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Rickie Lee Jones (album)
''Rickie Lee Jones'' is the debut studio album by American singer-songwriter Rickie Lee Jones, released on February 28, 1979 by Warner Bros. Records. Background Jones had begun playing live in the Los Angeles area at the age of 21, and after meeting singer-songwriter Alfred Johnson, the pair began writing and performing live together (most notably at the Ala Carte club.) Two of their collaborations, "Weasel and the White Boys Cool" and "Company," would later be recorded for Jones' debut album. She also sang jazz standards, as well as a song penned by her father ("The Moon Is Made of Gold") in her live sets. Jones' performances around Los Angeles aroused interest from other local songwriters, as well as local record company executives. At a label showcase, Jones performed originals, including " Chuck E.'s in Love", "The Real Thing Is Back in Town" and "The Moon Is Made of Gold." This showcase performance, plus a demo containing "The Last Chance Texaco", "Easy Money", "Young Blood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Female Pop Vocal Performance
The Grammy Award for Best Female Pop Vocal Performance was a Grammy Award recognizing superior vocal performance by a female in the pop category, the first of which was presented in 1959. It was discontinued after the 2011 Grammy season. The award went to the artist. Singles or tracks only are eligible. The award has had quite a convoluted history: *From 1959 to 1960 there was an award called Best Vocal Performance, Female, which was for work in the pop field *In 1961 the award was separated into Best Vocal Performance Single Record Or Track and Best Vocal Performance Album, Female *From 1962 to 1963 the awards from the previous year were combined into Best Solo Vocal Performance, Female *From 1964 to 1968 the award was called Best Vocal Performance, Female *In 1969, the awards were combined and streamlined as the award for Best Contemporary-Pop Vocal Performance, Female *From 1970 to 1971 the award was known as Best Contemporary Vocal Performance, Female *From 1972 to 1994 the aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Song Of The Year
The Grammy Award for Song of the Year is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. The Song of the Year award is one of the four most prestigious categories at the awards (alongside Best New Artist, Record of the Year and Album of the Year), presented annually since the 1st Grammy Awards in 1959. According to the 54th Grammy Awards description guide, the award is presented: If a winning song contains samples or interpolations of existing material, the publisher and songwriter(s) of the original song(s) can apply for a Winners Certificate. Song of the Year is related to but is conceptually different from Record of the Year or Album of the Year: * Song of the Year is awarded for a single or for one track from an album. This award goes to the songwriter who actually wrote the lyrics and/or melodies to the song. "Song" in this context means the song as composed, not its recording. * Record of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Recording Academy
The Recording Academy (formally the National Academy of Recording Arts and Sciences; abbreviated NARAS) is an American learned academy of musicians, producers, recording engineers, and other musical professionals. It is famous for its Grammy Awards, which recognize achievements in the music industry of songs and music which are popular worldwide. The Recording Academy is a founding partner of the Grammy Museum, a non-profit organization whose stated mission is preserving and educating about music history and significance. The Recording Academy also founded MusiCares, a charity that states it serves to impact the health and welfare of the music community. The Recording Academy’s Advocacy team lobbies for music creators’ rights at the local, state, and federal levels. History The origin of the academy dates back to the beginning of the 1950s Hollywood Walk of Fame project. The Hollywood Chamber of Commerce asked the help of major recording industry executives in compiling a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best New Artist
The Grammy Award for Best New Artist has been awarded since 1959. Years reflect the year in which the Grammy Awards were handed out, for records released in the previous year. The award was not presented in 1967. The official guidelines are as follows: "For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist." Note that this is not necessarily the first album released by an artist; for example, Shelby Lynne won the award in 2001 after having already released six albums over 13 years. The Best New Artist award has a reputation for being given to artists whose music industry success ends up being short-lived; it is sometimes asserted, with varying degrees of sincerity, that the award itself brings a curse. This viewpoint was expressed by former Starland Vocal Band member Taffy Nivert, Taffy Danoff in a 2002 interview for VH1's ''The Greatest (TV series), 100 Greatest One Hit Wonders'': "We got two of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
22nd Annual Grammy Awards
The 22nd Annual Grammy Awards were held on February 27, 1980, at Shrine Auditorium, Los Angeles, and were broadcast live on American television. They recognized accomplishments by musicians from the year 1979. This year was notable for being the first year to have a designated category for Rock music. Album of the Year went to Phil Ramone and Billy Joel for ''52nd Street'', and Song of the Year went to Kenny Loggins and Michael McDonald for " What a Fool Believes". Winners ;Record of the Year *" What a Fool Believes"―The Doobie Brothers **Ted Templeman (producer) *" After the Love Has Gone"―Earth, Wind & Fire ** Maurice White (producer) *"I Will Survive"— Gloria Gaynor **Dino Fekaris & Freddie Perren *" The Gambler"—Kenny Rogers ** Larry Butlet (producer) *"You Don't Bring Me Flowers"—Barbra Streisand & Neil Diamond ** Bob Gaudio (producer) ; Album of the Year *"52nd Street"— Billy Joel **Phil Ramone (producer) *"Minute by Minute"—The Doobie Brothers **Ted Temple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Awards
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded gramophone. The Grammys are the first of the Big Three networks' major music awards held annually, and is considered one of the four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys had their origin in the Hollywood Walk of Fame project in the 1950s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Recording Certification
Music recording certification is a system of certifying that a music Sound recording, recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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