Rickshaw Boy (opera)
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Rickshaw Boy (opera)
''Rickshaw Boy'' or ''Camel Xiangzi'' () is a 2014 Chinese contemporary classical opera by Guo Wenjing to a libretto by Xu Ying after Lao She's ''Rickshaw Boy''. It was premiered at the NCPA, China The National Centre for the Performing Arts (NCPA) (), and colloquially described as The Giant Egg (巨蛋), is an arts centre containing an opera house in the Xicheng District of Beijing, People's Republic of China. Designed by French architect P ... in June 2014. NCPA Classics released both a DVD recording of the opera, and also a separate making-of documentary entitled ''Xiángzi de yǒngtàn'' (Xiangzi's chant) in 2017.祥子的咏叹——国家大剧院原创歌剧《骆驼祥子》创排纪实 The Making of Rickshaw Boy NCPA 2017 References 2014 operas Chinese western-style operas Operas set in the Republic of China (1912–1949) Operas Operas based on novels Operas by Guo Wenjing Beijing in fiction {{Opera-stub ...
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Rickshaw Boy (opera) Making Of Documentary Cover
''Rickshaw Boy'' or ''Camel Xiangzi'' () is a novel by the Chinese author Lao She about the life of a fictional Beijing rickshaw man. It is considered a classic of 20th-century Chinese literature. History Lao She began the novel in spring, 1936, and it was published in installments in the magazine '' Yuzhou feng'' ("Cosmic wind") beginning in January, 1937. Lao She returned to China from the United States after the establishment of the People's Republic of China in 1949. In an afterword dated September, 1954, included in the Foreign Languages Press edition of ''Rickshaw Boy'', Lao She said that he had edited the manuscript ("taken out some of the coarser language and some unnecessary descriptions") and he expressed regret for the lack of hope expressed in the original edition. In 1945, Evan King published an unauthorized translation of the novel. He cut, rearranged, rewrote, invented characters, and changed the ending. Two characters, the girl student and One Pock Li, are K ...
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Chinese Contemporary Classical Opera
Chinese contemporary classical opera (Chinese: 当今古典歌剧; ''dāngjīn gŭdiăn gējù''; "contemporary classical opera") is a musical art form drawing on western opera traditions - distinct from modern developments of traditional Chinese opera. One of the first western-style operas was ''The White Haired Girl'' (1940). Chinese-language western-style opera is to be distinguished the Revolutionary operas of the Cultural Revolution such as ''Taking Tiger Mountain by Strategy'' which were mainly an adaption of Peking opera with socialist text and subjects, with some influence from Soviet musical theatre. The 1950s-70s saw several patriotic socialist operas, such as ''Red Guards on Honghu Lake'' (1956). Modern operas with a continuation of "realist" socialist elements include ''A Village Teacher'' (2009). China has several separate ''geju'' companies under the Ministry of Culture, parallel with the traditional Chinese opera companies. The most prestigious are the Beijing-based ...
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Guo Wenjing
Guo Wenjing (born 1 February 1956, in Chongqing) is a Chinese composer and educator. Guo Wenjing is a contemporary Chinese composer. Unlike many Chinese composers who have studied and lived in other countries, he has only studied in Beijing. He has lived and worked in his home country for nearly his entire life with the exception of a short period of time living in New York. However, over the years he has had many works commissioned around the world. He and his music have appeared at the Beijing Music Festival, Edinburgh Festival, Hong Kong Arts Festival, Holland Music Festival, New York Lincoln Center Festival, Paris Autumn Festival, Perth International Arts Festival, Almeida Theatre (London), Frankfurt Opera (Germany), Konzerthaus Berlin (Germany), Kennedy Center (Washington), as well as Turin, Warsaw, etc. In addition, he is contracted by CASA RICORDI-BMG and the first composer to be contracted by People's Music Publishing House. His music has been given high praise both at hom ...
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Xu Ying
Xu Ying (徐瑛, born 1962) is a Chinese librettist. His traditional Beijing opera librettos include Hunchback Prime Minister Liu (2002), Sun Wu the Strategist (2002), Cai Wenji (2003). He wrote the libretto for Bun Ching Lam's chamber opera Wenji (2001), co-wrote with composer Tan Dun the libretto of Tea (opera) (2002), and was co-librettist of the opera Poet Li Bai (2007) for composer Guo Wenjing Guo Wenjing (born 1 February 1956, in Chongqing) is a Chinese composer and educator. Guo Wenjing is a contemporary Chinese composer. Unlike many Chinese composers who have studied and lived in other countries, he has only studied in Beijing. He ....''Opera'' Volume 59 Page 38 2008 "China Shanghai - Guo Wenjing is the leading Chinese opera composer of his generation still based in his native country, and perhaps anywhere in the world. His new chamber opera. Poet Li Bai, is set to a unique libretto, though its treatment is.. The librettists Diana Liao and Xu Ying include subtle, but ...
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Lao She
Shu Qingchun (3 February 189924 August 1966), known by his pen name Lao She, was a Chinese novelist and dramatist. He was one of the most significant figures of 20th-century Chinese literature, and is best known for his novel ''Rickshaw Boy'' and the play ''Teahouse'' (茶馆). He was of Manchu ethnicity, and his works are known especially for their vivid use of the Beijing dialect. Biography Early life Lao She was born Shu Qingchun (舒慶春) on 3 February 1899 in Beijing, to a poor Manchu family of the Šumuru clan belonging to the Plain Red Banner. His father, who was a guard soldier, died in a street battle with the Eight-Nation Alliance Forces in the course of the Boxer Rebellion events in 1901. "During my childhood," Lao She later recalled, "I didn't need to hear stories about evil ogres eating children and so forth; the foreign devils my mother told me about were more barbaric and cruel than any fairy tale ogre with a huge mouth and great fangs. And fairy tales are only ...
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Rickshaw Boy
''Rickshaw Boy'' or ''Camel Xiangzi'' () is a novel by the Chinese author Lao She about the life of a fictional Beijing rickshaw man. It is considered a classic of 20th-century Chinese literature. History Lao She began the novel in spring, 1936, and it was published in installments in the magazine '' Yuzhou feng'' ("Cosmic wind") beginning in January, 1937. Lao She returned to China from the United States after the establishment of the People's Republic of China in 1949. In an afterword dated September, 1954, included in the Foreign Languages Press edition of ''Rickshaw Boy'', Lao She said that he had edited the manuscript ("taken out some of the coarser language and some unnecessary descriptions") and he expressed regret for the lack of hope expressed in the original edition. In 1945, Evan King published an unauthorized translation of the novel. He cut, rearranged, rewrote, invented characters, and changed the ending. The girl student and One Pock Li are King's, not Lao Sh ...
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NCPA, China
The National Centre for the Performing Arts (NCPA) (), and colloquially described as The Giant Egg (巨蛋), is an arts centre containing an opera house in the Xicheng District of Beijing, People's Republic of China. Designed by French architect Paul Andreu, the NCPA opened in 2007 and is the largest theatre complex in Asia. The NCPA is semi-spherical in appearance, with a long axis length of 212.20 meters in the east-west direction, a short axis length of 143.64 meters in the north-south direction, a height of 46.285 meters, an area of 119,900 square meters, and a total construction area of approximately 165,000 square meters, including 105,000 square meters of main buildings and 60,000 square meters of underground, auxiliary facilities, with a total cost of 3.067 billion yuan. The centre contains an opera hall, music hall, theater and art exhibition halls, restaurants, audio shops, and other supporting facilities. Architecture Construction The exterior of the NCPA is a steel ...
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Financial Times
The ''Financial Times'' (''FT'') is a British daily newspaper printed in broadsheet and published digitally that focuses on business and economic current affairs. Based in London, England, the paper is owned by a Japanese holding company, Nikkei, with core editorial offices across Britain, the United States and continental Europe. In July 2015, Pearson sold the publication to Nikkei for £844 million (US$1.32 billion) after owning it since 1957. In 2019, it reported one million paying subscriptions, three-quarters of which were digital subscriptions. The newspaper has a prominent focus on financial journalism and economic analysis over generalist reporting, drawing both criticism and acclaim. The daily sponsors an annual book award and publishes a " Person of the Year" feature. The paper was founded in January 1888 as the ''London Financial Guide'' before rebranding a month later as the ''Financial Times''. It was first circulated around metropolitan London by James Sherid ...
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2014 Operas
Fourteen or 14 may refer to: * 14 (number), the natural number following 13 and preceding 15 * one of the years 14 BC, AD 14, 1914, 2014 Music * 14th (band), a British electronic music duo * ''14'' (David Garrett album), 2013 *''14'', an unreleased album by Charli XCX * "14" (song), 2007, from ''Courage'' by Paula Cole Other uses * ''Fourteen'' (film), a 2019 American film directed by Dan Sallitt * ''Fourteen'' (play), a 1919 play by Alice Gerstenberg * ''Fourteen'' (manga), a 1990 manga series by Kazuo Umezu * ''14'' (novel), a 2013 science fiction novel by Peter Clines * ''The 14'', a 1973 British drama film directed by David Hemmings * Fourteen, West Virginia, United States, an unincorporated community * Lot Fourteen, redevelopment site in Adelaide, South Australia, previously occupied by the Royal Adelaide Hospital * "The Fourteen", a nickname for NASA Astronaut Group 3 * Fourteen Words, a phrase used by white supremacists and Nazis See also * 1/4 (other) * F ...
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Chinese Western-style Operas
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese c ...
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Operas Set In The Republic Of China (1912–1949)
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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