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Red Roses For Me
''Red Roses for Me'' is the debut studio album by the London-based band the Pogues, released on 15 October 1984. It was produced by Stan Brennan, who had managed the Nipple Erectors/ The Nips and Rocks Off Records shop in London. Overview ''Red Roses for Me'' is filled with traditional Irish music performed with punk influences. ''The Mancunion'' saw the "creativity of post-punk" as being "evident throughout the record", while Muso's Guide described much of ''Red Roses for Me'' as "a whirlwind of revved-up folk punk". The band's approach of mixing traditional songs and ballads with frontman Shane MacGowan's "gutter hymns" about drinking, fighting and sex was innovative at the time. The album reached number 89 in the UK album charts. The front of the album shows the band with the exception of drummer Andrew Ranken (pictured in inset) sitting in front of a picture of US president John F. Kennedy. Accordion player James Fearnley has a bottle sticking out of his coat, while bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pogues
The Pogues were an English or Anglo-Irish Celtic punk band fronted by Shane MacGowan and others, founded in Kings Cross, London in 1982, as "Pogue Mahone" – the anglicisation of the Irish Gaelic ''póg mo thóin'', meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. MacGowan left the band in 1991 owing to drinking problems, but the band continued – first with Joe Strummer and then with Spider Stacy on vocals – before breaking up in 1996. The Pogues re-formed in late 2001, and played regularly across the UK and Ireland and on the US East Coast, until dissolving again in 2014. The group did not record any new material during this second incarnation. Their politically tinged music was informed by MacGowan and Stacy's punk backgrounds, _Biography))).html" ;"title="allmusic (((The Pogues > Biography)))">allmusic (((The Pogues > Biography)))/ref> yet used traditional Irish instruments such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cait O'Riordan
Caitlín O'Riordan (born 4 January 1965) is a British musician of Irish and Scottish descent. She played bass guitar for the Irish punk/folk band the Pogues from 1983 to 1986. She later played with Elvis Costello (her husband from 1986 to 2002) as well as several other projects. She uses the name Rocky O'Riordan on social media and for her Sirius-XM radio show, ''The Rocky O'Riordan Show''. Biography Caitlín O'Riordan was born in Nigeria to Irish and Scottish parents, who moved to London when the Nigerian Civil War broke out in 1967. She heard the Nips' song "Gabrielle" on the radio in 1979, and subsequently met future Pogues' frontman Shane MacGowan, who was working at Rocks Off Records, where she went to purchase the record. In 1982, she was invited by MacGowan to join his newly forming band Pogue Mahone. She appeared on the group's first two albums, '' Red Roses for Me'' and '' Rum Sodomy & the Lash, the EP Poguetry in Motion'', and several early singles, before leavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brendan Behan
Brendan Francis Aidan Behan (christened Francis Behan) ( ; ga, Breandán Ó Beacháin; 9 February 1923 – 20 March 1964) was an Irish poet, short story writer, novelist, playwright, and Irish Republican activist who wrote in both English and Irish. He was named by Irish Central as one of the greatest Irish writers of all time. An Irish republican and a volunteer in the Irish Republican Army, Behan was born in Dublin into a staunchly republican family becoming a member of the IRA's youth organization Fianna Éireann at the age of fourteen. There was also a strong emphasis on Irish history and culture in his home, which meant he was steeped in literature and patriotic ballads from an early age. At age 16, Behan joined the IRA, which led to his serving time in a borstal youth prison in the United Kingdom and imprisonment in Ireland. During this time, he took it upon himself to study and he became a fluent speaker of the Irish language. Subsequently released from prison as pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Auld Triangle
"The Auld Triangle" is a song by Dick Shannon, often attributed to Brendan Behan, who made it famous when he included it in his 1954 play ''The Quare Fellow''. He first performed it publicly in 1952 on the RTE radio programme 'The Ballad Maker's Saturday Night', produced by Mícheál Ó hAodha. Behan's biographer, Michael O'Sullivan, recorded, 'It has been believed for many years that Brendan wrote that famous prison song but Mícheál Ó hAodha says he never laid claim to authorship. Indeed he asked him to send a copyright to another Dubliner, Dick Shannon.' When he recorded the song for ''Brendan Behan Sings Irish Folksongs and Ballads'' (Spoken Arts 1960), Behan introduced it with these words: 'This song was written by a person who will never hear it recorded, because he's not in possession of a gramophone. He's ... he's ... pretty much of a tramp.' Shannon's authorship was asserted by his relatives in discussions on the Mudcat Cafe folksong forum. Here, Deasún ÓSeanáin, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Brisbane
The Battle of Brisbane was a riot between United States military personnel on one side and Australian servicemen and civilians on the other, in Brisbane, Queensland's capital city, on 26 and 27 November 1942, during which time the two nations were allies. By the time the violence had been quelled, one Australian soldier was dead and hundreds of Australians and U.S. servicemen were injured.Peter Dunn, 2005, "The Battle Of Brisbane – 26 & 27 November 1942" (''Australia @ War'') Accessed 15 December 2006 News reports of the incident were suppressed overseas, and the reasons for the riot were not mentioned in the few Australian newspaper reports of the event. Background [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Should Fall From Grace With God
''If I Should Fall from Grace with God'' is the third studio album by Irish folk-punk band the Pogues, released on 18 January 1988. Released in the wake of their biggest hit single, "Fairytale of New York", ''If I Should Fall from Grace with God'' also became the band's best-selling album, peaking at number three on the UK Albums Chart and reaching the top ten in several other countries. ''If I Should Fall from Grace with God'' saw the departure of original bassist Cait O'Riordan and the addition of her former bandmate Darryl Hunt, Phil Chevron and ex- Steeleye Span member Terry Woods to the line-up. Woods and Chevron (the only two members of The Pogues actually born in Ireland) contributed the first original songs to a Pogues album not written by singer Shane MacGowan or banjo player Jem Finer, and the album also saw the band begin to move away from their Irish folk/punk roots and start to incorporate musical styles from other parts of the world, most notably Turkey and Spain. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel (dance)
The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of the British Isles and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure (see below). In Irish dance, a reel is any dance danced to music in ''reel time'' (see below). In Irish stepdance, the reel is danced in soft shoes and is one of the first dances taught to students. There is also a treble reel, danced in hard shoes to reel music. History The reel is indigenous to Scotland. The earliest reference was in a trial of 1590, where the accused was reported to have "daunced this reill or short dance." However, the form may go back to the Middle Ages. The name may be cognate with or relate to an Old Norse form, with Suio-Gothic '' rulla'', meaning "to whirl." This became A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series '' The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', '' Creem'', '' Newsday'', ''Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Folk Revival
The British folk revival incorporates a number of movements for the collection, preservation and performance of folk music in the United Kingdom and related territories and countries, which had origins as early as the 18th century. It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music. These had a profound impact on the development of British classical music and in the creation of a "national" or "pastoral" school and led to the creation of a sub-culture of folk clubs and folk festivals as well as influential subgenres including progressive folk music and British folk rock. Origins Social and cultural changes in British society in the early modern era, often seen as creating greater divisions between different so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) '' New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of appro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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