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Rich And Famous (Buddy Rich Album)
''Rich and Famous'' is a recording made by jazz drummer Buddy Rich released in 1983. Originally released by Amway in the US, it has since been re-issued under different titles by different labels (''The Magic of Buddy Rich'' (HMC Records), ''Buddy Rich, The Man'' (Synergie OMP), ...). Track listing LP side A: #"Red Snapper" ( Bobby Shew) – 4:34 #"Time Will Tell" (Joe Roccisano) – 5:07 #"Ballad Of The Matador" (Frank Strazzeri) – 5:23 #"Dancing Men" ( Pat LaBarbera) – 4:59 LP side B: #"Cotton Tail" ( Duke Ellington) – 5:05 #"My One and Only Love" (Guy Wood, Robert Mellin Israel Melnikoff (September 22, 1902 – July 10, 1994), known professionally as Robert Mellin, was a Russian Empire-born American composer and lyricist and music publisher. Born in Kyiv and raised in Chicago, where his first job was music plug ...) – 5:34 #"Manhattan: The City/Central Park" ( Dave Panichi) – 4:47 Personnel *Buddy Rich – leader, drums *The Buddy Rich Big Band: **Trumpets: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat LaBarbera
Pat (Pascel Emmanuel) LaBarbera (born April 7, 1944) is an American-born Canadian jazz tenor, alto and soprano saxophonist, clarinetist, and flautist born in Mt. Morris, New York, most notable for his work as a soloist in Buddy Rich bands from 1967 to 1973. He moved to Toronto, Ontario in 1974, and is a member of the faculty at Humber College. La Barbera began working with Elvin Jones in 1975, touring Europe with him in 1979. While working with Buddy Rich, Pat also was working in groups led by Woody Herman and Louie Bellson. Pat has also played with Carlos Santana. LaBarbera has played a major role in the development of a generation of Canadian saxophonists. In 2000, he won a Juno Award for Best Traditional Instrumental Jazz Album for ''Deep in a Dream''."Juno Awards reach out to music's newcomers". ''National Post'', March 13, 2000. Pat is the brother of fellow musicians John LaBarbera (trumpet) and Joe LaBarbera (drums). Discography As a leader * 1975: ''Pass It O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drumkit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Panichi
Dave Panichi is an Australian jazz Musician, trombonist and composer who began his professional musical career in 1975. In 1981 Panichi moved to New York, where he lived for 18 years. During this time he performed with notable artists including the Buddy Rich Big Band, Toshiko Akiyoshi, Blood Sweat & Tears, Slide Hampton, Bob Mintzer, Maria Schneider (musician), Maria Schneider, Frank Sinatra, Sarah Vaughan, Joe Williams (jazz singer), Joe Williams, Aretha Franklin, Mel Tormé, Peabo Bryson, Dave Liebman, Mulgrew Miller and Marc Copland. In 2000, Panichi moved back to Australia where he is currently active in teaching, performing, and composing. He is currently a casual lecturer in trombone at Sydney Conservatorium of Music. Drummer Buddy Rich threatened to fire Panichi during his time with Rich's band for having a beard. The altercation was taped and included in a well-known series of bootlegs showcasing Rich's temper.Audio tape recording of Buddy Rich tirade - Transcription by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Mellin
Israel Melnikoff (September 22, 1902 – July 10, 1994), known professionally as Robert Mellin, was a Russian Empire-born American composer and lyricist and music publisher. Born in Kyiv and raised in Chicago, where his first job was music plugger at Remick Music. In the early 1940s he moved to New York, where he founded his own company in 1947. Moving to Europe in the early 1950s, Mellin wrote the music or lyrics for hundreds of songs, including several hits, over the next two decades. His biggest hit was ''My One and Only Love'' written with lyricist Guy Wood. It was recorded by many artists, including Frank Sinatra, Louis Armstrong, Ella Fitzgerald, Chet Baker and (as a duet) John Coltrane and Johnny Hartman. In 1962 Mellin wrote lyrics for Acker Bilk's instrumental '' Stranger on the Shore'', enabling it to be covered by vocal artists. From the mid-1950s onwards he ran his own music publishing company, Robert Mellin Music, based in London's Tin Pan Alley on Denmark Street. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Wood
Guy B. Wood (24 July 1911 – 23 February 2001) was a musician and songwriter born in Manchester, England. Wood started his career in music playing saxophone in dance bands in England. He moved to the United States in the 1930s, where he worked for Paramount Pictures and Columbia Pictures as well as serving as bandleader at the Arcadia Ballroom in New York. His songs include "Till Then", "My One and Only Love", " Shoo-Fly Pie and Apple Pan Dowdy". His song "Till Then" reached the pop charts three times (in 1944, 1954, and 1963). Wood also wrote songs for Captain Kangaroo and the Radio City Music Hall. Wood died on 23 February 2001. Songs *"Till Then" 1944 *" Shoo-Fly Pie and Apple Pan Dowdy" 1946 *" Music from Beyond the Moon" 1947 *"Cincinnati Dancing Pig" 1950 *"Vanity" 1951 *"Hobo Boogie" 1951 *"Faith Can Move Mountains" 1952 *"My One and Only Love" 1952 *"French Foreign Legion" 1958 *" The Wedding" 1958 *"Look for Me (I'll Be Around)"(with Sylvia Dee Sylvia Dee (born Josephi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My One And Only Love
"My One and Only Love" is a 1953 popular song with music written by Guy Wood and lyrics by Robert Mellin.Gioia, T. (2012). ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. . pp. 284-285. Notable renditions by Frank Sinatra (1953), and later by John Coltrane and Johnny Hartman (1963), have made the song part of the jazz standard musical repertoire. Structure Published in 1953, it is a conventional 32-bar song with four 8-bar sections, including a bridge ("Type A" or "AABA" song structure).Meeder, C. (2012). ''Jazz: The Basics''. Taylor & Francis. . Chapter 1, Fundamentals, "Form". Typically performed as a ballad, it has an aria-like melody that is a challenge to many vocalists;Sinatra, N. (1986). ''Frank Sinatra, My Father''. Pocket Books. . p. 102. Quote: "This song is perhaps ''the'' most difficult popular song to sing. The intervals are extremely tricky…" in the key of C, the song's melody extends from G below middle C to the second D above middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton Tail
"Cotton Tail" is a 1940 composition by Duke Ellington. It is based on the rhythm changes from George Gershwin's "I Got Rhythm". The first Ellington recording (4 May 1940) is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross. The 1941 Soundie gives the title as "Hot Chocolate," with "Cotton Tail" below it in parentheses and smaller letters, but this was likely done by the producer, as that title does not seem to appear anywhere else between the original record's release and this production. Slide Hampton's arrangement of "Cotton Tail" on Dee Dee Bridgewater's 1997 album '' Dear Ella'' won him the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s) in 1998. "Cotton Tail" is the theme song for "The Art of Jazz," a music history radio program ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Strazzeri
Frank Strazzeri (April 24, 1930 – May 9, 2014) was an American jazz pianist. Career Strazzeri began on tenor saxophone and clarinet at age 12, then switched to piano soon after. He attended the Eastman School of Music, then took a job as a house pianist in a nightclub in Rochester in 1952. While there he accompanied visiting musicians such as Roy Eldridge and Billie Holiday. He moved to New Orleans in 1954, playing with Sharkey Bonano and Al Hirt in a Dixieland jazz setting, but his focus since then was on bebop. He played with Charlie Ventura in 1957–58 and Woody Herman in 1959 before moving to Los Angeles in 1960. There he worked extensively as a studio musician on the West Coast jazz scene, and toured with Joe Williams, Maynard Ferguson, Les Brown and Elvis Presley!(1971–74). He also played with Elvis Presley in the Aloha from Hawaii concert of 1973). He worked with Terry Gibbs, Herb Ellis, the Lighthouse All-Stars, Art Pepper, Bud Shank, Cal Tjader, Louie Bellson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Roccisano
Joseph Lucian Roccisano (October 15, 1939 in Springfield, Massachusetts – November 9, 1997) was an American jazz saxophonist and arranger. Career Roccisano received his bachelor's degree in music education from SUNY-Potsdam in 1963. In 1964 he played in the Tommy Dorsey orchestra under Sam Donahue, then moved to Los Angeles, where he played with Don Ellis (1966–68), Ray Charles (1967-68), Louie Bellson, Lew Tabackin, Toshiko Akiyoshi, Terry Gibbs, Don Menza, Bill Holman, and Don Rader. He assembled the 15-piece ensemble Rocbop in 1976 and played in the Capp-Pierce Juggernaut in 1981. He later formed his own big band, the Joe Roccisano Orchestra, which released two albums during the 1990s. The musicians joining him in this band included Bill Charlap, Bud Burridge, Jack Stuckey, Franck Amsallem, James E. Pugh, John Basile, Ken Hitchcock, Lou Marini, Matt Finders, Robert Millikan, Scott Lee, Terry Clarke, Tim Ries, Tom Harrell, Scott Robinson, and Greg Gisbert. Roccisano was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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