Rich In London
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Rich In London
''Rich in London'' a.k.a. ''Very Alive at Ronnie Scotts'' is a live album by Buddy Rich and his big band, recorded in 1971 at Ronnie Scott's Jazz Club in London. Not to be confused with the 1980 DRG Buddy Rich Big Band recording, '' Live at Ronnie Scott's''. Release history The US LP release, ''Rich in London'', contains 8 tracks plus a Rich monologue. The UK release, ''Very Alive at Ronnie Scotts'', is a double LP containing an additional 5 tracks plus more examples of Rich talking to the audience. Both albums have been re-issued on CD. The Mosaic Records single CD re-issue of ''Rich in London'' includes 4 additional bonus tracks (4 of the "missing" 5 tracks from the UK ''"Very Alive..."'' release - all but "Superstar" - but not the additional Rich monologue). Track listing ''Rich in London'' LP Side 1 #"Dancing Men" (Pat LaBarbera) – 6:41 #"The Word" (Don Piestrup) – 6:03 #"St. Marks Square (A Special Day)" (LaBarbera) – 4:06 #"That's Enough" (Jon Hendricks) – ...
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Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ...
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ...
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Lin Biviano
Franklin "Lin" Biviano is an American jazz trumpeter best known for his powerful lead trumpet playing with Buddy Rich, Count Basie, and Maynard Ferguson. He has also played and recorded with Hoagy Carmichael, Jo Ann Castle, Bill Chase, Buddy DeFranco, Jimmy Dorsey, Ella Fitzgerald, Woody Herman, Milt Jackson, Harry James, Stan Kenton, Glenn Miller, Frank Sinatra, Steve Smith, Mel Tormé, Sarah Vaughan, Fats Waller, and Lawrence Welk, mostly playing lead trumpet. From 1974-1976 he led his own big band; they toured the East Coast and recorded the single ''L.A. Expression'' with ''Love Is Stronger Far Than We'' on the flipside. From 1964-1965, he attended Berklee School of Music (now Berklee College of Music), and in 2002 he was asked to return as a teacher; as of 2017 he is still on the faculty, teaching mainly ensembles and private lessons. Discography With Buddy Rich *'' A Different Drummer'' (RCA, 1971) *'' Rich in London'' (RCA, 1971) *''Stick It'' (RCA, 1972) With Maynard Ferg ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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In A Mellow Tone
"In a Mellow Tone", also known as "In a Mellotone", is a 1939 jazz standard composed by Duke Ellington, with lyrics written by Milt Gabler. The song was based on the 1917 standard "Rose Room" by Art Hickman and Harry Williams, which Ellington himself had recorded in 1932. Howard Stern used a recording of this song (from Ellington's '' Blues in Orbit'' album) as the opening theme to ''The Howard Stern Show'' from 1987 to 1994. Notable recordings *Red Norvo (1943) *Erroll Garner - '' Contrasts'' (1954) *Clark Terry - '' Duke with a Difference'' (1957) *Chico Hamilton with Eric Dolphy - ''The Original Ellington Suite'' (1958) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1958) *Ben Webster (with Coleman Hawkins and Roy Eldridge) - '' Ben Webster and Associates'' (1959) *Count Basie - '' Breakfast Dance and Barbecue'' (1959) * Lambert, Hendricks, & Ross - ''The Hottest New Group in Jazz'' (1960) *Billy May - '' Cha Cha! Billy May'' (1960) *Coleman Hawkins wit ...
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Tim Rice
Sir Timothy Miles Bindon Rice (born 10 November 1944) is an English lyricist and author. He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, ''Joseph and the Amazing Technicolor Dreamcoat'', ''Jesus Christ Superstar'', and ''Evita''; with Björn Ulvaeus and Benny Andersson of ABBA, with whom he wrote ''Chess''; and with Disney on '' Aladdin, The Lion King'', the stage adaptation of ''Beauty and the Beast'', and the original Broadway musical ''Aida''. He also wrote lyrics for the Alan Menken musical ''King David'', and for DreamWorks Animation's ''The Road to El Dorado''. Rice was knighted by Elizabeth II for services to music in 1994. He has a star on the Hollywood Walk of Fame, is an inductee into the Songwriter's Hall of Fame, is a Disney Legend recipient, and is a fellow of the British Academy of Songwriters, Composers, and Authors. In addition to his awards in the UK, he is one of seventeen artists to have won an Emmy, Osc ...
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Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948), is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were successful outside of their parent musicals, such as "Memory" from '' Cats,'' "The Music of the Night" and " All I Ask of You" from ''The Phantom of the Opera'', "I Don't Know How to Love Him" from ''Jesus Christ Superstar'', "Don't Cry for Me Argentina" from ''Evita'', and " Any Dream Will Do" from '' Joseph and the Amazing Technicolor Dreamcoat.'' In 2001, ''The New York Times'' referred to him as "the most commercially successful composer in history". ''The Daily Telegraph'' ranked him the "fifth most powerful person in British culture" in 2008, lyricist Don Black writing "Andrew more or less single-ha ...
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Superstar (Jesus Christ Superstar Song)
"Superstar" is the title song from the 1970 album and 1971 rock opera ''Jesus Christ Superstar'' written by Andrew Lloyd Webber and Tim Rice. Content The song is sung by the spirit of Judas Iscariot, who had committed suicide earlier in the show. The song consists of a series of questions addressed to Jesus, such as why Jesus chose to come to Israel in 4 BC when it had no "mass communication" as opposed to modern times, whether Jesus had planned his own death, whether Jesus knew beforehand that his death would become famous, and whether religious figures such as Gautama Buddha and Muhammad are his equals. It is dominated by repeated apologies for asking these questions ("Don't you get me wrong", "I only want to know"). Typically, Judas is accompanied by a choir of angels, and the song is performed during the crucifixion scene, if not immediately before it. Versions Original Murray Head version "Superstar" was released as a single in 1969, before the album was completed. Sung by ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Milestones (composition)
"Milestones" is a jazz composition written by Miles Davis. It appears on the Milestones (Miles Davis album), album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a Modal jazz, modal style and experimentation in this piece led to the writing of "So What (composition), So What" from the 1959 album ''Kind of Blue''. The song's modes consist of G Dorian mode, Dorian for 16 bars, A Aeolian mode, Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats. Originally titled "Miles" on the initial album pressings, people soon began referring to the piece as "Milestones" rather than "Miles". On later editions of the album the title was changed. The musicians who performed on "Milestones" are: *Miles Davis – trumpet *Cannonball Adderley – alto saxophone *John Coltrane – tenor saxophone *Red Garland – piano *Paul Chambers – double bass *Philly Joe Jones – drum ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Bill Holman (musician)
Willis Leonard Holman (born May 21, 1927), known professionally as Bill Holman, is an American composer, arranger, conductor, saxophonist, and songwriter working in jazz and traditional pop. His career is over seven decades long, having started with the Charlie Barnet orchestra in 1950. Early life Bill Holman was born in Olive, California, United States. His family moved to Orange, east of Anaheim, then Santa Ana. He started playing the clarinet in junior high school. While attending Orange High School he played the tenor saxophone and formed a band. Although his family had no musical background, Holman was influenced by Count Basie and Duke Ellington while constantly listening to the radio. He was drafted at the later end of World War II and served in the U.S. Navy from 1944 to 1946. Through the Navy, he studied mechanical engineering at the University of Colorado and then studied at UCLA. In the late 1940s, he started to concentrate on music instead of engineering. He enr ...
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