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Realwheels Theatre
Realwheels Theatre is a Canadian disability theatre company based in Vancouver, British Columbia. Realwheels was founded in 2003 by James Sanders and has since received multiple Jessie Richardson Theatre Awards and nominations. History In 2000, James Sanders — an actor who became quadriplegic in 1990 — and Trevor Found created the Realwheels Ad Hoc Collective, which would eventually break out into Realwheels Theatre. They began by producing plays without a disability centred story. After the success of these productions, Sanders, in 2003, founded and incorporated Realwheels Theatre as a registered non-profit. Sanders has described Realwheels' mandate as being to promote "a deeper understanding of the disability experience." James Sanders held the Artistic Director position until 2014 when Managing Director, Rena Cohen, assumed both roles. In 2021, Realwheels, welcomed Tomas Mureika into the Artistic Director role. Realwheels' first major production since its founding w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vancouver, British Columbia
Vancouver ( ) is a major city in western Canada, located in the Lower Mainland region of British Columbia. As the List of cities in British Columbia, most populous city in the province, the 2021 Canadian census recorded 662,248 people in the city, up from 631,486 in 2016. The Greater Vancouver, Greater Vancouver area had a population of 2.6million in 2021, making it the List of census metropolitan areas and agglomerations in Canada#List, third-largest metropolitan area in Canada. Greater Vancouver, along with the Fraser Valley Regional District, Fraser Valley, comprises the Lower Mainland with a regional population of over 3 million. Vancouver has the highest population density in Canada, with over 5,700 people per square kilometre, and fourth highest in North America (after New York City, San Francisco, and Mexico City). Vancouver is one of the most Ethnic origins of people in Canada, ethnically and Languages of Canada, linguistically diverse cities in Canada: 49.3 percent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bard On The Beach
Bard on the Beach is Western Canada's largest professional Shakespeare festival. The theatre Festival runs annually from early June through September in Vancouver, British Columbia, Canada. The Festival is produced by Bard on the Beach Theatre Society whose mandate is to provide Vancouver residents and tourists with affordable, accessible Shakespearean productions of the finest quality. In addition to the annual summer festival, the Society runs a number of year-round theatre education and training initiatives for both the artistic community and the general community at large. Bard on the Beach celebrated its 30th anniversary season in 2019. History Bard on the Beach began as an Equity Co-op in the summer of 1990, funded primarily by an Explorations Grant awarded to Artistic Director Christopher Gaze by the Canada Council for the Arts. Following his graduation from the Bristol Old Vic Theatre School, Gaze had moved to Canada on the advice of his friend, mentor and theatre legen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disability Theatre
Theatre and disability is a subject focusing on the inclusion of disability within a theatrical experience, enabling cultural and aesthetic diversity in the arts. Showing disabled bodies on stage can be to some extent understood as a political aesthetic as it challenges the predominately abled audience's expectations as well as traditional theatre conventions. However, the performance of disabilities on stage has raised polarizing debates about whether the performers are exposed and reduced to their disability or whether they have full agency of who they are and what they represent. History Disability theatre formally arose out of the disability arts and culture movement in the 1980s in the United States and the United Kingdom. There were, however, some disability-focused theatre companies predating this movement, including the National Theatre of the Deaf, founded in 1967. Notable early disability theatre companies include Graeae Theatre Company (1980 - UK), Theatre Terrific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Companies In British Columbia
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Establishments In Canada
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Exit
''No Exit'' (french: Huis clos, links=no, ) is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous phrase "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the look and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness. English translations have also been performed under the titles ''In Camera'', ''No Way Out'', ''Vicious Circle'', ''Behind Closed Doors'', and ''Dead End''. The original title, ''Huis clos'' ("closed door"), is the French equivalent of the legal term ''in camera'' (Latin: "in a chamber"), referring to a private ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Sartre
Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was one of the key figures in the philosophy of existentialism (and phenomenology), a French playwright, novelist, screenwriter, political activist, biographer, and literary critic, as well as a leading figure in 20th-century French philosophy and Marxism. His work has influenced sociology, critical theory, post-colonial theory, and literary studies, and continues to do so. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution." Sartre held an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the cultural and social assumptions and expectations of their upbringings, which they considered bourgeois, in both lifestyles and thought. The conflict between oppressive, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Club Theatre Company
The Arts Club Theatre Company is a Canadian professional theatre company in Vancouver, British Columbia, founded in 1958. It is the largest urban not-for-profit theatre company in the country and the largest in Western Canada, with productions taking place at the 650-seat Stanley Industrial Alliance Stage, the 440-seat Granville Island Stage, the 250-seat Newmont Stage at the BMO Theatre Centre, and on tour around the province. The company celebrated its 50th season in 2014 and produced its 600th production in 2017. Major themes from this company are new Canadian theatre, Canadian works, Comedy, comedies, musicals, drama, and revues, with an emphasis on developing local and Canadian talent. In addition to theatre presentations, the company offers educational programs and special events. Since 1972, the company's artistic director was Bill Millerd, who oversaw its expansion for over 45 years. On February 20, 2017, Millerd announced his retirement at the end of the 2017/2018 season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Lew
Michael (Mike) Lew is a Chinese-American playwright most renown for his works ''Teenage Dick,'' and '' Tiger Style!.'' He acquired his B.A. at Yale University in 2003, double majoring in Theatre (directing) and English (writing), then proceeded to get his artist diploma in playwriting at the Juilliard school in 2003. He is the co-director of Ma-Yi Writers Lab, the largest theatre company in the United States that aims to help Asian American writers produce and develop plays, and is on a 3-year fellowship at Ma-Yi through the Mellon Foundation. Early life As a child, Lew was not a huge fan of theatre, claiming in an interview with ''The Dramatist'' that he in fact "associated theatre with shame" for the longest time. Some of his early experiences with theatre happened in college, where he started watching independent student theatre productions at his school on weekends, and fell in love with the community of people that worked together. While he was working as an assistant direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disability Theatre
Theatre and disability is a subject focusing on the inclusion of disability within a theatrical experience, enabling cultural and aesthetic diversity in the arts. Showing disabled bodies on stage can be to some extent understood as a political aesthetic as it challenges the predominately abled audience's expectations as well as traditional theatre conventions. However, the performance of disabilities on stage has raised polarizing debates about whether the performers are exposed and reduced to their disability or whether they have full agency of who they are and what they represent. History Disability theatre formally arose out of the disability arts and culture movement in the 1980s in the United States and the United Kingdom. There were, however, some disability-focused theatre companies predating this movement, including the National Theatre of the Deaf, founded in 1967. Notable early disability theatre companies include Graeae Theatre Company (1980 - UK), Theatre Terrific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Clark (writer)
Brian Robert Clark (3 June 1932 – 16 November 2021) was a British playwright and screenwriter, best known for his play ''Whose Life Is It Anyway? (play), Whose Life Is It Anyway?'', which he later adapted into a screenplay. Biography Clark was born on 3 June 1932 in Bristol, United Kingdom, the son of a blacksmith. Clark was educated at the University of Nottingham. He married Maggie Clark, his first wife, and raised two sons. Clark taught in schools, colleges and universities and was a member of the Drama Department at the University of Hull from 1968 to 1972. In 1970, he sold a television play, ''Rubber?'' Some years after its television production, he adapted the script for the stage. The reworked version won a Society of West End Theatre Awards, Society of West End Theaters Award in 1978. Later that year, he brought the play to the United States, first at the Folger in Washington, D.C., followed by its Broadway debut the following year. In 1975 he wrote ''Whose Life is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whose Life Is It Anyway? (play)
''Whose Life Is It Anyway?'' is a play by Brian Clark adapted from his 1972 television play of the same title, which starred Ian McShane. The stage version premiered in 1978 at the Mermaid Theatre in London, and subsequently opened on Broadway in 1979. The play involves a sculptor who is paralysed. Plot Set in a hospital room, the action revolves around Ken Harrison (Claire Harrison in some later productions), a sculptor by profession, who was paralysed from the neck down ( quadriplegia) in a car accident and is determined to be allowed to die. Clark presents arguments both in favour of and opposing euthanasia and to what extent government should be allowed to interfere in the life of a private citizen. In portraying Ken as an intelligent man with a useless body, he leaves the audience with conflicting feelings about his desire to end his life. Productions The play was televised on 12 March 1972 by Granada TV. It was directed by Richard Everitt, with the cast that featured Ian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
