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Riddim (music Magazine)
In Jamaican dancehall music, a Riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper registration, many artists now work on negotiating their royalties and taking it more seriously. The unique nature of dancehall and riddims have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim (genre)
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim had started to gain mainstream presence in the electronic music scene around 2015. Despite receiving criticism for its sometimes repetitive drops, it has grown in popularity due to various well-known electronic music DJs playing songs of the subgenre in their live sets as well as various well-known electronic music artists producing the genre. History Origins and evolution The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm", with the genre sharing a name with the genre it is primarily derived from. The derived genre originally stemmed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggaeton
Reggaeton (, ), also known as reggaetón and reguetón (), is a music style that originated in Panama during the late 1980s. It was later popularized in Puerto Rico. It has evolved from dancehall and has been influenced by American Hip hop music, hip hop, Latin American music, Latin American, and Caribbean music. Vocals include rapping and singing, typically in Spanish. Reggaeton is regarded as one of the most popular music genres in the Caribbean Spanish, Spanish-speaking Caribbean, including Puerto Rico, Panama, Dominican Republic, Cuba, Colombia, and Venezuela. Over the 2010s, the genre has seen increased popularity across Latin America, as well as acceptance within Pop music, mainstream Western music. Etymology The word ''reggaeton'' (formed from the word ''reggae'' plus the augmentative suffix ) was first used in 1988 when El General's representative Michael Ellis gave it that name to describe it as "''reggae grande''" (big reggae). The spellings ''reggaeton'' and ''r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Pattern
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and install ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for temporal organization in Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim (EDM)
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim had started to gain mainstream presence in the electronic music scene around 2015. Despite receiving criticism for its sometimes repetitive drops, it has grown in popularity due to various well-known electronic music DJs playing songs of the subgenre in their live sets as well as various well-known electronic music artists producing the genre. History Origins and evolution The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm", with the genre sharing a name with the genre it is primarily derived from. The derived genre originally stemmed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supa Dups
Dwayne Chin-Quee, better known as Supa Dups, is a Jamaican record producer, a drummer, and selector based in Miami, Florida. He is a member of the Black Chiney sound system. His father is a second generation Chinese Jamaican, and his mother is of Hakka Chinese, German, and African descent. Biography In 2004, Supa Dups appeared on Nina Sky's album by producing their hit record 'Turnin' Me On'. Later that year he appeared on Beenie Man & Capleton's albums. In 2005, his releases only increased as he produced on Akon's album, David Banner's album, Rihanna's album & Pitbull's album. He then went on to produce 2 singles off of Collie Buddz' album, followed by Estelle's single 'Come Over' ft. Sean Paul. In 2008 he produced multiple songs on John Legend's album and Kardinal Offishall's album. He went on to produce Mary J. Blige's worldwide single 'Each Tear' that charted around the world, with remixes in many different countries. He appeared on Bruno Mars' album 'Doo-Wops & Hooliga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elephant Man (musician)
Oneal Bryan (born 1975), better known by his stage name Elephant Man, is a Jamaican dancehall musician, having formerly been a member of the dancehall group Scare Dem Crew prior to his solo career. Career He started out his musical career in 1995 as a member of the Scare Dem Crew, later continuing as a solo artist. He was later characterised for several trademarks, such as his dyed yellow-orange hair, his unique low-key voice, and his stage performance, which included jumping and running, or even climbing on stage props and monitors. His acoustic trademark is a low, raspy grumble singing voice and light lisp. Bryan had his first international recognition when he and Puma settled a contract for using his single "All Out" for its Olympics commercial campaign in 2004. His song "Willie Bounce" appeared on several mixtapes in early 2006. It used the first few bars from "I Will Survive" by Gloria Gaynor. "Willie Bounce" has been described as one of Elephant Man's most recognisable s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coheren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Pattern
A drum beat or drum pattern is a rhythmic pattern, or repeated rhythm establishing the meter and groove through the pulse and subdivision, played on drum kits and other percussion instruments. As such a "beat" consists of multiple drum strokes occurring over multiple musical beats while the term "drum beat" may also refer to a single drum stroke which may occupy more or less time than the current pulse. Many drum beats define or are characteristic of specific music genres. Many basic drum beats establish the pulse through alternating bass (on the on-beats) and snare drums (on the off-beats) strokes while establishing the subdivision on the ride cymbal (thus its name) or hi-hat: This establishes a quarter note pulse in (quad)duple time: each measure is formed from (two groups of) two quarter note pulses, each pulse divided into two eighth notes. This establishes a quarter note pulse in triple time: each measure is formed from three quarter note pulses, each divided into tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in reggae lyrics in the late 1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
