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Richard Williams (theatre Director)
Richard Williams is a theatre director, producer and teacher working mainly in the areas of dramatic and lyric presentation. Richard Williams’ career has concerned classics, new plays, music theatre and opera productions. In a directing career lasting some 35 years he has directed more than 250 productions. He has been Artistic Director of four theatre companies - Contact Theatre, Manchester, where he was awarded Best Director Award two years running, The Oxford Stage Company, Unicorn (Arts) Theatre, London (1990-1997) and Liverpool Playhouse (1996-1998). His varied opera work includes seventeen years as director of opera at the Dartington International Music Festival as well as a flourishing freelance career. He was given Barclays Regional Theatre Award and The Liverpool Echo Award in recognition of his work at Liverpool Playhouse. He directed the Glyn Robbins adaptations of '' The Lion, the Witch and the Wardrobe'' (at the Westminster Theatre, 1984) and ''Winnie the Pooh' ...
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Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ...
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Stig Of The Dump
''Stig of the Dump'' is a children's novel by Clive King which was first published in the United Kingdom in 1963. It is regarded as a modern children's classic and is often read in schools. It was illustrated by Edward Ardizzone and has been twice adapted for television, in 1981 and in 2002. It was featured in a broadcast as an adaptation on BBC Home Service for schools in November 1964, and later on the BBC series ''Blue Peter''. Plot Barney is a bored young boy staying with his grandparents on the chalk Downs of southern England. One day, he falls over the edge of an old chalk pit close to his grandparents' house, tumbling through the roof of a den. While exploring the den, Barney encounters its owner, Stig, a caveman with shaggy, black hair and bright black eyes. The chalk pit is disused and full of people's dumped rubbish. Barney and Stig quickly become friends. They learn to communicate with each other without language, as Stig speaks no English. Stig's den is a place ...
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King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, usually as ...
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Garden Opera Company
A garden is a planned space, usually outdoors, set aside for the cultivation, display, and enjoyment of plants and other forms of nature. The single feature identifying even the wildest wild garden is ''control''. The garden can incorporate both natural and artificial materials. Gardens often have design features including statuary, follies, pergolas, trellises, stumperies, dry creek beds, and water features such as fountains, ponds (with or without fish), waterfalls or creeks. Some gardens are for ornamental purposes only, while others also produce food crops, sometimes in separate areas, or sometimes intermixed with the ornamental plants. Food-producing gardens are distinguished from farms by their smaller scale, more labor-intensive methods, and their purpose (enjoyment of a hobby or self-sustenance rather than producing for sale, as in a market garden). Flower gardens combine plants of different heights, colors, textures, and fragrances to create interest and delight the ...
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Dido And Aeneas
''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689.White, Bryan, 'Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas', 417 Some scholars argue for a date of composition as early as 1683.Pinnock, Andrew, 'Which Genial Day? More on the court origin of Purcell's Dido and Aeneas, with a shortlist of dates for its possible performance before King Charles II’, Early Music 43 (2015), 199–212Bruce Wood and Andrew Pinnock, Unscared by turning times'? The dating of Purcell's Dido and Aeneas," The story is based on Book IV of Virgil's ''Aeneid''. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons he ...
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of t ...
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Tarka The Otter
''Tarka the Otter: His Joyful Water-Life and Death in the Country of the Two Rivers'' is a novel by English writer Henry Williamson, first published in 1927 by G.P. Putnam's Sons with an introduction by the Hon. Sir John Fortescue. It won the Hawthornden Prize in 1928,Stade and Karbiener (eds). ''Encyclopedia of British Writers, 1800 to the Present, Volume 2'', 2009, p.522 and has never been out of print since its first publication.Gavron, J. "Introduction" to ''Tarka the Otter'', Penguin, 2009, v (all subsequent page references refer to this edition) The novel describes the life of an otter, along with a detailed observation of its habitat in the country of the River Taw and River Torridge in North Devon (the "Two Rivers"); the name "Tarka" is said by Williamson to mean "Wandering as Water" (p. 10). Although not written for children, the book soon became popular with young readers, and also has influenced literary figures as diverse as Ted Hughes and Rachel Carson. Pl ...
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The Threepenny Opera
''The Threepenny Opera'' ( ) is a " play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took ...
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Bertold Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time colla ...
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Banff Centre
Banff Centre for Arts and Creativity, formerly known as The Banff Centre (and previously The Banff Centre for Continuing Education), located in Banff, Alberta, was established in 1933 as the Banff School of Drama. It was granted full autonomy as a non-degree granting post-secondary educational institution in 1978. It offers arts programs in the performing and fine arts, as well as leadership training. Banff Centre is a member of the Alberta Rural Development Network. On June 23, 2016, Banff Centre announced a new name: Banff Centre for Arts and Creativity. History The centre was founded in 1933 by the University of Alberta, with a grant from the U.S.-based Carnegie Foundation. Elizabeth Sterling Haynes, Theodore and Eliot Cohen, Gwillym Edwards, and Gwen Pharis served as the centre's first employees, with Haynes and Cohen teaching approximately 230 students that first summer. Initially only a single course in drama was offered. In 1934, the centre established their spec ...
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Aucassin Et Nicolette
''Aucassin et Nicolette'' (12th or 13th century) is an anonymous medieval French fictional story. It is the unique example of a ''chantefable'', literally, a "sung story", a combination of prose and verse (similar to a ''prosimetrum''). History The work probably dates from the late 12th or early 13th century, and is known from only one surviving manuscript, discovered in 1752 by medievalist Jean-Baptiste de La Curne de Sainte-Palaye ( BnF, Fonds Français 2168).Karl Uitti. "Aucassin et Nicolette" in ''Dictionary of the Middle Ages'', Vol. 1, pg. 642–644 Stylistically, the ''chantefable'' combines elements of many Old French genres, such as the ''chanson de geste'' (e.g., ''The Song of Roland''), lyric poems, and courtly novels—literary forms already well-established by the 12th century. ''Aucassin et Nicolette'' is the only known chantefable, the term itself having been derived from the story's concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a ...
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Stephen McNeff
Stephen McNeff (born 6 September 1951) is an Irish composer, best known for his work in contemporary theatre and opera. Biography Stephen McNeff was born in Belfast and grew up in south Wales. He studied composition at the Royal Academy of Music and undertook post-graduate research at the University of Exeter. He was Associate Director of Manchester University's Contact Theatre in 1979−80. From 1980−84, as Composer in Residence and Associate Director of the Music Theatre Studio Ensemble of the Banff Centre and then Comus Theatre Canada, he won a Dora Mavor Moore Award for his opera ''The Secret Garden'' (1985) based on the novel by Frances Hodgson Burnett. His theatre music in the 1990s saw McNeff receive a Scotsman award for the National Youth Music Theatre production of ''Aesop'' at the 1991 Edinburgh Festival before an unconventional staging of T.S. Eliot's ''The Wasteland'' by the Donmar for the BOC Covent Garden festival in 1994 brought him wider attention. He was ap ...
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