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Richard Delvy
Richard Delvy (April 20, 1942 – February 6, 2010) was an American music entrepreneur. He started in the music business as a drummer who played with The Bel-Airs and took his experience to broader appeal with The Challengers, who were in the forefront of the surf music explosion in southern California. He also worked as a composer, arranger, music manager, producer, and music publisher. He owned the rights to several iconic surf and rock songs including " Wipe Out", "Mr. Moto" (written by him with Paul Johnson), and "Chick-A-Boom (Don't Ya Jes' Love It)". He is well known as being one of the first pioneers of surf music. Overview Richard Delvy was a surf music pioneer. In 1960, the first band he played drums in was called The Bel-Airs, and in late 1962 he founded The Challengers. They produced a smash hit album titled ''Surfbeat'', released in January 1963. ''Surfbeat'' took the California Sound and surf music to new levels of acceptance and remains the best selling surf al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridgeport, Connecticut
Bridgeport is the List of municipalities in Connecticut, most populous city and a major port in the U.S. state of Connecticut. With a population of 148,654 in 2020, it is also the List of cities by population in New England, fifth-most populous in New England. Located in eastern Fairfield County, Connecticut, Fairfield County at the mouth of the Pequonnock River on Long Island Sound, it is from Manhattan and from The Bronx. It is bordered by the towns of Trumbull, Connecticut, Trumbull to the north, Fairfield, Connecticut, Fairfield to the west, and Stratford, Connecticut, Stratford to the east. Bridgeport and other towns in Fairfield County make up the Greater Bridgeport, Bridgeport-Stamford-Norwalk-Danbury metropolitan statistical area, the second largest Metropolitan statistical area, metropolitan area in Connecticut. The Bridgeport-Stamford-Norwalk-Danbury metropolis forms part of the New York metropolitan area. Inhabited by the Golden Hill Paugussett Indian Nation, Paugus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surf Music
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Rod Rock
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surfbeat
''Surfbeat'' was the first album recorded by the Los Angeles-based surf rock group The Challengers. They recorded the album in a 3½ hour session at the end of 1962. The album was released in early 1963 and became a huge hit, helping to propel the surf genre. It was sought by collectors for many years and gained great notoriety in the obscure surf market. In 1994, Sundazed records, a company with a lot of vintage surf at its disposal, released the album on CD with two bonus tracks. The tracks are all old numbers that serve as the foundation for surf rock. Songs by The Fireballs and Duane Eddy are on the album. The Beach Boys' debut ''Surfin' Safari'' and ''Surfer's Choice'', the debut from Dick Dale & His Del-Tones had been released just a few months before ''Surfbeat'' was recorded. Tracks from both are on this album. Two tracks on the album, "Vampire" and "Kami-Kaze" are actually recordings by The Bel-Airs, the band that the Challengers formed out of. The guitarists and sax ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick-A-Boom (Don't Ya Jes' Love It)
"Chick-A-Boom (Don't Ya Jes' Love It)" is a song written by Janice Lee Gwin and Linda Martin and performed by Daddy Dewdrop. It was featured on his 1971 album, ''Daddy Dewdrop''. The lyrics in the verses are spoken, rather than sung. "Chick-A-Boom" reached number nine on the U.S. ''Billboard'' pop chart in 1971. It also reached number five on the ''Cash Box'' Top 100. It was produced by Dick Monda and Don Sciarrotta. Monda produced music for the 1970-71 Filmation animated television series ''Groovie Goolies'', for which the song was originally written and recorded. The song makes a reference to Little Richard's "Tutti Frutti". The single ranked number 34 on ''Billboard''s Year-End Hot 100 singles of 1971. Chart performance Weekly charts Year-end charts Other versions *Jonathan King, under the name 53rd & 3rd featuring The Sound of Shag released a version of the song in the United Kingdom in 1975 that reached #36 on the UK Singles Chart. *Ted Knight Ted Knigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Johnson (guitarist)
Paul Johnson is a guitarist and songwriter, best known for his work in instrumental surf music and the track "Mr. Moto" by his band The Bel-Airs The Bel-Airs were an early and influential surf rock band from South Bay, Los Angeles, active in the early 1960s. They were best known for their 1961 hit "Mr. Moto", an instrumental surf rock song that featured a flamenco-inspired intro and cont .... External links *http://pjmoto.com/ Official site * *https://www.allmusic.com/artist/paul-johnson-mn0000020790/biography *https://musicmoz.org/Bands_and_Artists/J/Johnson,_Paul/ *https://musicbrainz.org/artist/ab3e5c8a-1097-4809-a021-6d3399f4e029 {{DEFAULTSORT:Johnson, Paul Guitarists from California Surf musicians Songwriters from California American rock guitarists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wipe Out (instrumental)
"Wipe Out" is a surf rock instrumental composed by Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson. Composed in the form of twelve-bar blues, the tune was first performed and recorded by the Surfaris, who became famous with the single in 1963. The single was first issued on the independent labels DFS (#11/12) in January 1963 and Princess (#50) in February and finally picked up for national distribution on Dot as 45-16479 in April. Dot reissued the single in April 1965 as 45-144. The song—both the Surfaris' version as well as cover versions—has been featured in over 20 films and television series since 1964, appearing at least once a decade. A " wipe out" is a fall from a surfboard, especially one that looks painful. Background Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson wrote "Wipe Out" almost on the spot while at Pal Recording Studio in Cucamonga, California, in late 1962, when they realized they needed a suitable B-side for the intended "Surfer Joe" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Publisher (popular Music)
A music publisher is a type of publisher that specializes in distributing music. Music publishers originally published sheet music. When copyright became legally protected, music publishers started to play a role in the management of the intellectual property of composers. Music print publishing The term music publisher originally referred to publishers who issued hand-copied or printed sheet music. Examples (who are actively in business ) include: * Breitkopf & Härtel, Leipzig, founded 1719 * Schott Music, Schott, Mainz, 1770 * Oxford University Press, Oxford, founded 18th century * Edition Peters, Leipzig, 1800 * Casa Ricordi, Milan, founded 1808 (now owned by Universal Music Publishing Group) * G. Schirmer, Inc., New York, founded 1861 (now owned by Wise Music Group) * Universal Edition, Vienna, 1901 * Bärenreiter, founded 1923 * Boosey & Hawkes, London, founded 1930 (now owned by Concord (entertainment company), Concord) * Hans Sikorski, Hamburg, 1935 (now owned by Conco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
