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Renoise
Renoise is a digital audio workstation (DAW) based upon the heritage and development of tracker software. Its primary use is the composition of music using sound samples, soft synths, and effects plug-ins. It is also able to interface with MIDI and OSC equipment. The main difference between Renoise and other music software is the characteristic vertical timeline sequencer used by tracking software. History Renoise was originally based on the code of another tracker called NoiseTrekker, made by Juan Antonio Arguelles Rius (Arguru). Then unnamed Renoise project was initiated by Eduard Müller (Taktik) and Zvonko Tesic (Phazze) during December 2000. The development team planned to take tracking software into a new standard of quality, enabling tracking scene composers to make audio of the same quality as other existing professional packages, while still keeping the proven interface that originated with Soundtracker in 1987. Version 1.0 was released in June 2002. Over the years t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tracker (music Software)
A music tracker (sometimes referred to as just tracker for short) is a type of music sequencer software for creating music. The music is represented as discrete musical notes positioned in several channels at discrete chronological positions on a vertical timeline. A music tracker's user interface is usually number based. Notes, parameter changes, effects and other commands are entered with the keyboard into a grid of fixed time slots as codes consisting of letters, numbers and hexadecimal digits. Separate patterns have independent timelines; a complete song consists of a master list of repeated patterns. Later trackers departed from solely using module files, adding other options both to the sound synthesis (hosting generic synthesizers and effects or MIDI output) and to the sequencing (MIDI input and recording), effectively becoming general purpose sequencers with a different user interface. In the 2010s, tracker music is still featured in demoscene products for old hardware p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Tracker
A music tracker (sometimes referred to as just tracker for short) is a type of music sequencer software for creating music. The music is represented as discrete musical notes positioned in several channels at discrete chronological positions on a vertical timeline. A music tracker's user interface is usually number based. Notes, parameter changes, effects and other commands are entered with the keyboard into a grid of fixed time slots as codes consisting of letters, numbers and hexadecimal digits. Separate patterns have independent timelines; a complete song consists of a master list of repeated patterns. Later trackers departed from solely using module files, adding other options both to the sound synthesis (hosting generic synthesizers and effects or MIDI output) and to the sequencing (MIDI input and recording), effectively becoming general purpose sequencers with a different user interface. In the 2010s, tracker music is still featured in demoscene products for old hardware p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ReWire
ReWire is a software protocol, jointly developed by Propellerhead and Steinberg, allowing remote control and data transfer among digital audio editing and related software. Originally appearing in the ReBirth software synthesizer in 1998, the protocol has since evolved into an industry standard. Reason Studios has announced that they will discontinue the Rewire protocol at the end of 2020. Currently used in macOS and Microsoft Windows 32-bit or 64-bit audio applications, ReWire enables the simultaneous transfer of up to 256 audio tracks of arbitrary resolution and 4080 channels of MIDI data. This allows, for example, the output from synthesizer software to be fed directly into a linear editor without the use of intermediate files or analog transfers. There are also provisions to remotely trigger actions, such as starting and stopping recording. The protocol is licensed free of charge to companies only, but comes with a "non-disclosure of source code" license that is incompatible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Antonio Arguelles Rius
Juan Antonio Arguelles Rius (November 2, 1978 – June 3, 2007), also known as Arguru (sometimes Argu), was a prolific music software programmer and electronic musician, producer and songwriter, responsible for such applications as NoiseTrekker and Directwave. Co-founded the compandiscoDSPand was later hired by Image-Line and involved in the development of Deckadance and FL Studio 7. Arguru died in a car accident on June 3, 2007. Biography Juan Antonio Arguelles was born on November 2, 1978, in Málaga, Spain. In 1997, Arguru started out as one of the most productive plugin developers of the Jeskola buzz-scene. In 2000, he and Frank Cobos (known as "Freaky") began mixing psytrance as a duo in Malaga under the name Alienated Buddha. They released the album ''Inpsyde'' on Out of Orion in February 2002. In May 2000 he created Psycle until version 1.0, which he then released into the public domain. Arguru co-founded the software compandiscoDSPwith George Reales in July 2002discoD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Sound Control
Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control. OSC's advantages include interoperability, accuracy, flexibility and enhanced organization and documentation. The first specification was released in March 2002. Motivation OSC is a content format developed at CNMAT by Adrian Freed and Matt Wright comparable to XML, WDDX, or JSON. It was originally intended for sharing music performance data (gestures, parameters and note sequences) between musical instruments (especially electronic musical instruments such as synthesizers), computers, and other multimedia devices. OSC is sometimes used as an alternative to the 1983 MIDI standard, when higher resolution and a richer parameter space is desired. OSC messages are transported across the internet and within local subnets using UDP/IP and Ethernet. OSC messages between gestural controllers are usually transmitted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tracking Scene
Module file (MOD music, tracker music) is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files (using the software called music trackers) and listen to them form the worldwide MOD scene, a part of the demoscene subculture. The mass interchange of "MOD music" or "tracker music" (music stored in module files created with trackers) evolved from early FIDO networks. Many websites host large numbers of these files, the most comprehensive of them being the Mod Archive. Nowadays, most module files, including ones in compressed form, are supported by most popular media players such as VLC, Foobar2000, Exaile and many others (mainly due to inclusion of common playback libraries such as libmodplug for gstreamer). Structure Module files store digitally recorded samples and several "patterns" or "pages" of music data in a form similar to that of a spreadsheet. These patterns contain note numbers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disposable Soft Synth Interface
Disposable Soft Synth Interface (DSSI) is a virtual instrument ( software synthesizer) plugin architecture for use by music sequencer applications. It was designed for applications running under Linux, although there is nothing specific to Linux in the interface itself. It is distributed under the terms of a combination of LGPL-2.1-or-later and some BSD licenses, all of which are free software licences. Features DSSI is sometimes described as ''Linux Audio Developer's Simple Plugin API'' ( LADSPA) for instruments. LADSPA is an audio effects plugin architecture for filters, reverbs and other sound processing software tools, whereas DSSI was designed specifically for instrument plugins that generate sound from note events. DSSI extends LADSPA by adding note event delivery, but it also adds predefined program selections and a method for plugins to provide their own user interfaces, both of which may also be used by effects plugins. This is partly because DSSI was intended to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Workstation
A digital audio workstation (DAW) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, human speech, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly any other situation where complex recorded audio is needed. Hardware Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Workstation
A digital audio workstation (DAW) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, human speech, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly any other situation where complex recorded audio is needed. Hardware Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Core Audio Format
The Core Audio Format is a container for storing audio, developed by Apple Inc. It is compatible with Mac OS X 10.4 and higher; Mac OS X 10.3 needs QuickTime 7 to be installed. Core Audio Format is designed to overcome limitations of older digital audio formats, including AIFF and WAV. Just like the QuickTime .mov container, a .caf container can contain many different audio formats, metadata tracks, and much more data. Like the RF64, it is not limited to a 4 GB file size and a single .caf file can theoretically save hundreds of years of recorded audio due to its use of 64-bit file offsets. GarageBand, Soundtrack Pro, and Logic Studio use the .caf format for their loop and sound effects library, particularly for surround-sound audio compressed with the Apple Lossless The Apple Lossless Audio Codec (ALAC), also known as Apple Lossless, or Apple Lossless Encoder (ALE), is an audio coding format, and its reference audio codec implementation, developed by Apple Inc. for lossle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Studio Technology
Virtual Studio Technology (VST) is an audio plug-in software interface that integrates software synthesizers and effects units into digital audio workstations. VST and similar technologies use digital signal processing to simulate traditional recording studio hardware in software. Thousands of plugins exist, both commercial and freeware, and many audio applications support VST under license from its creator, Steinberg. Overview VST Plug-in (computing), plugins generally run within a digital audio workstation (DAW), to provide additional functionality, though a few standalone plugin hosts exist that support VST. Most VST plugins are either instruments (VSTi) or effects (VSTfx), although other categories exist—for example spectrum analyzers and various meters. VST plugins usually provide a custom graphical user interface that displays controls similar to physical switches and knobs on audio hardware. Some (often older) plugins rely on the host application for their user interfac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
