Richard Riddell
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Richard Riddell
Richard V. Riddell is an American lighting designer. He graduated from Knox College with a B.A. with honors in 1972. In 1978, he received his doctorate from Stanford University. He has had extensive teaching experience, working at such schools as the University of California, San Diego, Harvard University. He finally moved to Duke University, where he became vice president as well as university secretary and assistant to the president, Richard H. Brodhead. Riddell has also worked on numerous shows, including two Broadway shows: '' A Walk in the Woods'' and '' Big River''. He mostly designed lighting for the shows, but occasionally dabbled in scenic design. He is also published many articles in different magazines and newspapers such as ''American Theater'', ''The New York Times'', ''TheaterWeek'', ''The Drama Review'', ''The Chronicle of Higher Education'', ''Contemporary Designers'', and ''Theater Crafts''. Teaching Riddell taught in the theater department at the Universit ...
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Lighting Design
In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events. During pre-production The role of the lighting designer varies greatly within professional and amateur theater. For a Broadway show, a touring production and most regional and small productions the LD is usually an outside freelance specialist hired early in the production process. Smaller theater companies may have a resident lighting designer responsible ...
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The Philadelphia Story (play)
''The Philadelphia Story'' is a 1939 American comic play by Philip Barry. It tells the story of a socialite whose wedding plans are complicated by the simultaneous arrival of her ex-husband and an attractive journalist. Written as a vehicle for Katharine Hepburn, its success marked a reversal of fortunes for the actress, who was one of the film stars deemed "Box Office Poison (magazine article), box office poison" in 1938. Production The character of Tracy Lord was inspired by Helen Hope Montgomery Scott, a Philadelphia socialite known for her hijinks, who married a friend of playwright Philip Barry. Barry wrote ''The Philadelphia Story'' specifically for Katharine Hepburn, who ended up not only starring in but also financially backing the play, forgoing a salary in return for a percentage of the play's profits. The play was a great success on Broadway, and was Hepburn's first great triumph after a number of Hollywood failures had led the Independent Theatre Owners of America to ...
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The Day Room (play)
''The Day Room'' is a play written by Don DeLillo and first produced at the American Repertory Theater in Cambridge, Massachusetts, in April, 1986. It is DeLillo's first play. Since its premiere, the play has been produced in New York in 1987, and in Chicago in 1989 and 1993, among others. The first international production was in Auckland, New Zealand, in 1995. A portion of the play was published in ''Harper's'' in September, 1986 as "A Visit from Dr. Bazelon". Plot The play concerns characters in a psychiatric hospital in which the distinctions between patients and staff gradually blur. The play is written in an absurdist style reminiscent of Beckett and Ionesco, and eschews linear plot in favor of a non-traditional exploration of such themes as empathy, personal identity, fear of death, and the seeming impossibility of meaningful communication. In line with the transformation of identities, the eponymous room of the first act becomes a vaguely defined motel room in the se ...
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La Jolla Playhouse
La Jolla Playhouse is a not-for-profit, professional theatre on the campus of the University of California, San Diego. History La Jolla Playhouse was founded in 1947 by Gregory Peck, Dorothy McGuire, and Mel Ferrer. In 1983, it was revived under the leadership of Des McAnuff. Since then, the Playhouse's repertoire has included eighty-four world premieres, thirty-two West Coast premieres, and eight American premieres, and has won more than three hundred honors, including the 1993 Tony Award as America's Outstanding Regional Theatre. It is supported, in part, by grants from the National Endowment for the Arts, the California Arts Council, the City of San Diego, and the County of San Diego. It was announced on April 10, 2007, that Christopher Ashley would succeed McAnuff as artistic director. Among the productions that originated at the Playhouse before finding success on Broadway are ''The Who's Tommy'', Matthew Broderick's revival of ''How to Succeed in Business Without Really Try ...
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Santa Fe Opera
Santa Fe Opera (SFO) is an American opera company, located north of Santa Fe, New Mexico. After creating the ''Opera Association of New Mexico'' in 1956, its founding director, John Crosby (conductor), John Crosby, oversaw the building of the first opera house on a newly acquired former guest ranch of . The company has presented operas each summer festival season since July 1957, and is internationally known for introducing new operas as well as for its productions of the List of important operas, standard operatic repertoire. Since its inception, Santa Fe Opera has staged 43 American premieres and 15 world premieres, as of 2017. General history John Crosby, who was a New York-based conductor, founded the company in 1956, initially with the financial support of his parents, who helped in the acquisition of the land and the building of the first opera house. One goal was to give American singers the opportunity to learn and perform new roles while having ample time for rehearsa ...
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The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ...
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The Return Of Ulysses
''Il ritorno d'Ulisse in patria'' ( SV 325, ''The Return of Ulysses to his Homeland'') is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's ''Odyssey'', tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulisse, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulisse vanquishes the suitors and recovers his kingdom. ''Il ritorno'' is the first of three full-length works which Monteverdi wrote for the burgeoning Venetian opera industry during the last five years of his life. After ...
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American Repertory Theater
The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Brustein, Robert Sanford (2001). "The Arts at Harvard", in: The Siege of the Arts: Collected Writings 1994-2001' (snippet preview only). Chicago : Ivan R. Dee. . p. 21-30; here: p. 27. Over the past thirty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985). In 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and it was named one of the top three theaters in the country by ''Time'' magazine in 2003. The A.R.T. is housed in the Loeb Drama Center at Harvard University, a building it sh ...
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Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diffe ...
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Cleveland Play House
Cleveland Play House (CPH) is a professional regional theater company located in Cleveland, Ohio. It was founded in 1915 and built its own noted theater complex in 1927. Currently the company performs at the Allen Theatre in Playhouse Square where it has been based since 2011. Cleveland Play House is organized like most American theater companies, with a board of directors and a number of administrators. The Board of Directors is chaired by Anne Marie Warren. The Artistic Director is Laura Kepley. The Managing Director was Kevin Moore until his death in 2020. The theater's national directors are Alan Alda, Austin Pendleton, and Joel Grey. The theatre received the 2015 Regional Theatre Tony Award on June 7, 2015 at Radio City Music Hall in New York City. History Origins In the early 1900s Cleveland theatre featured mostly vaudeville, melodrama, burlesque and light entertainment. In 1915 a select group of ten Clevelanders met in the home of Charles S. and Minerva Brooks to dis ...
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Private Lives
''Private Lives'' is a 1930 comedy of manners in three acts by Noël Coward. It concerns a divorced couple who, while honeymooning with their new spouses, discover that they are staying in adjacent rooms at the same hotel. Despite a perpetually stormy relationship, they realise that they still have feelings for each other. Its second act love scene was nearly censored in Britain as too risqué. Coward wrote one of his most popular songs, "Some Day I'll Find You", for the play. After touring the British provinces, the play opened the new Phoenix Theatre in London in 1930, starring Coward, Gertrude Lawrence, Adrianne Allen and Laurence Olivier. A Broadway production followed in 1931, and the play has been revived at least a half dozen times each in the West End and on Broadway. The leading roles have attracted a wide range of actors; among those who have succeeded Coward as Elyot are Robert Stephens, Richard Burton, Alan Rickman and Matthew Macfadyen, and successors to Lawrenc ...
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English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the comp ...
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