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Reid Anderson
Reid Anderson (born 15 October 1970) is a bassist and composer from Minnesota. He is a member of The Bad Plus with drummer Dave King, saxophonist Chris Speed, and guitarist Ben Monder. The original lineup of The Bad Plus first played together in 1989 and formally established the band in 2000. Anderson attended the University of Wisconsin-Eau Claire and graduated from the Curtis Institute of Music. Discography As leader * ''Dirty Show Tunes'' (Fresh Sound, 1997) * ''Abolish Bad Architecture'' (Fresh Sound, 1999) * ''The Vastness of Space'' (Fresh Sound, 2000) With The Bad Plus * ''The Bad Plus'' (Fresh Sound, 2001) * '' These Are the Vistas'' (Columbia, 2003) * '' Give'' (Columbia, 2004) * ''Blunt Object: Live in Tokyo'' (Sony, 2005) * '' Suspicious Activity?'' (Columbia, 2005) * ''Prog'' (Heads Up, 2007) * '' For All I Care'' (Heads Up, 2009) * '' Never Stop'' (eOne/EmArcy, 2010) * '' Made Possible'' (eOne, 2012) * ''The Rite of Spring'' (Masterworks, 2014) * ''Inevitable West ...
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Moers Festival
The Moers Festival is an annual international music festival in Moers, Germany. The festival has changed from concentrating on free jazz to including world and pop music, though it still invites many avant-garde jazz musicians. Performers at Moers include Lester Bowie, Fred Frith, Jan Garbarek, Herbie Hancock, Abdullah Ibrahim, David Murray, Sun Ra, Archie Shepp, and Cecil Taylor. The festival is officially named "mœrs festival" with lowercase letters. History left, In 1978 the International New Jazz Festival Moers took place outdoors. (picture David Friedman) On stage Ned Rothenberg Double Band, 2004 The festival was founded in 1971 by Burkhard Hennen. Three years later, he formed Moers Music to sell performances recorded at the festival. In the early years the festival took place in the paved yard of the castle. In 1975 it was moved to a nearby park because of increased attendance. After a few years outdoors, it moved to a large venue. African Dance Night was added in 19 ...
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These Are The Vistas
''These Are the Vistas'' was the second studio album released by the jazz trio The Bad Plus, and the band's first album for a major label (Columbia Records). The album was the listening public's first widespread opportunity to hear the band, which Jim Fusilli of the ''Wall Street Journal'' called a "jazz power trio with a rock-and-roll heart." The album features several cover songs: Nirvanas "Smells Like Teen Spirit," Blondies " Heart of Glass," and Aphex Twins "Flim". In November 2009, NPR's ''All Songs Considered'' selected the album as one of the 50 "most important" recordings of the decade. Production According to ''JazzTimes'', producer-engineer Tchad Blake, "comes to azzfrom the world of Los Lobos, Tom Waits and Pearl Jam" and "approaches ''These Are the Vistas'' with an ear for acoustic frictions. His firm but unobtrusive direction showcases the Bad Plus in a way that's somehow both huge-sounding and stripped-down." Track listing Personnel *Ethan Iverson – pian ...
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David King (drummer)
David King (born June 8, 1970) is an American drummer from Minneapolis. He is known for being a founding member of the jazz groups The Bad Plus (with Reid Anderson and Ethan Iverson) and Happy Apple (with Michael Lewis and Erik Fratzke) although he is active in many other projects including free jazz collective Buffalo Collision with NYC "downtown" musicians Tim Berne and Hank Roberts and the electronic art/pop group Halloween, Alaska, as well as the noise/prog band The Gang Font with former Hüsker Dü bassist Greg Norton, and jazz quintet Dave King Trucking Company. Career King has recorded or performed with Bill Frisell, Joshua Redman, Joe Lovano, Dewey Redman, Chris Speed, Ursus Minor (with Tony Hymas, Jef Lee Johnson, François Corneloup, Jeff Beck, Julian Lage, Boots Riley and Dead Prez), Joe 'Guido' Welsh, Viktor Krauss, Matt Maneri, Bill Carrothers, Anthony Cox, Atmosphere, Kurt Rosenwinkel, Benoît Delbecq, Django Bates, Meat Beat Manifesto, Craig Taborn's Junk Magic, ...
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Activate Infinity
''Activate Infinity'' is an album by American jazz trio The Bad Plus that was released by Edition on October 25, 2019. The album contains eight original compositions written by band members. Reception Thom Jurek in his review for AllMusic stated, " Activate Infinity is a canny, wildly creative expression of the Bad Plus' collective persona; it's inspired, sophisticated, fresh, and a joy to encounter, time and again." Mike Hobart of ''Financial Times'' stated, "The set is bookended by Reid Anderson’s ear-friendly melodies. Here, closely worked voicings and clatter and whumpf drumming stick close to the core The Bad Plus aesthetic, with “Avail” and “Slow Reactors” opening the album at a rocking pace, and “Love is the Answer” closing with a bittersweet mood. At the album's centre, core values follow a less predictable path with two compositions apiece from Evans and King." Writing for ''The Times'' Chris Pearson commented, "Ethan Iverson’s departure from the Bad Plus ...
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Never Stop II
''Never Stop II'' is the thirteenth studio album by American jazz trio The Bad Plus, released on January 19, 2018 by Legbreaker Records label. Background This album is the first album with pianist Orrin Evans who replaced Ethan Iverson. The album contains 10 original compositions written by bandmembers. This is a follow-up album for '' Never Stop'' released in 2010. Reception In his review for ''Rolling Stone'' Hank Shteamer stated, "No one musician stands out; instead, it’s the song that’s the star – a sign that, personnel swap aside, Never Stop II is Bad Plus business as usual." Nate Chinen of NPR wrote, "That title should be one clue as to the band's intentions. '' Never Stop'', released in 2010, was the first album by The Bad Plus to consist entirely of original compositions. That's true again of Never Stop II, which features four songs by Anderson and two apiece by King and Evans. Each album can be understood as a planted flag, a marker of group identity. But the tran ...
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It's Hard (The Bad Plus Album)
''It's Hard'' is a 2016 studio album by American jazz trio The Bad Plus released by Okeh Records label. It is the group's twelfth studio album, and contains only covers. Allmusic selected it as one of their Favorite Jazz Albums of 2016. Reception In his review for ''PopMatters'' John Garratt stated, "Though they remain a vital game piece in the modern jazz chessboard, an album like It's Hard won't help them zoom to the other side." Steve Greenlee of ''JazzTimes'' wrote "After a few albums of original music and a reworking of Stravinsky’s “The Rite of Spring,” the Bad Plus returns to its roots on It’s Hard. The trio, which mainstreamed the practice of turning modern pop songs into modern jazz, covers a wide swath of stylistic terrain on these 11 tracks..." Richard Gehr of Relix added "After four albums of original music, the Plus returns to Plan A with It’s Hard, an album of sensationally reimagined material like Cyndi Lauper’s “Time After Time,” Kraftwerk’s “The ...
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The Bad Plus Joshua Redman
''The Bad Plus Joshua Redman'' is a 2015 album by jazz trio The Bad Plus and saxophonist Joshua Redman. The album was generally positively received, achieving a Metacritic score of 84%. Background The record is the group's eleventh studio album and the first one in collaboration with Joshua Redman. It only contains original compositions, except for "Dirty Blonde" and "Silence is the Question" which already appeared on previous albums. Reception Evan Haga of ''JazzTimes'' wrote " The album includes nine tracks, including two compositions apiece by Redman and pianist Ethan Iverson, four by bassist Reid Anderson (including two pieces previously recorded by TBP) and one by drummer Dave King. There are none of TBP’s calling-card deconstructions of pop hits, and you don’t miss them; the original music is excellent and wide-ranging and deftly arranged, in a way that underscores both the trio’s affinity for composition and the fresher, more noticeably improvised terrain that Redman ...
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Inevitable Western
''Inevitable Western'' is a 2014 album by jazz trio The Bad Plus. It is the group's tenth studio album and it only contains original compositions. The rear CD insert features a photo of "Big Tex", the marketing icon of the State Fair of Texas. Reception Bill Beuttler of ''JazzTimes'' stated, "The new disc eschews covers, both the highbrow variety and the more plebeian material that the group is renowned (and occasionally reviled) for reworking. Instead, the band members contribute three original compositions apiece. Much of it has a classical feel, the bluesier side of jazz mostly ignored but its improvisational interplay emphasized." Will Layman of ''PopMatters'' noted, "At this point in its career, the Bad Plus is at the height of its powers -- commanding a following of listeners who will trust the adventure that every recording brings. It's notable that they are now signed to Okeh, Sony's new jazz imprint and -- therefore -- the successor to the place that Columbia Records used ...
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The Rite Of Spring (The Bad Plus Album)
''The Rite of Spring'' is a 2014 studio album by American jazz trio The Bad Plus. It is the group's ninth studio album. It is an interpretation of the Igor Stravinsky orchestral composition. The trio first performed the music live in 2011. Reception Will Layman of ''PopMatters'' wrote, "This version is not the usual "jazz version" of a classical composition. Usually, the jazz/classical combination means that melodies and harmonies from classical work are used as the written "song" for a standard jazz performance, with the lead instruments improvising new choruses over the "song structure" of the classical piece... Still, this is in every respect a jazz record." Chris Barton of ''Los Angeles Times'' mentioned, "The Bad Plus mostly set aside improvisation in an effort to capture Stravinsky’s modernist vision, but in some ways it’s never sounded freer." Jason Greene of ''Pitchfork'' wrote, "The feat is still impressive, in an athletic way. The trio have been mapping out this ...
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Made Possible
''Made Possible'' is a 2012 studio album by American jazz trio The Bad Plus released by E1 Music. It is the group's eighth studio album. ''Made Possible'' is the first album by The Bad Plus to feature electronic instruments. Reception In his review for AllMusic, Thom Jurek stated, "Made Possible finds the Bad Plus openly wrestling with the complex interrelationship between rhythm, harmony, and improvisation (individual and collective). It offers a more inviting aural view of the group confronting these questions, and the historic weight and imposing boundaries associated with "the piano trio" in jazz. Rather than try to simply find answers, the Bad Plus engage the listener in the process of asking more questions about music itself." ''The Guardians John Fordham wrote, "Made Possible is at once vintage Bad Plus in its striking themes, nonchalant time-bends and full-on collective improv, and proof of this awesome ensemble's continuing evolution. All the tracks are originals, apart f ...
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Never Stop (The Bad Plus Album)
''Never Stop'' is the seventh studio album by American jazz trio The Bad Plus, released on September 14, 2010 by E1 Music label. This album is the first by the band to consist entirely of original compositions. The album consists of 10 original tracks written by bandmembers. A follow-up originals-only album, ''Never Stop II'', was released in 2018. Reception Nilan Perera of ''Exclaim!'' stated, "These guys are omnivorous, to say the least. ''Never Stop'', however, is an album of originals that, not surprisingly reflects this nature quite admirably and, in some cases, quite humorously... But, all things considered, this release is predominantly an imaginative, confident offering of jazz piano trio laced with strength, tightness of sound and execution that reflects the past decade of constant recording and performance." In his review for AllMusic, Thom Jurek wrote, "The Bad Plus' originals have always been provocative, but being parceled between covers, their impact was unduly blunt ...
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For All I Care
''For All I Care'' is a studio album by American jazz trio The Bad Plus with Wendy Lewis on vocals. The album was released in Europe on October 20, 2008, by EmArcy and in the U.S. on February 3, 2009, by Heads Up. This is the first Bad Plus album to include a vocalist, as well as the first to feature no original songs. Although the Bad Plus are known for playing cover versions of rock songs, this is their first album with nothing but cover songs, including a few 20th-century classical pieces. David King explained to ''Star Tribune'' that the main inspiration for the record was the seminal 1963 album ''John Coltrane and Johnny Hartman''. As he mentioned, "The band still played like it was the John Coltrane Quartet, with or without Hartman. That's what we really aimed for." Reception At Metacritic Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review ...
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