Red Alert (Red Garland Album)
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Red Alert (Red Garland Album)
''Red Alert'' is an album by pianist Red Garland which was recorded in 1977 and released on the Galaxy label in the following year.Both Sides Now: Galaxy Album Discography
accessed October 13, 2017


Reception

The review by Scott Yanow stated "This is an interesting set, featuring pianist Red Garland with a sextet ... With one of the largest recording groups he ever led, Garland sounds fine, but the material could certainly have been more inspired".


Track listing

# "Red Alert" (Nat Adderley) – 10:34 # "Theme for a Tarzan Movie" (Adderley) – 3:57 # "
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Red Garland
William McKinley "Red" Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano. Early life William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine. Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson. Later life and career 1955–1958: the first great Miles Dav ...
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Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ...
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Frank Butler (musician)
Frank Butler (February 18, 1928 – July 24, 1984) was an American jazz drummer. Early life Butler was born in Kansas City, Missouri, but later moved west and was associated in large part with the West Coast school. He played the drums in multiple high school bands (including one in Omaha, Nebraska), in local jazz combos, and in USO shows during World War II.Feather, p. 150. Career Butler never became well known, but was highly regarded by fellow musicians (in 1958, veteran drummer Jo Jones proclaimed him "the greatest drummer in the world")Goia, p. 323. and performed with numerous jazz notables. Early in his career he played with the Dave Brubeck combo at a 1950 engagement in San Francisco, before Brubeck's group gained a national following in the mid-1950s.Chadbourne. He went on to perform and record with Duke Ellington, John Coltrane, Miles Davis, Ben Webster, Harold Land, Hampton Hawes and Art Pepper in the 1950s and 1960s. He performed on several television seri ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Ira Sullivan
Ira Sullivan (May 1, 1931 – September 21, 2020) was an American jazz trumpeter, Flugelhorn, flugelhornist, flautist, saxophonist, and composer born in Washington, D.C., United States. An active musician since the 1950s, he often worked with Red Rodney and Lin Halliday. Biography Sullivan was born on May 1, 1931, in Washington, D.C., United States. His father taught him to play the trumpet beginning at age 3, and his mother taught him saxophone. He played in 1950s Chicago, Illinois, with such musicians as Charlie Parker, Lester Young, Wardell Gray and Roy Eldridge, gaining a reputation as a fearsome bebop soloist. After playing briefly with Art Blakey in 1956, and mastering alto and baritone saxophone, Sullivan moved south to Florida and out of the spotlight in the early 1960s. His reluctance to travel limited his opportunities to play with musicians of the first rank, but Sullivan continued to play in the Miami area, often in schools and churches. Contact with local younger p ...
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Harold Land
Harold de Vance Land (December 18, 1928 – July 27, 2001) was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/ Clifford Brown band into a personal, modern style, often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility. Biography Land was born in Houston, Texas, United States and grew up in San Diego, California. He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for Savoy Records in 1949. In 1954, he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement. The Land family moved from San Diego to Los Angeles, in 1955. There he played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell. From the 1970s onwards, his style showed ...
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Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ...
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Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Sid Wayne
Sid Wayne (January 26, 1923 – December 26, 1991) was an American songwriter, lyricist and composer, who wrote a number of well-known songs from the 1950s to the 1980s. Almost every Elvis Presley film contained one or more works written by Wayne and his partner Ben Weisman. Biography Career His most known works are " See You In September" (co-written with Sherman Edwards), "It's Impossible" — featuring the English lyric of Armando Manzanero's "Somos Novios" — "Mangos" (with Dee Libbey), " Two Different Worlds" and "Relax Max" (with Al Frisch) and " I Need Your Love Tonight" (with Bix Reichner). Plus five songs co-written with Ben Weisman and Fred Karger for the soundtrack to the 1966 movie '' Hold On!'' featuring Herman's Hermits and Shelley Fabares. '' Hold On!'' includes "The George and Dragon", "Got a Feeling", "Wild Love", "Gotta Get Away" and "Make Me Happy", the latter of which was sung by Fabares. From 1960 to 1962, Wayne was the musical director of the CBS game s ...
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