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Riccardo Primo
''Riccardo primo, re d'Inghilterra'' ("Richard the First, King of England", HWV 23) is an opera seria in three acts written by George Frideric Handel for the Royal Academy of Music (1719) . The Italian-language libretto was by Paolo Antonio Rolli, after Francesco Briani's ''Isacio tiranno'', set by Antonio Lotti in 1710. Handel wrote the work for the Royal Academy's 1726–27 opera season, and also as homage to the newly crowned George II and the nation where Handel had just received citizenship.Dean, Winton, "Handel's ''Riccardo Primo''" (July 1964). ''The Musical Times'', 105 (1457): pp. 498–500. ''Riccardo Primo'' was the third opera Handel composed for the trio of famous star Italian singers, the castrato Senesino and the sopranos Francesca Cuzzoni and Faustina Bordoni. Performance history The opera received its premiere at the King's Theatre in London on 11 November 1727, and eleven subsequent performances. It was also performed in Hamburg and Braunschweig in Febru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Coeur-de-lion (opera)
''Richard Cœur-de-lion'' (''Richard the Lionheart'') is an opéra comique, described as a ''comédie mise en musique'', by the Belgian composer André Grétry. The French text was by Michel-Jean Sedaine. The work is generally recognised as Grétry's masterpiece and one of the most important French ''opéras comiques''. It is based on a legend about King Richard I of England's captivity in Austria and his rescue by the troubadour Blondel de Nesle. On his way home from the Third Crusade, King Richard has been imprisoned by Leopold, Archduke of Austria. The king's faithful squire Blondel seeks him out disguised as a blind troubadour. He arrives in Linz where he meets the English exile Sir Williams and his daughter Laurette, who tell him of an unknown prisoner in the nearby castle. Laurette is in love with the prison governor, Florestan. Countess Marguerite, who is in love with King Richard, arrives and offers Blondel her help. Blondel goes to the castle where he sings the song ''Une f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard I Of England
Richard I (8 September 1157 – 6 April 1199) was King of England from 1189 until his death in 1199. He also ruled as Duke of Normandy, Aquitaine and Gascony, Lord of Cyprus, and Count of Poitiers, Anjou, Maine, and Nantes, and was overlord of Brittany at various times during the same period. He was the third of five sons of King Henry II of England and Eleanor of Aquitaine and seemed unlikely to become king, but all his brothers except the youngest, John, predeceased their father. Richard is known as Richard Cœur de Lion ( Norman French: ''Le quor de lion'') or Richard the Lionheart because of his reputation as a great military leader and warrior. The troubadour Bertran de Born also called him Richard Oc-e-Non (Occitan for ''Yes and No''), possibly from a reputation for terseness. By the age of 16, Richard had taken command of his own army, putting down rebellions in Poitou against his father. Richard was an important Christian commander during the Third Crusade, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Theatre Of Saint Louis
Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by the St. Louis Symphony Orchestra, which is divided into two ensembles, each covering two of the operas, for the season. The company's performances are presented in the Loretto-Hilton Center for the Performing Arts on the campus of Webster University. First seasons and achievements In 1976, Leigh Gerdine, Laurance L. Browning, Jr. and James Van Sant co-founded OTSL. They hired Richard Gaddes, who at the time was working at The Santa Fe Opera, as the company's first Artistic Director. They signed him as full-time General Director in 1978 at the suggestion of Ed Korn, who was brought in as a consultant from the Metropolitan Opera. Gaddes acknowledged that the model for OTSL was The Santa Fe Opera: : That was not a coincidence. I always sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Göttingen International Handel Festival
The Göttingen International Handel Festival (German, ''Internationale Händel-Festspiele Göttingen'') is a German festival of baroque music, based in Göttingen, Germany. The festival was established in 1919 by Oskar Hagen, art historian and father of actress Uta Hagen, and gave its first performances in 1920. The festival has largely focused on the music of George Frideric Handel and has helped to revive and cultivate increased performances of Handel's music during the twentieth century. The festival involves professional musicians from throughout the world and their performances are largely concerned with employing historical baroque performance practices. The festival produces one fully staged opera by Handel every year and several of his oratorios. In 2006, the festival created its own professional orchestra, the Festspiel Orchester Göttingen (FOG), which focuses on performing baroque music. In addition, the Festival features several performances of the chamber music of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kourion
Kourion ( grc, Koύριov; la, Curium) was an important ancient Greek city-state on the southwestern coast of Cyprus. In the twelfth century BCE, after the collapse of the Mycenaean palaces, Greek settlers from Argos arrived on this site. In the seventeenth century, Kourion suffered from five heavy earthquakes, but the city was mostly rebuilt. The acropolis of Kourion, located 1.3 km southwest of Episkopi and 13 km west of Limassol, is located atop a limestone promontory nearly 100 metres high along the coast of Episkopi Bay. The Kourion archaeological area lies within the British Overseas Territory of Akrotiri and Dhekelia and is managed by the Cyprus Department of Antiquity. History of Kourion Early history of the area The earliest identified occupation within the Kouris River valley is at the hilltop settlement of Sotira-Teppes, located 9 km northwest of Kourion. This settlement dates to the Ceramic Neolithic period ( 5500–4000 BCE). Another hilltop set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel Opera Society
The Handel Opera Society (renamed "Handel Opera" in 1980) gave performances of operas by George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ... in London from 1955 to 1985. ''Grove Music Online'', . Oxford University Press, 2002 References British opera companies Opera in London[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
