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Richter Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic
Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the Common practice period, common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale Tuning
Scale or scales may refer to: Mathematics * Scale (descriptive set theory), an object defined on a set of points * Scale (ratio), the ratio of a linear dimension of a model to the corresponding dimension of the original * Scale factor, a number which scales, or multiplies, some quantity * Long and short scales, how powers of ten are named and grouped in large numbers * Scale parameter, a description of the spread or dispersion of a probability distribution * Feature scaling, a method used to normalize the range of independent variables or features of data * Scale (analytical tool) Measurements * Scale (map), the ratio of the distance on a map to the corresponding actual distance * Weighing scale, an instrument used to measure mass * Scale (ratio), the ratio of the linear dimension of the model to the same dimension of the original * Spatial scale, a classification of sizes * Scale ruler, a tool for measuring lengths and transferring measurements at a fixed ratio of le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian Cross Tuning
Dorian may refer to: Ancient Greece * Dorians, one of the main ethnic divisions of ancient Greeks * Doric Greek, or Dorian, the dialect spoken by the Dorians Art and entertainment Films * ''Dorian'' (film), the Canadian title of the 2004 film ''Pact with the Devil'' * '' Dorian Blues'', a 2004 film Literature * '' Dorian, an Imitation'', a 2002 novel by Will Self * ''Dorian'', a 1921 novel by Nephi Anderson Music * Dorians (band), from Armenia * Dorian (Spanish band), a Spanish band * Dorian (Turkish band), a Turkish rock band * Dorian mode, various musical modes * Dorian Recordings, a label noted for early music recordings * Toccata and Fugue in D minor, BWV 538, or "Dorian", an organ piece by Johann Sebastian Bach * Ukrainian Dorian scale, a musical mode * "Dorian," a song by Demons and Wizards on their album ''Touched by the Crimson King'' People * Dorian (name), a given name (includes a list of people with the name) * Dorian (rapper) (born 1984), American hip-hop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminished Tuning
Diminished tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) in which the blow notes repeat a sequence of : C E♭ F♯ A and draw notes follow a repeating sequence of : D F G♯ B (perhaps shifted to begin with E♭ and F, with F♯ and G♯, or with A and B). For example: : See also * Augmented tuning * Country tuning * Harmonic minor tuning * Major seventh tuning * Melody Maker tuning * Natural minor tuning * Paddy Richter tuning * Richter tuning *Solo tuning Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of : C E G C (perhaps shifted to begin with E or with G) and draw notes follow ... References Musical tuning {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Tuning
An augmented tuning is a musical tuning system for musical instruments that is associated with augmented triads, that is a root note, a major third, and an augmented fifth. The augmented fifth is constructed by stacking the major third with another major third. Consequently, all of the intervals are major thirds. Augmented tunings are used for stringed instruments, especially guitars, and for wind instruments. For guitars, augmented tunings are called major thirds tunings. Instruments Guitar Major-thirds (M3) tunings are unconventional open tunings, in which the open strings form an augmented triad; in M3 tunings, the ''augmented'' fifth replaces the ''perfect'' fifth of the major triad of conventional open-tunings. Consequently M3 tunings are also called (open) ''augmented-fifth tunings'' (in French "''La guitare #5, majeure quinte augmentée''"). Unfortunately, the open augmented-chord sounds dissonant to audiences who are accustomed to standard tunin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brendan Power (harmonica Player)
Brendan Power is a New Zealand harmonica player, composer and inventor, living in Britain. Born in Mombasa, Kenya, Power's family moved to New Zealand in 1965 where he later attended Canterbury University at Christchurch, gaining a Bachelor of Arts in English & Religious Studies, and a Master of Arts in Religious Studies. Power wrote his thesis on the Taoist philosopher Chuang Tzu. Power discovered the harmonica at university after hearing Sonny Terry play at a concert by the blues duo Sonny Terry and Brownie McGhee. Power subsequently taught himself to play harmonica by ear and music soon took over from academia as his main passion. Power moved to London in 1992 where he worked for three years as a soloist in the Riverdance Show. He was later employed by Suzuki Musical Instrument Corporation of Japan as their International Harmonica Specialist in 2008, a position he held for five years. In April 2013, along with his business partner Zombor Kovacs, Power started X-reed Harmonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B♭ (musical Note)
B (B-flat) is the eleventh step of the Western chromatic scale (starting from C). It lies a diatonic semitone above A and a chromatic semitone below B, thus being enharmonic to A, even though in some musical tunings, B will have a different sounding pitch than A. B-flat is also enharmonic to C (C-double flat). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the B above middle C is approximately 466.164 Hz. See pitch (music) for a discussion of historical variations in frequency. While orchestras tune to an A provided by the oboist, wind ensembles usually tune to a B-flat provided by a tuba, horn, or clarinet. In Germany, Russia, Poland and Scandinavia, this pitch is designated B, with 'H' used to designate the B-natural. Since the 1990s, B-flat is often denoted Bb or "Bess" instead of B in Swedish music textbooks. Natural B is called B by Swedish jazz and pop musicians, but still denoted H in classical music. See B (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A♭ (musical Note)
A (A-flat; also called la bémol) is the ninth semitone of the solfège. It lies a diatonic semitone above G and a chromatic semitone below A, thus being enharmonic to G, even though in some musical tunings, A will have a different sounding pitch than G. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the A above middle C (or A4) is approximately 415.305 Hz. See pitch (music) for a discussion of historical variations in frequency. The notes A and G are the only notes to have only one enharmonic, since they cannot be reached in any other way by a single or double sharp or a single or double flat from any of the seven white notes. Designation by octave Scales Common scales beginning on A * A major: A B C D E F G A * A natural minor: A B C D E F G A * A harmonic minor: A B C D E F G A * A melodic minor ascending: A B C D E F G A * A melodic minor descending: A G F E D C B A Diatonic scales * A Ionian: A B C D E F G A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E♭ (musical Note)
E (E-flat) or mi bémol is the fourth semitone of the solfège. It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ( D-sharp) or ''re dièse''. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D is not the same as E. E is a perfect fourth above B, whereas D is a major third above B. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the E above middle C (or E4) is approximately 311.127 Hz. See pitch (music) for a discussion of historical variations in frequency. In German nomenclature, it is known as Es, sometimes (especially in the context of musical motifs, e.g. DSCH motif) abbreviated to S. Designation by octave Scales Common scales beginning on E * E major: E F G A B C D E * E natural minor: E F G A B C D E * E harmonic minor: E F G A B C D E * E melodic minor ascending: E F G A B C D E * E melodic minor descending: E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Star-Spangled Banner
"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Outer Baltimore Harbor in the Patapsco River during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory. The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. This setting, renamed "The Star-Spangled Banner", soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very diffi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F♯ (musical Note)
F (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to ''sol bémol'' or G (G-flat). However, in some temperaments, it is not the same as G. G is a major third below B, whereas F is a major third above D (a minor third below A). Another enharmonic note is E (E-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the F above middle C (or F4) is approximately 369.994 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
