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Regulus (Crowne Play)
''Regulus'' is a 1692 tragedy by the English writer John Crowne. It portrays the career of Marcus Atilius Regulus, a Roman Consul at the time of the First Punic War. A separate play of the same title was written by William Havard in 1744. It was originally performed at the Drury Lane Theatre by the United Company. The cast featured Thomas Betterton as Regulus, Edward Kynaston as Metellus, Elizabeth Barry as Fulvia, William Mountfort as Asdrubal, Anthony Leigh as Gisgon, Cave Underhill as Hiarbas, Thomas Doggett as Batto, Samuel Sandford Samuel Sandford ( fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original ... as Hamilcar and Joseph Williams as Xantippus.Van Lennep p.409 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Crowne
John Crowne (6 April 1641 – 1712) was a British dramatist. His father "Colonel" William Crowne, accompanied the earl of Arundel on a diplomatic mission to Vienna in 1637, and wrote an account of his journey. He emigrated to Nova Scotia where he received a grant of land from Cromwell, but the French took possession of his property, and the home government did nothing to uphold his rights. Biography He was born in London on 6 April 1641, and emigrated to Nova Scotia in 1657 with his father, a joint proprietor of the colony, aboard the ship ''Satisfaction'', and studied at Harvard College. While studying at Harvard, Crowne lived with Puritan divine John Norton. Crowne left without graduating, however, and returned to England with his father in 1660. When the son came to England his poverty compelled him to act as gentleman usher to an independent lady of quality, and his enemies asserted that his father had been an Independent minister. He began his literary career with a roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1692 Plays
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 '' Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Williams (actor)
Joseph Williams was an English stage actor of the seventeenth and early eighteenth century. Williams initially joined the Duke's Company and was apprenticed to the senior actor Henry Harris In 1682 he moved to the merged United Company, appearing at Drury Lane and the Dorset Gardens Theatre. In 1695 when the company split, Williams initially planned to join Thomas Betterton and the breakaways at the Lincoln's Inn Fields Theatre, but ended up remaining at Drury Lane.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lxvi One of his contemporaries at the United Company was an actor named David Williams, and occasionally it is hard to distinguish their roles listed on playbills. Selected roles * Moses in ''The Town Shifts'' by Edward Revet (1671) * Hadland in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Pylades in ''Circe'' by Charles Davenant (1677) * Troilus in '' The Destruction of Troy'' by John Banks (1678) * Cispin in ''The Counterfeits'' by John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Sandford
Samuel Sandford ( fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original Worm in Abraham Cowley's ''Cutter of Coleman Street''. On 1 March 1662 he was Sampson in ''Romeo and Juliet'', and on 20 October Maligni (the villain) in Thomas Porter's ''The Villain''. Early in January 1663 he was Ernesto in Samuel Tuke's ''Adventures of Five Hours'', and on 28 May Vindex in Robert Stapylton's ''Slighted Maid''. During the same season he was Sylvanus in the ''Stepmother'', also by Stapleton, and in 1664 was Wheadle in George Etherege's ''Comical Revenge, or Love in a Tub'', and Provost in ''The Rivals'', D'Avenant's alteration of ''The Two Noble Kinsmen''. After the break of performances on account of the Great Plague, Sandford on 26 March 1668, sang with Harris, as two ballad singers, the epilogue to D'Avenant's ''Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Doggett
Thomas Doggett (or Dogget) (20 September 1721) was an Irish actor. The birth date of 1640 seems unlikely. A more probable date of 1670 is given in the Encyclopædia Britannica. Biography Doggett was born in Dublin, and made his first stage appearance in London in 1691 as Nincompoop in Thomas D'Urfey's ''Love for Money''. In this part, and as Solon in the same author's ''The Marriage-Hater Matched'', he became popular. He followed Betterton to Lincoln's Inn Fields, creating the part of Ben, specially written for him, in William Congreve's ''Love for Love'', with which the theatre opened (1695); and the following year played Young Hobb in his own play, ''The Country Wake''. He was associated with Colley Cibber and others in the management of the Theatre Royal, Haymarket, and Drury Lane, and he continued to play comedy parts at the former until his retirement in 1713. Doggett is highly spoken of by his contemporaries, both as an actor and as a man, and is frequently referred t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cave Underhill
Cave Underhill (1634–1710?) was an English actor in comedy roles. Underhill entertained three generations of London theatre-goers. For over 40 years, as a member of the Duke's Company, Underhill played the first Gravedigger in ''Hamlet''. He was also successful in playing Gregory in ''Romeo and Juliet'', the clown in ''Twelfth Night'', and Trinculo in '' The Tempest''. Early life The son of Nicholas Underhill, a clothworker, he was born in St. Andrew's parish, Holborn, London, on 17 March 1634, and was admitted to Merchant Taylors' School in January 1645. He became first a member of the acting company which was gathered by John Rhodes. around Thomas Betterton. He was then recruited for Sir William D'Avenant and the Duke of York's company at the theatre in Lincoln's Inn Fields. In 1663 he was fined in an assault case, with Betterton and James Noke. Stage career The first character to which Underhill's name appears is Sir Morglay Thwack in D'Avenant's comedy ''The Wits'', re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Leigh
Anthony Leigh (died 1692) was a celebrated English comic actor. Life He was from a Northamptonshire family, and was not closely related to the actor John Leigh (c.1689–1726?). He joined the Duke of York's company about 1672, and appeared in that year at the recently opened theatre in Dorset Garden, as the original Pacheco in ''The Reformation'' (1673), a comedy ascribed by Gerard Langbaine to one Arrowsmith, a Cambridge M.A. graduate. At Dorset Garden, Leigh played many original parts. After the merger of the duke's company with the king's in 1682, Leigh did not immediately go to the Theatre Royal. He was in 1683, however, at that theatre the original Bartoline in John Crowne's ''City Politics'', and played Bessus in a revival of ''A King and No King''. Here he remained until his death, creating many characters.They included: Beaugard's Father in Otway's ''The Atheist'', Rogero in Thomas Southerne's ''The Disappointment'', Sir Paul Squelch in Richard Brome's ''Northern Lass'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mountfort
William Mountfort (c. 1664 – 10 December 1692), England, English actor and dramatic writer, was the son of a Staffordshire gentleman. Biography His first stage appearance was with the Dorset Garden Theatre company about 1678, and by 1682 he was taking important parts, usually those of the fine gentleman. Mountfort wrote a number of plays, wholly or in part, and many prologues and epilogues. In 1686 he married the actress Susanna Verbruggen, Susanna Percival. Owing to jealousy of Mrs. Anne Bracegirdle, Anne Bracegirdle's supposed interest in Mountfort, Captain Richard Hill, an adventurer, who had annoyed her with persistent attentions, accompanied by Charles Mohun, 4th Baron Mohun, Charles Mohun, Baron Mohun, 4th Baron Mohun ambushed Mountfort in Howard Street, Strand, London, Strand, on 9 December 1692. During the struggle Mountfort was stabbed in the chest by Hill, and he died of his wounds the following day. Following the attack Hill fled to France. Lord Mohun was trie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Kynaston (actor)
Edward Kynaston (c. 1640 – January 1706) was an English actor, one of the last Restoration "boy players", young male actors who played women's roles. Career Kynaston was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's ''The Loyal Subject'' at the Cockpit-in-Court, "only her voice snot very good". He also played the title role in Ben Jonson's '' Epicoene''. Pepys had dinner with Kynaston after this production on 18 August 1660. Simultaneously, Kynaston played male roles as well. He filled the role of Otto in ''Rollo Duke of Normandy'' on 6 December 1660, having played the female role of Arthiope in the same play in previous weeks. On 7 January 1661, Kynaston played three roles in a performance of Jonson's '' Epicoene'', one female and two male. Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
