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Revolution Of The Mind
''Revolution of the Mind: Live at the Apollo, Volume III'' is a live double album by James Brown released in 1971. As its subtitle suggests, it is Brown's third album recorded at the Apollo Theater, following the original '' Live at the Apollo'' (1963) and ''Live at the Apollo, Volume II'' (1968). After a triple album project recorded in France was cancelled because Brown had signed with a new label, Polydor, in 1971, Brown elected to do many of the same songs on a New York project. Unlike the cancelled live album, this was assembled from the best live takes from a week of shows, at the Apollo. Unlike previous releases live albums, this was criticized for poor sound balance and excessive eroticism. Note that “Escapism“/ “Make it Funky“, tracks four and five actually opened the show it was taken from. Despite flaws, it sold well and became one of the all-time most sampled sets . The album is notable as the first of his live albums to include a spoken introduction by his longt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, dancer, musician, record producer and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "the Hardest Working Man in Show Business", "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986. Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please" and " Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got You (I Feel Good)
"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album ''Out of Sight'' and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording. Description "I Got You (I Feel Good)" is a twelve-bar blues with a brass-heavy instrumental arrangement similar to Brown's previous hit, "Papa's Got a Brand New Bag". It also features the same emphasis "on the one" (i.e. the first beat of the measure) that characterizes Brown's developing funk style. The lyrics have Brown exulting in how good he feels ("nice, like sugar and spice") now that he has the one he loves, his vocals punctuated by screams and shouts. The song includes an alto sax solo by Maceo Parker. Precursors "I Got You (I Feel Good)" developed from an earlier Brown-penned song, "I Found You", with a nearly identical melody and lyrics. "I Found You" had been recorded by Brown's back-up singer Yvonne Fair and released as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make It Funky
"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and No. 22 on the U.S. Pop chart. Publication This was his first song to be submitted solely to Polydor Records. The original master is very slow and steadily formed in tempo, compared to how it is performed live. It features the band members chanting the song's title and a prominent organ part played by Brown himself. Bobby Byrd also contributes vocals and a spoken intro. Brown released the next 6 minutes of the recording as another two-part single, titled "My Part/Make It Funky", which charted #68 R&B. Parts 3 and 4 appeared on the album ''Get on the Good Foot''. Live versions of "Make It Funky" appear on the albums '' Revolution of the Mind'' and ''Live at the Apollo 1995''. Brown also remade the song for his 1992 album ''Universal James'' under the title "Make It Funky 2000". The full version, running 12:50, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Matthews (keyboardist)
David Matthews (born March 4, 1942), is an American keyboardist, pianist, and arranger.Allmusic/ref> Early life and education Matthews was born David Richard Matthews in Sonora, Kentucky. He earned a bachelor's degree in composition from the University of Cincinnati. Career Matthews has composed television soundtracks as well as albums with the Manhattan Jazz Orchestra. He is the leader of the Manhattan Jazz Quintet. Matthews was also the leader of the musical group the Grodeck Whipperjenny. In 1970, he began working as both an arranger and bandleader for James Brown. Matthews has worked with many musicians, including Bonnie Raitt, Buddy Rich, Idris Muhammad, and the Starland Vocal Band. He was staff arranger for Creed Taylor's CTI Records label in the mid-1970s, working on albums for artists such as George Benson, Esther Phillips, Grover Washington Jr., Hank Crawford, and Idris Muhammad. In 1977, he became one of the first artists to dedicate an entire composition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escape-ism
"Escape-ism" is a funk song by American musician James Brown. It was Brown's first release on his own label, People Records. It charted #6 R&B and #35 Pop as a two-part single in 1971. Both parts also appeared on the album ''Hot Pants'' in 1971, with the previously unreleased nineteen-minute unedited take of the track appearing on the album's 1992 CD re-release. According to Robert Christgau the song was "supposedly cut to kill time until Bobby Byrd Bobby Howard Byrd (August 15, 1934 – September 12, 2007) was an American rhythm and blues, soul and funk singer, songwriter, musician, record producer, bandleader and talent scout, who played an integral and important part in the development ... arrived" at the studio. A live version of "Escape-ism" is included on Brown's live album '' Revolution of the Mind''. References James Brown songs Songs written by James Brown 1971 singles 1970 songs {{1970s-R&B-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Byrd
Bobby Howard Byrd (August 15, 1934 – September 12, 2007) was an American rhythm and blues, soul and funk singer, songwriter, musician, record producer, bandleader and talent scout, who played an integral and important part in the development of soul and funk music in association with James Brown. Byrd began his career in 1952 as member of the gospel group the Gospel Starlighters, who later changed their name to the Avons in 1953 and the Five Royals in 1954, before settling on the name the Flames in 1955 prior to Brown's joining the group; their agent later changed it to The Famous Flames. Byrd was the founder of "The Flames", is credited with the discovery of James Brown, and also claimed responsibility for writing most of James Brown's hits. As group founder, and one of the longest-serving members of the group, Byrd was inducted into the Rock & Roll Hall of Fame posthumously in 2012. Byrd was also a 1998 recipient of the Rhythm and Blues Foundation's Pioneer Award. Early li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bewildered
"Bewildered" is a popular song written in 1936 by Teddy Powell and Leonard Whitcup. It was a 1938 hit for Tommy Dorsey and His Orchestra. 1948 recordings The song was revived in the late 1940s when two different versions, by the Red Miller Trio and Amos Milburn, reached number one on the R&B chart in 1948 (neither of them made the pop chart). Both these versions departed significantly from the original published melody and influenced later recordings. James Brown and the Famous Flames version James Brown and the Famous Flames recorded "Bewildered" in 1959. Their doo-wop–tinged rendition was somewhat similar to the Amos Milburn version, with a strong triplet feeling and a heavily melismatic vocal line. It was first released as a track on Brown's 1960 album '' Think!''. The following year it was issued as a single, which reached the R&B Top Ten and became Brown's second single (after "Think") to enter the pop Top 40 (US charts: number 8 R&B; number 40 pop). "Bewildered" beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let A Man Come In And Do The Popcorn
"Let a Man Come In and Do the Popcorn" is a song by James Brown. Brown's 1969 recording of the song was split into two parts which were released consecutively as singles. Both of the singles charted, with Part One rising to #2 R&B and #21 Pop and Part Two reaching #6 R&B and #40 Pop.White, Cliff (1991). "Discography". In ''Star Time'' (pp. 54–59) D booklet New York: PolyGram Records. The full recording of the song was included on the 1970 album ''It's a New Day - Let a Man Come In''. References External links "Popcorn Unlimited" an article by Douglas Wolk Douglas Wolk (born 1970) is a Portland, Oregon-based author and critic. He has written about comics and popular music for publications including ''The New York Times'', ''Rolling Stone'', ''The Washington Post'', ''The Nation'', ''The New Republi ... about James Brown's "Popcorn" records James Brown songs Songs written by James Brown 1969 singles 1969 songs King Records (United States) singles {{196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's A New Day (James Brown Song)
"It's a New Day" is a funk song written and performed by James Brown. Released as a single in 1970, it charted #3 R&B and #32 Pop.White, Cliff (1991). "Discography". In ''Star Time'' (pp. 54–59) D booklet New York: PolyGram Records. Live performances of the song appear on the albums '' Revolution of the Mind'' (1971) and '' Love Power Peace'' (1992; recorded 1971). References James Brown songs Songs written by James Brown 1970 singles {{1970s-R&B-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Power
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s (plus Fred Wesley) and it was released as a three-part single in 1971. Like "Get Up (I Feel Like Being a) Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop. Part 1 of "Soul Power" appeared on the 1972 album ''Soul Classics''. Live versions of the song were included on ''Revolution of the Mind'' (1971) and '' Love Power Peace'' (1992; recorded 1971), but no longer version of the original studio recording received an album release until an eight-minute re-edit was issued on the 1986 compilation album ''In the Jungle Groove''. The complete studio recording, over 12 minutes long, appeared for the first time on the 1996 CD compilation '' Funk Power 1970: A Brand New Thang''. Personnel * James Brown - lead vocal ;with The J.B.'s * Bobby Byrd - organ, vocals * Darryl "Hasaan" Jamison - trumpet * Clayton "Chicken" Gunnells - trumpet * Fred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
