Renaissance Architecture
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ...
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Basilica Di San Lorenzo Di Firenze
The Basilica di San Lorenzo (Basilica of St. Lawrence) is one of the largest churches of Florence, Italy, situated at the centre of the main market district of the city, and it is the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at which time it stood outside the city walls. For three hundred years it was the city's cathedral, before the official seat of the bishop was transferred to Santa Reparata. San Lorenzo was the parish church of the Medici family. In 1419, Giovanni di Bicci de' Medici offered to finance a new church to replace an eleventh-century Romanesque rebuilding. Filippo Brunelleschi, the leading Renaissance architect of the first half of the fifteenth century, was commissioned to design it, but the building, with alterations, was not completed until after his death. The church is part of a larger monas ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Ro ...
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Quattrocento
The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500. Historical context After the decline of the Western Roman Empire in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent fiefdoms into larger, more stable nation states ruled by monarchies. In Italy, urban ce ...
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Banister Fletcher
Sir Banister Flight Fletcher (15 February 1866 – 17 August 1953) was an English architect and architectural historian, as was his father, also named Banister Fletcher. They wrote the standard textbook ''A History of Architecture'', which is also often referred to just as Banister Fletcher. Life Fletcher was born and died in London, where he trained at King's College and University College. He joined his father's practice in 1884, also studying at the Royal Academy Schools, the Architectural Association, and the École des Beaux-Arts, Paris. He became a partner in 1889, and on his father's death in 1899 took over the practice, which continued to be called Banister Fletcher & Sons. Fletcher worked closely with his younger brother Herbert Phillips Fletcher (1872–1916) as well as his father. Herbert was also a partner in the family firm and they wrote some books together. He was "regarded as a minor figure in the modernist movement" in his early career, and gener ...
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Tempietto - Houtsnede Door Palladio 2
Tempietto (Italian: "small temple") generally means a small temple-like or pavilion-like structure and is a name of many places in Italy: * San Pietro in Montorio#The Tempietto in Rome, a tomb by Donato Bramante * Villa Barbaro#Church (Tempietto Barbaro) at Maser, a church planned by Palladio * Tempietto of Sant'Antonio, Rimini, a baroque church in Rimini * Temple of Aesculapius (Villa Borghese) (called also Tempietto of Aesculapius) in Rome, built by Antonio Asprucci and his son Mario Asprucci * Temple of Clitumnus or Tempietto del Clitunno, an early medieval church in Pissignano * Tempietto del Petrarca, Canossa, a commemorative structure in Selvapiana * Sant'Emidio alle Grotte or Tempietto, a Baroque church in Ascoli Piceno * Sant'Emidio Rosso or Tempietto Sant'Emidio Rosso, a church of Ascoli Piceno * Sanctuary of Santa Maria infra Saxa, Genga and Tempietto Valadier by Giuseppe Valadier * Oratorio di Santa Maria in Valle, previously called the Tempietto longobardo, Valle * Pit ...
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Erwin Panofsky
Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work represents a high point in the modern academic study of iconography, which he used in hugely influentialShone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. works like his "little book" ''Renaissance and Renascences in Western Art'' and his masterpiece, '' Early Netherlandish Painting''. Many of his works are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. Panofsky's ideas were also highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the Histor ...
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Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his '' Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, but the concept became widespread only in the 19th century, after the work of schola ...
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Jacob Burckhardt
Carl Jacob Christoph Burckhardt (25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. He is known as one of the major progenitors of cultural history. Sigfried Giedion described Burckhardt's achievement in the following terms: "The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well." His best known work is ''The Civilization of the Renaissance in Italy'' (1860). Life The son of a Protestant clergyman, Burckhardt was born and died in Basel, where he studied theology in the hope of taking holy orders; however, under the influence of Wilhelm Martin Leberecht de Wette, he chose not to become a clergyman. He was a member of the patrician Burckhardt family. He finished his degree in 1839 and went to the Universi ...
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Jules Michelet
Jules Michelet (; 21 August 1798 – 9 February 1874) was a French historian and an author on other topics whose major work was a history of France and its culture. His aphoristic style emphasized his anti-clerical republicanism. In Michelet's 1855 work, ''Histoire de France'' (History of France), he adopted the term "rebirth" that was used first in a work published in 1550 by the Italian art historian Giorgio Vasari. The term was used by Vasari to describe the advent of a new manner of painting that began with the work of Giotto, as the "rebirth (''rinascita'') of the arts." Michelet thereby became the first historian to use and define the French translation of the term, ''renaissance'',Murray, P. and Murray, L. (1963) ''The Art of the Renaissance''. London: Thames & Hudson (World of Art), p. 9. to identify the period in Europe's cultural history that followed the Middle Ages. Historian François Furet wrote that Michelet's ''History of the French Revolution'' (1847) remai ...
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