Remember Me This Way (Gary Glitter Song)
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Remember Me This Way (Gary Glitter Song)
"Remember Me This Way" is a song by English glam rock singer Gary Glitter, written by Glitter with Mike Leander and produced by Mike Leander. Unlike Glitter's previous singles this was a slow ballad that surprised many at the time. Nevertheless, it went on to peak at No. 3 on the UK Singles Chart. The single features the non-album track, "It's Not a Lot (But It's All I Got)" as its B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ..., which was exclusive to the single. Track listing #"Remember Me This Way" – 4:18 #"It's Not a Lot (But It's All I Got)" – 2:26 Chart performance Certifications References External links * 1974 songs Gary Glitter songs Songs written by Mike Leander Songs written by Gary Glitter {{1970s-rock-song-stub ...
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Gary Glitter
Paul Francis Gadd (born 8 May 1944), best known by his stage name Gary Glitter, is an English former singer, songwriter, and record producer. He achieved success during the glam rock era of the 1970s and 1980s, and his career ended after he was imprisoned for downloading child pornography in 1999. He was also convicted of child sexual abuse in 2006 and attempted rape in 2015. After performing under the name Paul Raven in the 1960s, Gadd changed his stage name to Gary Glitter in the early 1970s and had a sustained solo UK chart run of hits including " Rock and Roll (Parts 1 and 2)", "Do You Wanna Touch Me", "I Love You Love Me Love", "I'm the Leader of the Gang (I Am)", and "Hello, Hello, I'm Back Again". He became known for his energetic live performances and extremely glam rock image of glitter suits, make-up, and platform boots. He sold over 20 million records and had 26 hit singles which spent a total of 180 weeks in the UK Singles Chart, with 12 reaching the top 10 and thr ...
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Glam Rock
Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock.P. Auslander, ''Performing Glam Rock: Gender and Theatricality in Popular Music'' (Ann Arbor, MI: University of Michigan Press, 2006), , pp. 57, 63, 87 and 141. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock. The UK charts were inundated with glam rock acts from 1971 to 1975. The March 1971 appearance of T. Rex frontman Marc Bolan on the BBC's music show ''Top of the Pops'', wearing glitter and satins, is often cited as the beginning of ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Bell Records
Bell Records was an American record label founded in 1952 in New York City by Arthur Shimkin, the owner of the children's record label Golden Records, and initially a unit of Pocket Books, after the rights to the name were acquired from Benny Bell who used the Bell name to issue risque novelty records. A British branch was also active in the 1960s and 1970s. Bell Records was shut down in late 1974, and its assets were transferred to Columbia Pictures' new label, Arista Records. 1950s At its inception in 1952, Bell specialized in budget generic pop music, with the slogan "music for the millions". Originally sold on seven-inch 78rpm and 45rpm records for 39 cents (US), this style of music went out of fashion as rock and roll became more prevalent. Sound-alike cover versions of hit records were also issued on 78rpm as well as 45rpm disks priced at 49 cents. One of these records was by "Tom & Jerry" who would later become known using their real surnames, Simon & Garfunkel. Ins ...
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Mike Leander
Michael George Farr (30 June 1941 – 18 April 1996), known professionally as Mike Leander, was a British arranger, songwriter and record producer. He worked variously with The Beatles, David McWilliams ("Days of Pearly Spencer"), Gary Glitter, the Rolling Stones, Brian Jones, Marianne Faithfull, Andrew Loog Oldham, Joe Cocker, Billy Fury, Marc Bolan, Small Faces, Van Morrison, Alan Price, Peter Frampton, Keith Richards, Shirley Bassey, Lulu, Jimmy Page, Roy Orbison, Ben E. King, the Drifters, and Gene Pitney. Leander also wrote the score for the films '' Privilege'' and ''Run a Crooked Mile''. Early life Born in Walthamstow, East London, Leander won a scholarship to Bancroft's School in Woodford Green, Essex where he was educated from 1952 until 1959. Career Mike Leander started his career as an arranger with Decca Records in 1963 and Bell Records in 1972 and worked with such musicians as Marianne Faithfull, Billy Fury, Marc Bolan, Joe Cocker, the Small Faces, Van Morriso ...
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I Love You Love Me Love
"I Love You Love Me Love" is a song by English glam rock singer Gary Glitter. Written by Glitter with Mike Leander and produced by Leander (unusually in monophonic sound), "I Love You Love Me Love" was Glitter's second number-one single on the UK Singles Chart, spending four weeks at the top of the chart in November 1973, and establishing itself as one of the top 10 best-selling singles of 1973 in the UK. It reached No. 2 in both Ireland and Australia. Track listing #"I Love You Love Me Love" – 3:15 #"Hands Up! It's a Stick Up" – 3:05 Cover versions *It was covered by Tommy James in 1976. *Joan Jett & the Blackhearts recorded it in 1984 for the studio album ''Glorious Results of a Misspent Youth'', released as a single backed by the non-album song "Bird Dog" (12"), and 7" releases with "Talkin' 'Bout My Baby (Live)" or LP track "Long Time", depending on the country of origin. Charts It is Glitter's most successful entry in the UK Singles Chart (it entered the chart at numbe ...
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Always Yours
"Always Yours" is a song by English glam rock singer Gary Glitter, written by Glitter with Mike Leander and produced by Mike Leander. It was released as a standalone single in the UK in 1974, and was Glitter's third and final number-one single on the UK Singles Chart, spending a week at the top of the chart in June 1974. It also spent two weeks at number-one in Ireland, and peaked at No. 11 in Australia and No. 14 in Germany. The single features the non-album track, "I'm Right, You're Wrong, I Win!" as its B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ..., which was exclusive to the single. Track listing #"Always Yours" – 3:23 #"I'm Right, You're Wrong, I Win!" – 2:41 Chart performance Certifications References External links * {{authority control UK Sin ...
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Glam Rock
Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock.P. Auslander, ''Performing Glam Rock: Gender and Theatricality in Popular Music'' (Ann Arbor, MI: University of Michigan Press, 2006), , pp. 57, 63, 87 and 141. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock. The UK charts were inundated with glam rock acts from 1971 to 1975. The March 1971 appearance of T. Rex frontman Marc Bolan on the BBC's music show ''Top of the Pops'', wearing glitter and satins, is often cited as the beginning of ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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