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Rhythm Is Our Business
''Rhythm Is Our Business'' is an album by trumpeter and cornetist Jordan Sandke, recorded in 1985. Recording and music ''Rhythm Is Our Business'' was recorded at ERAS Recording, New York City, on June 10 and 12, 1985.Fitzgerald, Michael (October 2, 2011"Jordan Sandke Leader Entry". jazzdiscography.com. Sandke plays trumpet and cornet on the album, with Tad Shull (tenor sax), Jaki Byard (piano), Milt Hinton (bass), and Charlie Braugham (drums). The material is some Sandke originals and compositions by other writers. (September 8, 1986). ''People''. Release The album was released on LP by |
Jordan Sandke
Jordan Sandke is an American jazz trumpeter, cornetist, and fluegelhornist. Biography Sandke was born around 1946. His main area of musical interest is the swing era.Wilson, John S. (March 2, 1988 ''The New York Times''. He and his brother, Randy Sandke, played in the Widespread Depression Jazz Orchestra. His recording debut as sole leader was ''Rhythm Is Our Business'', for Stash Records in 1985.Fitzgerlad, Michael (October 2, 2011"Jordan Sandke Leader Entry" jazzdiscography.com. He played both trumpet and cornet on the album, which also featured Tad Shull (tenor sax), Jaki Byard (piano), Milt Hinton (bass), and Charlie Braugham (drums). Playing style A 1988 reviewer commented that "Sandke, using both trumpet and fluegelhorn, is rich-toned and mellow at one moment or crisply biting at another." With the Widespread Depression Orchestra, he played "gloriously growling full-bodied Cootie Williams solos".Wilson, John S. (December 26, 1980) "Jazz: Depression Quintet". ''The New York T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stash Records
Stash Records was an American independent jazz record label based in New York City that flourished from 1975 through the late 1990s. Its name was drawn from the subject of its first album, ''Reefer Songs'' (1976). Bernie Brightman ''(né'' Bernard Benjamin Brightman; 1921–2003) founded the label in 1975, structured it as a New York entity May 4, 1977 – Stash Records, Inc. – and operated it about until 1998. The corporation dissolved March 28, 2001. History Pre-Stash Records Before founding Stash Records, Bernard Brightman worked with his father's company, Brightman Products Co., Inc., maker Britemode "petites" and other ladies handbags and accessories – headquartered at 385 Fifth Avenue (at 36th Street, southeast corner) (1955) and 393 Fifth Avenue (1961), with showrooms in Chicago, Dallas, Los Angeles, Miami, and Pittsburgh. Bernard's father, Max Brightman (1896–1962), founded and headed Brightman Products. When Max died in 1962, Bernard, his mother (Max's wife), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaki Byard
John Arthur "Jaki" Byard (; June 15, 1922 – February 11, 1999) was an American jazz multi-instrumentalist, composer, and arranger. Mainly a pianist, he also played tenor and alto saxophones, among several other instruments. He was known for his eclectic style, incorporating everything from ragtime and stride to free jazz. Byard played with trumpeter Maynard Ferguson in the late 1950s and early 1960s, and was a member of bands led by bassist Charles Mingus for several years, including on several studio and concert recordings. The first of his recordings as a leader was in 1960, but, despite being praised by critics, his albums and performances did not gain him much wider attention. In his 60-year career, Byard recorded at least 35 albums as leader, and more than 50 as a sideman. Byard's influence on the music comes from his combining of musical styles during performance, and his parallel career in teaching. From 1969 Byard was heavily involved in jazz education: he began teachi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Hinton
Milton John Hinton (June 23, 1910 – December 19, 2000) was an American double bassist and photographer. Regarded as the Dean of American jazz bass players, his nicknames included "Sporty" from his years in Chicago, "Fump" from his time on the road with Cab Calloway, and "The Judge" from the 1950s and beyond. Hinton's recording career lasted over 60 years, mostly in jazz but also with a variety of other genres as a prolific session musician. He was also a photographer of note, praised for documenting American jazz during the 20th Century. Biography Early life in Mississippi (1910–1919) Hinton was born in Vicksburg, Mississippi, United States, the only child of Hilda Gertrude Robinson, whom he referred to as "Titter," and Milton Dixon Hinton. He was three-months-old when his father left the family. He grew up in a home with his mother, his maternal grandmother (a former slave of Joe Davis, the brother of Jefferson Davis), and two of his mother's sisters. His childhood in V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Navarro
Theodore "Fats" Navarro (September 24, 1923 – July 6, 1950) was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the 1940s. He had a strong stylistic influence on many other players, including Clifford Brown. Life Navarro was born in Key West, Florida, United States, of Cuban, African, and Chinese descent. He began playing piano at age six, but did not become serious about music until he began playing trumpet at the age of thirteen. He was a childhood friend of drummer Al Dreares. By the time he graduated from Douglass High School, he wanted to be away from Key West and joined a dance band headed for the Midwest. Navarro gained valuable experience touring in bands, including Snookum Russell's territory band, where he met and influenced a young J.J. Johnson. Tiring of the life on the road, Navarro settled in New York City in 1946, where his career took off. He met and played with, among others, Charlie Parker. But Navarro was in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saul Chaplin
Saul Chaplin (February 19, 1912 – November 15, 1997) was an American composer and musical director. He was born Saul Kaplan in Brooklyn, New York. He had worked on stage, screen and television since the days of Tin Pan Alley. In film, he won three Oscars for collaborating on the scores and orchestrations of ''An American in Paris'' (1951), ''Seven Brides for Seven Brothers'' (1954) and ''West Side Story'' (1961). Biography Born to a Jewish family, Chaplin graduated with a B.A. in accounting from New York University's School of Commerce. After school, Chaplin joined the ASCAP and started out penning tunes for the theatre, vaudeville and for New York's famous songwriting district, Tin Pan Alley. While in New York, Chaplin teamed with Sammy Cahn to compose original songs for Vitaphone movie shorts, filmed in Brooklyn by Warner Brothers. During this period the team was sometimes billed only by surname ("Cahn and Chaplin"), in the manner of Rodgers and Hart or Gilbert and Sullivan. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmie Lunceford
James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era. Early life Lunceford was born on a farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mississippi, United States. The farm was owned by his father, James. His mother was Idella ("Ida") Shumpert of Oklahoma City, an organist of "more than average ability". Seven months after James Melvin was born, the family moved to Oklahoma City. The family next moved to Denver where Lunceford attended high school and studied music under Wilberforce J. Whiteman, father of Paul Whiteman, whose band was soon to acquire a national reputation. As a child in Denver, he learned several instruments. After high school, Lunceford continued his studies at Fisk University. In 1922, he played alto saxophone in a local band led by the violinist George Morrison which included Andy Kirk, another musician destined for fame as a bandleader. Career In 1927 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Nemo
Henry Nemo (June 8, 1909 – November 26, 1999) was a musician, songwriter, and actor in Hollywood films who had a reputation as a hipster. Band leading In 1941, Nemo formed his own 19-piece band. The group featured four Chinese women as singers. Playing on his nickname, "The Neme," the band's slogan was "Hit the Beam with the Neme." Musical compositions Nemo's first hit composition was "I Let a Song Go Out of My Heart." He also composed the song standards "Don't Take Your Love From Me" and " 'Tis Autumn", both published in 1941. He also composed the incidental music and lyrics for the 1959 Broadway production of Saul Levitt's play ''The Andersonville Trial'' directed by José Ferrer and starring George C. Scott. Nemo worked with Frank Sinatra, Duke Ellington, Mildred Bailey, Tommy Dorsey. Artie Shaw recorded his song "Don't Take Your Love from Me" in 1941 with a band of mostly African-American musicians accompanying African-American vocalist Lena Horne. During his seven-decade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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