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Red Patent Leather
''Red Patent Leather'' is a live album by the American rock and roll group New York Dolls, released in 1984. It was recorded in New York a decade earlier, in March 1975, just a month before the group broke up while on tour in Florida. Background The New York performance was recorded at the "Little Hippodrome" club. The shows were the last performed by the classic line-up in New York, and as such, they made the small, unusual venue famous. The venue itself closed later that same year. The entire show was included in the ''From Here To Eternity'' box set, featuring the tracks on disc 3. Band performances were rare at the "Little Hippodrome", a drag and comedy club which was located at 227 East 56th Street, between Second and Third Avenues. The club was named after the Hippodrome Theatre, a nearby landmark Theater District building in Midtown Manhattan that had been torn down in 1939. The group dressed in red for the show and decorated the club with a faux communist red theme, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Somethin' Else (Eddie Cochran Song)
"Somethin' Else" is a song by the rockabilly musician Eddie Cochran, co-written by his girlfriend Sharon Sheeley and his elder brother Bob Cochran, and released in 1959. It has been covered by a wide range of artists, including Johnny Hallyday, Led Zeppelin, and the Sex Pistols. Original version Bob Cochran, Eddie's brother, and Sharon Sheeley share the song writing credit along with Eddie. The first-person lyrics describe how the singer wants a convertible car he cannot afford, and a girl who he fears will not go out with him. But in the end, by saving money, he is able to buy an older car, and works up the confidence to ask the girl out. Musicians on the session were: Vocals/Guitar: Eddie Cochran, Drums: Gene Reggio, Electric Bass: Don Myers. The song peaked at No. 22 on the UK Singles Chart, and reached No. 58 on the ''Billboard'' Hot 100 in the U.S. Renditions French singer Johnny Hallyday recorded a version titled "Elle est terrible". A live version, recorded at the Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Nolan
Gerard "Jerry" Nolan (May 7, 1946 – January 14, 1992) was an American rock drummer, best known for his work with the New York Dolls and The Heartbreakers. Career A native of Williamsburg, Brooklyn, Nolan joined the New York Dolls in the autumn of 1972 to replace Billy Murcia, who had died of asphyxiation as a result of a failed attempt to revive him from a drug overdose while on tour in England, early in the band's career. The Dolls got a record deal with Mercury Records in 1973. Nolan was also a childhood friend of Kiss drummer Peter Criss, who also auditioned for the Dolls at the same time. He previously played with Wayne (Jayne) County's "Queen Elizabeth", Billy Squier's "Kicks" and was the only male member of Suzi Quatro's Detroit-based band Cradle. Jerry was drumming for the power trio "Shaker", a New York band that frequently opened for the Dolls, when he was recruited to replace Billy. Nolan played on the Dolls' first two albums ('' New York Dolls'' and '' Too Much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur "Killer" Kane
Arthur Harold Kane Jr. (February 3, 1949 – July 13, 2004) was a musician best known as the bass guitarist for the pioneering glam rock band the New York Dolls. Kane was a founding member of the Dolls in 1971 and remained an integral part of the band until he was forced out in 1975, shortly after the departure of Johnny Thunders and Jerry Nolan. In 2004, after decades of estrangement from Dolls singer David Johansen, Kane rejoined the surviving Dolls (Johansen and Sylvain Sylvain) to rehearse and play a reunion concert in London, which was the subject of the 2005 documentary ''New York Doll''. In addition to his bass playing, Kane was known for his subculture fashion sense and for uttering original aphorisms in his uniquely toned voice. Kane's nickname, "Killer", was inspired by the first article written about the Dolls in which the journalist described Kane's "killer bass playing". Kane also said that it was inspired by the adversary of the 1930s science fiction hero ''Buck Roger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trash (New York Dolls Song)
"Trash" is the debut single (music), single by American hard rock band the New York Dolls. It was recorded for their New York Dolls (album), 1973 self-titled album and released as a double A-side with the song "Personality Crisis (song), Personality Crisis" in July 1973. "Trash" did not record chart, chart upon its release, but has since been hailed by music critics as an anthemic glam rock and proto-punk song. In 2009, the band recorded a reggae-styled remake of the song for their album ''Cause I Sez So''. Music and lyrics "Trash" begins immediately with its Refrain, chorus, in which lead vocalist David Johansen sings dramatically and implores the song's subject—"my sweet baby"—to not throw her "life away." Journalist and author Phil Strongman interpreted the singer's appeal to his subject as being in the context of a socially deviant New York City: "in under four minutes, it tells a bittersweet'n'sour low-life love story – how does the girl call her lover-boy? 'Trash!' – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stranded In The Jungle
"Stranded in the Jungle" is a song originally recorded by the American doo-wop group the Jay Hawks. It was written by Ernestine Smith and the band's first tenor, James Johnson. The Jay Hawks' version of the song peaked at No. 18 on the ''Billboard Magazine'' Best Selling Popular Retail Records Chart. Cover versions Recording cover versions of contemporary songs was standard industry practice during the 1940s and 1950s. A hit song could generate many different versions: pop and instrumental, polka, blues, hillbilly and others by a variety of artists. The American doo wop group, The Cadets, were the first to cover the Jay Hawks' hit, with the Gadabouts not far behind. All three groups proved to be one-hit wonders, with "Stranded in the Jungle" being the only top-40 hit for any of them. The Rhythm Rockets and the Johnston Brothers ( B-side to "In the Middle of the House" by the Johnston Brothers and the Keynotes) also covered it in 1956. Cadets version The Cadets' "Stranded in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Personality Crisis (song)
"Personality Crisis" is the lead track from the New York Dolls' self-titled debut album. It was written by Dolls lead singer David Johansen and guitarist Johnny Thunders. An early demo version of it appears on the 1981 collection '' Lipstick Killers – The Mercer Street Sessions 1972''. Release Mercury Records originally released "Personality Crisis" in 1973 as a double A-side single with "Trash" to coincide with the album's release. Promo singles of "Personality Crisis" were also distributed to radio stations. Following the band's break-up, it was rereleased by Bellaphon Records as a double A-side with "Looking for a Kiss" in 1978. In 1982, a 12" single of "Personality Crisis" & "Looking For A Kiss" b/w "Subway Train" & "Bad Girl" was released by Kamera Records. The same track listing appeared on the See For Miles Records CD single released in 1990. Reception Jack Douglas, who engineered '' New York Dolls'', named "Personality Crisis" as his favorite song on the albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Williams
Larry Williams (born Lawrence Eugene Williams, a.k.a. Lawrence Edward Williams; May 10, 1935 – January 7, 1980) was an American rhythm and blues and rock and roll singer, songwriter, producer, and pianist from New Orleans, Louisiana. Williams is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including " Bony Moronie", "Short Fat Fannie", "Slow Down", "Dizzy, Miss Lizzy" (1958), " Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and The Beatles and several other British Invasion groups recorded several of his songs. Williams' life mixed tremendous success with violence and drug addiction. He was a longtime friend of Little Richard, with whom his life intertwined personally and professionally from their meeting in 1955 to Williams' death in 1980. Early life Born in New Orleans, Louisiana, on May 10, 1935, Williams moved west with his family early in his childhood. He spent some time with relatives in Chicago ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence "Frogman" Henry
Clarence Henry II (born March 19, 1937), known as Clarence "Frogman" Henry, is an American rhythm and blues singer and pianist, best known for his hits " Ain't Got No Home" (1956) and " (I Don't Know Why) But I Do" (1961). Career Clarence Henry was born in New Orleans, Louisiana, United States, in 1937, moving to the Algiers neighborhood in 1948. He started learning piano as a child, with Fats Domino and Professor Longhair being his main influences. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. He joined Bobby Mitchell & the Toppers in 1952, playing piano and trombone, before leaving when he graduated in 1955 to join saxophonist Eddie Smith's band. "Clarence "Frogman" Henry: An R&B Legend!", ''Rockabilly Hall of Fame'' Retr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Miss Lizzy
"Dizzy, Miss Lizzy" is a rock and roll song written and recorded by Larry Williams in 1958. Although identified as a "genuine rock & roll classic", it had limited success on the record charts. Seven years later, the Beatles recorded the song, and John Lennon performed it with the Plastic Ono Band in 1969. Recording At the end of 1957, Williams scored with one of his biggest hits, "Bony Moronie". On February 19, 1958, he entered the Radio Recorders studio in Hollywood, California, to record a potential follow-up. He was again was backed by some well-known session musicians, including René Hall, who is credited as the band leader and with supplying the distinctive guitar riff. However, it is Williams' vocal that makes the song stand out, according to music journalist Gene Sculatti, "at ease with its own intensity hat isfinally out of Richard's shadow" (Little Richard and Williams were both signed to Specialty Records). Release and charts Specialty released "Dizzy, Miss Lizzy" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't Got No Home (Clarence "Frogman" Henry Song)
"Ain't Got No Home" is a song written and originally recorded by American rhythm-and-blues singer and pianist Clarence "Frogman" Henry. It was released as a single in the United States on December 15, 1956. The first verse of the song is sung in a man's voice, the second in a falsetto and the third in a frog's voice. In the United States, the song reached no. 3 on one of the ''Billboard'' R&B charts and no. 20 on the ''Billboard'' pop chart, the Top 100. History Clarence Henry used his trademark croak to improvise the song "Ain't Got No Home" one night in 1955. Chess Records' A&R man Paul Gayten heard the song, and had Henry record it in Cosimo Matassa's studio in September 1956. Initially promoted by local DJ Poppa Stoppa, the song eventually rose to number 3 on the national R&B chart and number 20 on the US pop chart. The gimmick earned Henry his nickname of "Frogman" and jump-started a career that endures to this day. The song was the first big hit released on the Che ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
