary classical music in the world, and among the best-known and most prestigious. History In 1913, the ''Donaueschingen Society of Friends of Music'' was founded under the auspices of the House of Fürstenberg. The idea soon arose to establish a small festival for presenting young and promising artists. A committee of distinguished musicians, among them Ferruccio Busoni, Joseph Haas, Hans Pfitzner, Arthur Nikisch and Richard Strauss, met in 1921 to discuss possible formats for the event. The first concert was presented just a few months later. On 31 July 1921 the ''Donaueschingen Chamber Music Performances for the advancement of contemporary music'' (''Donaueschinger Kammermusikaufführungen zur Förderung zeitgenössischer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Nono (composer)
Luigi Nono (; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. Biography Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music. Scherchen presented Nono's first acknowledged work, the ''Variazioni canoniche sulla serie dell'op. 41 di A. Schönberg'' in 1950, at the Internationale Ferienkurse für Neue Musik Darmstadt. The ''Variazioni canoniche'', based on the twelve-tone series of Arnold Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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