Retroactive Abortion
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Retroactive Abortion
''Retroactive Abortion'' is the debut album by American grindcore band Venomous Concept. It was released on June 29, 2004, through Ipecac Recordings. In 2006, Belgian record label Hypertension Records re-issued the album on vinyl. Critical reception The album generally received mixed reviews from music critics. Scott McKeating of Stylus Magazine thought that the album was "defiantly loud, messy and loose, but it could’ve done with being a lot more abrasive; the lo-fi production sounds underdone." McKeating concluded: "Chopped down to a fistful of songs this would’ve made a great EP, but even at thirty minutes this album is way too long." ''Exclaim!'' critic Greg Pratt wrote: "Venomous Concept had brilliance written all over it. Ultimately, it falls a bit short of that however, being more of a fun, jam-room one-off project." PopMatters' Adrien Begrand described the record as "a moderately enjoyable hardcore album… if you ignore the lyrics, that is." Track listing #"Weirdo" ...
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Venomous Concept
Venomous Concept is an American hardcore punk band formed by Kevin Sharp of Brutal Truth and Shane Embury of Napalm Death in 2004. Sharp and Embury were joined by Danny Herrera and Buzz Osborne, who was later replaced by Danny Lilker. They have released three albums: ''Retroactive Abortion'' (2004), ''Poisoned Apple'' (2008), and ''Kick Me Silly VCIII'' (2016). They have also released two split albums: one with Japanese grindcore band 324 (2006), and the other with Australian extreme metal band Blood Duster (2008). The band's name is a play on Poison Idea, in the style of name-mangling Japanese hardcore acts. History In February 2004, Kevin Sharp was the tour driver for Napalm Death on ''The Art of Noise'' tour with Nile, Strapping Young Lad, Dark Tranquillity and The Berzerker. Shane Embury and Sharp were already acquainted, and "some beers, pizza and old vinyl classics by Poison Idea, Black Flag and Systematic Death" renewed their friendship. They decided to start a band toget ...
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seconds i ...
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Ipecac Recordings
Ipecac Recordings is an independent record label based in California. It was founded on April 1, 1999 by Greg Werckman (ex-label manager of Alternative Tentacles, ex-lead singer of DUH, ex-employee of Mercury Records) and Mike Patton (Faith No More, Mr. Bungle, Fantômas, Tomahawk, Peeping Tom and Mondo Cane) in Alameda, California. Originally the label was created for the sole purpose of releasing the first Fantômas album. Since then, they have gone on to distribute other artists like Melvins, Isis, as well as several of Patton's other projects and collaborations. The label is named after syrup of ipecac, an emetic, or vomit-inducing, medicine. Its slogan is "Ipecac Recordings—Making People Sick Since 1999." Business practices Ipecac is distinguished from most labels (independent labels included) by their policy of signing bands to only one album contracts. Werckman claims that "when starting our label we decided that it did not feel right to “own” the artists on our ...
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Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience. In 2006, the site was chosen by the ''Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. The site remained online for several years, but did not publish any new content. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a web ...
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Lo-fi Music
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ...
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Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ...
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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QuickTime
QuickTime is an extensible multimedia framework developed by Apple Inc., capable of handling various formats of digital video, picture, sound, panoramic images, and interactivity. Created in 1991, the latest Mac version, QuickTime X, is available for Mac OS X Snow Leopard up to macOS Mojave. Apple ceased support for the Windows version of QuickTime in 2016, and ceased support for QuickTime 7 on macOS in 2018. As of Mac OS X Lion, the underlying media framework for QuickTime, QTKit, was deprecated in favor of a newer graphics framework, AVFoundation, and completely discontinued as of macOS Catalina. Overview QuickTime is bundled with macOS. QuickTime for Microsoft Windows is downloadable as a standalone installation, and was bundled with Apple's iTunes prior to iTunes 10.5, but is no longer supported and therefore security vulnerabilities will no longer be patched. Already, at the time of the Windows version's discontinuation, two such zero-day vulnerabilities (both of whi ...
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Shane Embury
Shane Embury (born 27 November 1967) is a British bassist and a member of the grindcore and death metal band Napalm Death since 1987. Career Napalm Death While not a founding member, Embury is the longest standing member of the band, having taken part in the ''Scum'' tour, replacing previous bassist Jim Whitely in 1987. He was a fan of the band before he joined, first seeing them perform at Midlands venue The Mermaid the previous year and becoming close friends of the members of the band, particularly Mick Harris. Nicholas Bullen, the founding member of the band, originally asked Shane to join them before the recording of the B-side of the debut album '' Scum'' but Shane eventually declined due to nervousness, his biggest regret. Warhammer Before joining Napalm Death, Embury played drums in a death metal band called Warhammer with Mitch Dickinson. The band released one demo in 1985 called ''Abattoir of Death''. After Warhammer, Embury and Mitch did work as Unseen Terror. ...
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Buzz Osborne
Roger "Buzz" Osborne (born March 25, 1964), also known as King Buzzo, is an American guitarist, vocalist and songwriter. He is a founding member of the rock band Melvins, as well as Fantômas and Venomous Concept. Biography Born in Morton, Washington, Osborne is of English, Italian and Jewish descent. He moved to Montesano, Washington at the age of 12. He first started listening to the music of Aerosmith and Ted Nugent, then became greatly interested in punk rock after a few years. In the early 1980s, Osborne founded the Melvins with Matt Lukin and Mike Dillard who all attended Montesano High School (Wheeler Building) where he graduated in 1982. The Melvins began playing fast hardcore punk after Osborne was introduced to bands such as Black Flag, Flipper, and MDC by a friend. When Dillard left the band in 1984, Dale Crover was recruited, and the band's rehearsals moved to a back room of Crover's parents' house in Aberdeen, Washington. They began to play slower and "heavier" ...
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