Rebecca De Pont Davies
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Rebecca De Pont Davies
Rebecca de Pont Davies is a British mezzo-soprano who has performed with English National Opera and Welsh National Opera, and at the Teatro Real in Madrid and the Royal Opera House in Covent Garden, among others. Davies was born and educated in Blackheath, and is the sister of the screenwriter William Davies and the television producer Michael Davies. She has been diagnosed with Graves' disease. Davies went straight from school to the Guildhall School of Music and Drama where she completed the four year Associate of the Guildhall School of Music (AGSM) course and the two year Opera Course for which she was awarded a full scholarship before becoming a Company Artist for English National Opera. Here her roles included Ottavia in '' The Coronation of Poppea'', Ulrica in ''A Masked Ball'', Mistress Quickly in ''Falstaff'', Annina in ''Der Rosenkavalier'', Theatre Dresser/Schoolboy/Groom/Girl’s Mother in ''Lulu'', Mrs Sedley and Auntie in ''Peter Grimes'', Bronka in '' The Passen ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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The Passenger (opera)
''The Passenger'' (russian: Пассажирка, Passazhirka) is a 1968 opera by Mieczysław Weinberg to a Russian libretto by . Medvedev's libretto is based on the 1959 Polish radio play ''Pasażerka z kabiny 45'' (Passenger from Cabin Number 45) by concentration-camp survivor Zofia Posmysz. The opera, scheduled for the Bolshoi Theatre in 1968, was not premiered until 2006, when musicians of the Stanislavsky Theatre presented a semi-staging conducted by Wolf Gorelik in the Svetlanov Hall of the Moscow International House of Music on 25 December. Medvedev's libretto was reworked in 2010 for the first staged performance of the opera at the Bregenzer Festspiele into German, English, Polish, Yiddish, French, Russian and Czech. It has then been performed internationally. History Mieczysław Weinberg composed ''The Passenger'' in 1968 to a Russian libretto by .(russian: Пассажирка, Passazhirka) Medvedev's libretto is based on the 1959 Polish radio play ''Pasażerka z k ...
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Bielefeld
Bielefeld () is a city in the Ostwestfalen-Lippe Region in the north-east of North Rhine-Westphalia, Germany. With a population of 341,755, it is also the most populous city in the administrative region (''Regierungsbezirk'') of Detmold and the 18th largest city in Germany. The historical centre of the city is situated north of the Teutoburg Forest line of hills, but modern Bielefeld also incorporates boroughs on the opposite side and on the hills. The city is situated on the ', a hiking trail which runs for 156 km along the length of the Teutoburg Forest. Bielefeld is home to a significant number of internationally operating companies, including Dr. Oetker, Gildemeister and Schüco. It has a university and several technical colleges ('' Fachhochschulen''). Bielefeld is also famous for the Bethel Institution, and for the Bielefeld conspiracy, which satirises conspiracy theories by claiming that Bielefeld does not exist. This concept has been used in the town's marketing ...
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ...
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Herodias
Herodias ( el, Ἡρῳδιάς, ''Hērǭdiás''; ''c.'' 15 BC – after AD 39) was a princess of the Herodian dynasty of Judaea during the time of the Roman Empire. Christian writings connect her with John the Baptist's execution. Family relationships *Daughter of Aristobulus IV and his wife Berenice. *Full sister to Herod V (king of Chalkis), Herod Agrippa (king of Judea), Aristobulus Minor, and Mariamne III (wife of Crown Prince Antipater and, after his execution by Herod the Great, she was possibly the first wife of Herod Archelaus, principal heir of Herod the Great and ethnarch of Judea). Marriages Herod II Herod the Great executed his sons, Alexander and Aristobulus IV, in 7 BC, and engaged Herodias to Herod II (born ca. 27 BC; died AD 33), her half-uncle. The marriage was opposed by Antipater II, Herod the Great's eldest son, and so Herod demoted Herod II to second in line to the throne. Antipater's execution in 4 BC for plotting to poison his father left Herod II ...
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Hansel And Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed a ...
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Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ...
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Dutch National Opera
The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a modern building designed by Cees Dam and Wilhelm Holzbauer which opened in 1986. History The DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble. In the postwar period, it toured extensively in the Netherlands from its home base in the Stadsschouwburg, a ''fin de siècle'' theatre on the Leidseplein in Amsterdam. In 1964, it was renamed ''De Nederlandse Operastichting''. (''The Dutch Opera Foundation''), and the company adopted a ''stagione'' orientation, inviting different soloists and artistic teams for each new production. In 1986, the company moved to the new Stopera building, which it shares with the Dutch National Ballet, and thereafter became known as De Nederlandse Opera (DNO) ...
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Wagner Dream
''Wagner Dream'' is an opera by Jonathan Harvey, premiered in 2007, to a libretto by Jean-Claude Carrière, which intertwines events on the last day of the life of Richard Wagner with elements from a fragmentary opera sketch by Wagner himself, '' Die Sieger'' (''The Victors''). Background ''Die Sieger'' was drafted between 1856 and 1858, at a period when Wagner had become greatly interested in Buddhism. It is based on legends which Wagner discovered in Eugène Burnouf's 1844 ''Introduction to the History of Buddhism''. Wagner planned a production of this work for 1870 in his programme for King Ludwig II of Bavaria but never progressed it – (however elements of the story persist in his opera ''Parsifal''). Harvey described some of the processes he used in creating ''Wagner Dream''. These include the use of a French horn and a sampled trombone playing deep notes at the opera's commencement, representing boat sirens on the Grand Canal. The composer also visited Chamonix to samp ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ...
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La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ...
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The Pirates Of Penzance
''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 29th of February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Freder ...
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