Red Garland At The Prelude
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Red Garland At The Prelude
''Red Garland at the Prelude'' is a live album by American pianist, composer and bandleader Red Garland which was recorded in 1959 and released on the Prestige label.Red Garland discography
accessed December 4, 2012
The album was recorded at the Prelude Club at the same concert that produced '' Lil' Darlin''' and '' Red Garland Live!''. A significantly expanded version of this album was reissued in 2006 as a 2-CD set, incorporating tracks from the albums '' Lil' Darlin''', ''
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Red Garland
William McKinley "Red" Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano. Early life William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine. Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson. Later life and career 1955–1958: the first great Miles Dav ...
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Juan Tizol
Juan Tizol Martínez (22 January 1900 – 23 April 1984) was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and as the writer of the jazz standards " Caravan", "Pyramid", and " Perdido". Biography Tizol was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he played throughout his career. His musical training came mostly from his uncle Manuel Tizol, who was the director of the municipal band and the symphony in San Juan. Throughout his youth, Tizol played in his uncle's band and also gained experience by playing in local operas, ballets and dance bands. In 1920, Tizol joined a band that was traveling to the United States to work in Washington, D.C. The group eventually made it to Washington (traveling as stowaways) and established residence at the Howard Theater, where they played for tour ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Eddie Durham
Edward Durham (August 19, 1906 â€“ March 6, 1987) was an American jazz guitarist, trombonist, composer, and arranger. He was one of the pioneers of the electric guitar in jazz. The orchestras of Bennie Moten, Jimmie Lunceford, Count Basie, and Glenn Miller took great benefit from his composing and arranging skill. With Edgar Battle he composed "Topsy", which was recorded by Count Basie and became a hit for Benny Goodman. In 1938, Durham wrote "I Don't Want to Set the World on Fire" with Bennie Benjamin, Sol Marcus, and Eddie Seiler. During the 1940s, Durham created Eddie Durham's All-Star Girl Orchestra, an African-American all female swing band that toured the United States and Canada. Early life Durham was born in San Marcos, Texas, on August 19, 1906, to Joseph Durham Sr. and Luella Rabb (née Mohawk) Durham. From an early age, Durham performed with his family in the Durham Brothers Band. At the age of eighteen, he began traveling and playing in regional bands. Pionee ...
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One O'Clock Jump
"One O'Clock Jump" is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937. Background The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. The song is typical of Basie's early riff style. The instrumentation is based on "head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in 1937, for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it to close ea ...
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Just Squeeze Me (But Please Don't Tease Me)
"Just Squeeze Me (But Please Don't Tease Me)" is a 1941 popular song composed by Duke Ellington, with lyrics by Lee Gaines. The song has been recorded numerous times by a number of artists in the years since, having become a jazz standard. Hit recordings have been by Paul Weston & His Orchestra (vocal by Matt Dennis) (reached No. 21 in the '' Billboard'' charts in 1947) and by The Four Aces (No. 20 in 1952). Other notable recordings * Louis Armstrong – originally recorded with Duke Ellington in 1961 for an album called ''The Great Reunion'' and later included in the compilation CD ''The Great Summit'' (2001) * Dave Brubeck * Clark Terry – '' Duke with a Difference'' (1957) * Chris Connor – ''A Jazz Date With Chris Connor'' (1956) *Miles Davis – '' Miles: The New Miles Davis Quintet'' (1955) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1957) * Marvin Gaye and Mary Wells – ''Together'' (Marvin Gaye and Mary Wells album) (1964) *Joni James â ...
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Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his singin ...
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Harry "Sweets" Edison
Harry "Sweets" Edison (October 10, 1915 â€“ July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison explai ...
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Count Basie
William James "Count" Basie (; August 21, 1904 â€“ April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ...
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Ray Henderson
Ray Henderson (born Raymond Brost; December 1, 1896 – December 31, 1970) was an American songwriter. Early life Born in Buffalo, New York, United States, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called ''George White's Scandals'' and such book musicals as ''Good News (musical), Good News'', ''Hold Everything!'', and ''Follow Thru (musical), Follow Thru''. After De Sylva's departure, Henderson continued to write with Brown through 1933. Then, he worked with other partners. In 1934, he composed the musical ''Say When (musical), Say When'' with lyricist Ted Koehler. Music Henderson's biggest hit songs included "Annabelle" (1923), "Bye Bye Blackbird", "Has Anybody Seen My Girl?" (a/k/a "Five Foot Two, Eyes of Blue"), "I'm Sitting on Top of the World", "Don't Bring Lulu" ...
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Mort Dixon
Mort Dixon (March 20, 1892 – March 23, 1956) was an American lyricist. Biography Born in New York City, United States, Dixon began writing songs in the early 1920s, and was active into the 1930s. He achieved success with his first published effort, 1923's "That Old Gang of Mine". His chief composer collaborators were Ray Henderson, Harry Warren, Harry M. Woods and Allie Wrubel. His composing output declined in the late 1930s, and he retired early in life to reside in Westchester County, New York. Among his lyrics are: " That Old Gang Of Mine" (1923), "Bye Bye Blackbird" (1926), "I'm Looking Over a Four Leaf Clover" (1927), "Nagasaki" (1928), "Would You Like to Take a Walk?" (1930), "I Found a Million Dollar Baby (in a Five and Ten Cent Store)", "You're My Everything", and "River, Stay 'Way from My Door" (1931), "Flirtation Walk" and "Mr and Mrs is the Name" (1934) and " The Lady in Red" (1935). Dixon is a member of the Songwriters Hall of Fame. He died in Bronxville, New York ...
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Bye Bye Blackbird
"Bye Bye Blackbird" is a song published in 1926 by Jerome H. Remick and written by composer Ray Henderson and lyricist Mort Dixon. It is considered a popular standard and was first recorded by Sam Lanin's Dance Orchestra in March 1926. Song information Popular recordings in 1926 were by Nick Lucas, Gene Austin, Benny Krueger, and by Leo Reisman. It was the number 16 song of 1926 according to ''Pop Culture Madness''. In popular culture The song was featured in the 1955 movie musical '' Pete Kelly's Blues'', sung by Peggy Lee in the role of alcoholic jazz singer Rose Hopkins. In "Goodbye Nkrumah" (1966) Beat poet Diane Di Prima asks:And yet, where would we be without the American culture Bye bye blackbird, as Miles plays it, in the ’50s In 1982, the Recording Industry Association of America (RIAA) posthumously awarded John Coltrane a "Best Jazz Solo Performance" Grammy for the work on his album ''Bye Bye Blackbird''. Recordings of the song often include only the chorus; ...
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