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Richard Boyle, 3rd Earl Of Burlington And 4th Earl Of Cork
Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, (25 April 1694 – 4 December 1753) was a British architect and noble often called the "Apollo of the Arts" and the "Architect Earl". The son of the 2nd Earl of Burlington and 3rd Earl of Cork, Burlington never took more than a passing interest in politics despite his position as a Privy Counsellor and a member of both the British House of Lords and the Irish House of Lords. His great interests in life were architecture and landscaping, and he is remembered for being a builder and a patron of architects, craftsmen and landscapers, Indeed, he is credited with bringing Palladian architecture to Britain and Ireland. His major projects include Burlington House, Westminster School, Chiswick House and Northwick Park. Life Lord Burlington was born in Yorkshire into a wealthy Anglo-Irish aristocratic family, the only son of Charles Boyle, 2nd Earl of Burlington and his wife, Juliana Boyle ( Noel; 1672–1750). He succeeded ...
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The Right Honourable
''The Right Honourable'' (abbreviation: ''Rt Hon.'' or variations) is an honorific Style (form of address), style traditionally applied to certain persons and collective bodies in the United Kingdom, the former British Empire and the Commonwealth of Nations. The term is predominantly used today as a style associated with the holding of certain senior public offices in the United Kingdom, Canada, New Zealand, and to a lesser extent, Australia. ''Right'' in this context is an adverb meaning 'very' or 'fully'. Grammatically, ''The Right Honourable'' is an adjectival phrase which gives information about a person. As such, it is not considered correct to apply it in direct address, nor to use it on its own as a title in place of a name; but rather it is used in the Grammatical person, third person along with a name or noun to be modified. ''Right'' may be abbreviated to ''Rt'', and ''Honourable'' to ''Hon.'', or both. ''The'' is sometimes dropped in written abbreviated form, but is al ...
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Burlington House
Burlington House is a building on Piccadilly in Mayfair, London. It was originally a private Neo-Palladian mansion owned by the Earls of Burlington and was expanded in the mid-19th century after being purchased by the British government. Today, the Royal Academy and five learned societies occupy much of the building. History The house was one of the earliest of a number of very large private residences built on the north side of Piccadilly, previously a country lane, from the 1660s onwards. The first version was begun by Sir John Denham in about 1664. It was a red-brick double-pile hip-roofed mansion with a recessed centre, typical of the style of the time, or perhaps even a little old fashioned. Denham may have acted as his own architect, or he may have employed Hugh May, who certainly became involved in the construction after the house was sold in an incomplete state in 1667 to Richard Boyle, 1st Earl of Burlington, from whom it derives its name. Burlington had the hou ...
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I Quattro Libri Dell'architettura
''I quattro libri dell'architettura'' (''The Four Books of Architecture'') is a treatise on architecture by the architect Andrea Palladio (1508–1580), written in Italian. It was first published in four volumes in 1570 in Venice, illustrated with woodcuts after the author's own drawings. It has been reprinted and translated many times, often in single-volume format. Book I was first published in English in 1663 in a London edition by Godfrey Richards. The first complete English language edition was published in London by the Italian-born architect Giacomo Leoni in 1715–1720.The Center for Palladian Studies in America, Inc., "Palladio and his Books." http://www.palladiancenter.org/palladiobooks.html Organization The treatise is divided into four books: The first book discusses building materials and techniques. It documents five classical orders (Doric, Ionic, Corinthian, Tuscan, Composite) in all their parts (bases, columns, architraves, arches, capitals, trabeations), ...
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Andrea Palladio
Andrea Palladio ( ; ; 30 November 1508 – 19 August 1580) was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, '' The Four Books of Architecture'', gained him wide recognition. The city of Vicenza, with its 23 buildings designed by Palladio, and 24 Palladian villas of the Veneto are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. The churches of Palladio are to be found within the "Venice and its Lagoon" UNESCO World Heritage Site. Biography and major works Palladio was born on 30 November 1508 in Padua and was given the name Andrea di Pietro della Gondola. His father, Pie ...
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Grand Tour
The Grand Tour was the principally 17th- to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a tutor or family member) when they had come of age (about 21 years old). The custom—which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary—served as an educational rite of passage. Though it was primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans. By the mid-18th century, the Grand Tour had become a regular feature of aristocratic education in Central Europe as well, although it was restricted to the higher nobility. The tradition declined in Europe as enthusiasm ...
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Peter Bressan
Peter Bressan (1663 - 1731) was a noted woodwind instrument maker of whose work several examples exist in museums and private collections. Life Peter Bressan was born as Pierre Jaillard in Bourg-en-Bresse, France, May 27, 1663 and died April 21,1732 in Tournai, Belgium. Pierre was probably educated at the College in Bourg until he was apprenticed for two years to Jean Boysser a master turner at the age of fifteen. It is not known where he learned his instrument making skills but it is surmised that he may have studied under the Hotteterres in Paris. In 1691 Pierre was recorded as having played the hautboy (oboe) for William III of England. Subsequently, there are a number of references to him by authors of the time and later as a maker and seller of musical instruments including recorders, voice flutes, flutes, oboes and bassoons. At some point he changed his surname to Bressan; possibly because 'Jaillard' proved hard for the English to pronounce. His workshop and home was ...
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Francesco Barsanti
Francesco Barsanti (1690–1775) was an Italian flautist, oboist and composer. He was born in 1690 in the Tuscan city of Lucca, but spent most of his life in London and Edinburgh. Biography Very little is known about Barsanti's background. His father may or may not have been the opera librettist Giovanni Nicolao Barsanti (''Il Temistocle'') but this has never been proved. He studied law in Padua as a young man, but abandoned it to pursue a career in music. In 1714 Barsanti emigrated to London with Francesco Geminiani, another musician from Lucca who was several years his senior. He played oboe and recorder, and soon obtained a post in the opera orchestra at the Haymarket where Handel's operas were being produced. Nerici reports that he returned briefly to Lucca in 1717 and again in 1718 to play in the Festival of the Holy Cross, 'for a very high salary.' According to Hawkins and other authorities, in 1735 Barsanti left London for Edinburgh in Scotland where he obtained a post as ...
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Amadigi Di Gaula
''Amadigi di Gaula'' ( HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for an English theatre and the second he wrote for Richard Boyle, 3rd Earl of Burlington in 1715. The opera about a damsel in distress is based on ''Amadis de Grèce'', a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. ''Amadigi'' was written for a small cast, employing four high voices. Handel made prominent use of wind instruments, so the score is unusually colorful, comparable to his ''Water Music''. The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715, in a lavish successful production. Charles Burney maintained near the end of the eighteenth century: Amadigi contained "...more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined".Richard B. Beams ...
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Teseo
''Teseo'' ("Theseus", HWV 9; ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's ''Thésée''. It was Handel's third London opera, intended to follow the success of '' Rinaldo'' after the unpopular ''Il pastor fido''. First performed on 10 January 1713,''Teseo'' featured "magical" effects such as flying dragons, transformation scenes and apparitions and had a cast of notable Italian opera singers. It was a success with London audiences, receiving thirteen performances even though the stage machinery for the "magical" effects broke down, and would have received more performances had not one of the theatre's managers run away with the box office receipts. Performance history The opera was premiered at the Queen's Theatre in the Haymarket on 10 January 1713. It received an additional 12 performances through 16 May 1713, a mark of success at ...
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Georg Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ...
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Aristocracy (class)
The aristocracy is historically associated with "hereditary" or "ruling" social class. In many states, the aristocracy included the upper class of people (aristocrats) with hereditary rank and titles. In some, such as ancient Greece, ancient Rome, or India, aristocratic status came from belonging to a military caste. It has also been common, notably in African societies, for aristocrats to belong to priestly dynasties. Aristocratic status can involve feudal or legal privileges. They are usually below only the monarch of a country or nation in its social hierarchy. In modern European societies, the aristocracy has often coincided with the nobility, a specific class that arose in the Middle Ages, but the term "aristocracy" is sometimes also applied to other elites, and is used as a more generic term when describing earlier and non-European societies. Some revolutions, such as the French Revolution, have been followed by the abolition of the aristocracy. Etymology The term ...
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Anglo-Irish
Anglo-Irish people () denotes an ethnic, social and religious grouping who are mostly the descendants and successors of the English Protestant Ascendancy in Ireland. They mostly belong to the Anglican Church of Ireland, which was the established church of Ireland until 1871, or to a lesser extent one of the English dissenting churches, such as the Methodist church, though some were Roman Catholics. They often defined themselves as simply "British", and less frequently "Anglo-Irish", "Irish" or "English". Many became eminent as administrators in the British Empire and as senior army and naval officers since Kingdom of England and Great Britain were in a real union with the Kingdom of Ireland until 1800, before politically uniting into the United Kingdom of Great Britain and Ireland) for over a century. The term is not usually applied to Presbyterians in the province of Ulster, whose ancestry is mostly Lowland Scottish, rather than English or Irish, and who are sometimes ident ...
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