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Requiem (Cherubini)
The Requiem in C minor for mixed chorus was written by Luigi Cherubini in 1816 and premiered 21 January 1817 at a commemoration service for Louis XVI of France on the twenty-fourth anniversary of Execution of Louis XVI, his beheading during the French Revolution. The work was greatly admired by Beethoven, Robert Schumann, Schumann, Berlioz and Brahms. It was performed at the funeral of Beethoven in 1827. Movements This particular setting of the requiem Mass consists of seven movements: #''Introitus et Kyrie'' #''Graduale'' #''Dies Irae'' #''Offertory, Offertorium'' #''Sanctus'' #''Pie Jesu'' #''Agnus Dei'' In 1820 a funeral march and a motet ''In Paradisum'' were added. In 1834 the work was prohibited by the archbishop of Paris because of its use of women's voices,Steinberg, p. 103. and in 1836 Cherubini wrote a second Requiem in D minor (Cherubini), Requiem in D minor for men's chorus to be performed at his own funeral. The Requiem is orchestrated for SATB-choir, 2 oboes, 2 cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Roman Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosian Singers
The Ambrosian Singers are an English choral group based in London. History They were founded after World War II in England. One of their co-founders was Denis Stevens (1922–2004), a British musicologist and viola player who joined the BBC Music Department in 1949 and developed programs of Renaissance and early Baroque music. Stevens conducted them from 1956 to 1960. The other was John McCarthy (1919–2009), a professional tenor soloist. McCarthy continued to conduct them until the late 1980s. During the 1960s the choir called on the services of between 600 and 700 singers. They organised and created the Ambrosian Singers as a small professional chorus in 1951, initially to sing polyphonic choruses for renaissance and medieval pieces for ''The History of Music'' series. However, their repertoire greatly expanded afterwards. Depending on the style to be sung and on the occasion, they may go by the names "the Ambrosian Light Opera Chorus", "the Ambrossian Chorus", the "Ambrosi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quattro Pezzi Sacri
The ''Quattro pezzi sacri'' (, ''Four Sacred Pieces'') are choral works by Giuseppe Verdi. Written separately during the last decades of the composer's life and with different origins and purposes, they were nevertheless published together in 1898 by Casa Ricordi. They are often performed as a cycle, not in chronological sequence of their composition, but in the sequence used in the Ricordi publication: * Ave Maria, a setting of the Latin Ave Maria for four solo voices a cappella composed in 1889 * Stabat Mater, a setting of the Latin Stabat Mater for chorus and orchestra composed in 1896 and 1897 * Laudi alla Vergine Maria, a setting of a prayer in Canto XXXIII of Dante's '' Paradiso'' for four female voices a cappella composed between 1886 and 1888 * Te Deum, a setting of the Latin Te Deum for double chorus and orchestra composed in 1895 and 1896. They were first performed together (without the Ave Maria) in a concert by the Paris Opera on April 7, 1898. History After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Shaw Chorale
The Robert Shaw Chorale was a renowned professional choir founded in New York City in 1948 by Robert Shaw, a Californian who had been drafted out of college a decade earlier by Fred Waring to conduct his glee club in radio broadcasts. History The Chorale enjoyed an intermittent existence, being formed and re-formed on an ad hoc basis for national and international tours and several RCA Victor recordings,'The Robert Shaw Chorale' . its personnel count ranging from around thirty to around sixty voices depending on repertoire requirements. The Chorale ceased operations permanently in 1965, shortly before Shaw assumed the post of Music Director of the |
NBC Symphony Orchestra
The NBC Symphony Orchestra was a radio orchestra conceived by David Sarnoff, the president of the Radio Corporation of America, especially for the conductor Arturo Toscanini. The NBC Symphony performed weekly radio concert broadcasts with Toscanini and other conductors and served as house orchestra for the NBC network. The orchestra's first broadcast was on November 13, 1937, and it continued until disbanded in 1954. A new ensemble, independent of the network, called the Symphony of the Air, followed. It was made up of former members of the NBC Symphony Orchestra and performed from 1954 to 1963, particularly under Leopold Stokowski. History Tom Lewis, in the ''Organization of American Historians Magazine of History'', described NBC's plan for cultural programming and the origin of the NBC Symphony: :David Sarnoff, who had first proposed the "radio music box" in 1916 so that listeners might enjoy "concerts, lectures, music, recitals," felt that the medium was failing to do this. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Men's Chorus
A men's chorus or male voice choir (MVC) (German: ''Männerchor''), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors (1st and 2nd tenor), and high and low basses (1st and 2nd bass; or baritone and bass)—and shortened to the letters ''TTBB''. The term can also refer to a piece of music which is performed by such a choir. Overview Male voice choirs are commonly found in the United Kingdom, particularly in Wales, Cornwall, and Yorkshire. The names of male voice choirs sometimes use the abbreviation MVC, for example Castleford MVC. Men have sung together throughout history. In the West, most music lovers will be familiar with monastic chanting such as the Gregorian chant. In addition, men have come together to make music and enjoy the fellowship of others with a similar passion. Glee clubs became popular in the United States where men would sing in harmony, usually ''a cappella''. Russia has a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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