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Really Livin'
''Really Livin'' is an album recorded by the J. J. Johnson Sextet which was released on the Columbia label. Reception AllMusic awarded the album 3 stars. Track listing # "Me Too" (J. J. Johnson) - 6:00 # "Decision" ( Sonny Rollins) - 4:50 # " I've Got It Bad and That Ain't Good" (Duke Ellington, Paul Francis Webster) - 4:10 # "Red Cross" (Charlie Parker) - 2:45 # " Almost Like Being in Love" ( Frederick Loewe, Alan Jay Lerner) - 4:45 # " Stardust" (Hoagy Carmichael, Mitchell Parish) - 4:10 # "Sidewinder" (Johnson) - 7:05 # " God Bless the Child" (Billie Holiday, Arthur Herzog, Jr.) - 5:18 # "Speak Low" (Kurt Weill, Ogden Nash) - 6:27 Personnel * J. J. Johnson – trombone *Nat Adderley – cornet *Bobby Jaspar – tenor saxophone, flute (tracks 1, 2 & 4-9) * Cedar Walton – piano *Spanky DeBrest Jimmy "Spanky" DeBrest (April 24, 1937 in Philadelphia – March 2, 1973 in Philadelphia) was an American jazz bassist. DeBrest played with Lee Morgan in his earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CBS 30th Street Studio
CBS 30th Street Studio, also known as Columbia 30th Street Studio, and nicknamed "The Church", was an American recording studio operated by Columbia Records from 1948 to 1981 located at 207 East 30th Street, between Second and Third Avenues in Manhattan, New York City. Actually containing two Columbia sound rooms — “Studio C” and “Studio D” — the facility was considered by some in the music industry to offer the best-sounding recording venue of its time, while others considered it to have been the greatest recording studio in history. Numerous recordings were made there in all genres, including Ray Conniff's '' 'S Wonderful'' (1956), Miles Davis' ''Kind of Blue'' (1959) and ''In A Silent Way'' (1969), Leonard Bernstein's ''West Side Story'' (Original Broadway Cast recording, 1957), Percy Faith's ''Theme from A Summer Place'' (1959), Chicago's ''Chicago Transit Authority'' (1969), ''Chicago'' (1970), and ''Chicago III'' (1971), Pink Floyd's ''The Wall'' (1979), as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Bless The Child (Billie Holiday Song)
"God Bless the Child" is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded on May 9, 1941, by Billie Holiday and released by the Okeh Records in 1942. Holiday's version of the song was honored with the Grammy Hall of Fame Award in 1976. It was also included in the list of ''Songs of the Century'', by the Recording Industry Association of America and the National Endowment for the Arts. Billie Holiday recording sessions Billie Holiday recorded the song three times. First recording (Session #44, Columbia/Okeh): Columbia Studio A, 799 Seventh Avenue, New York City, May 9, 1941, Eddie Heywood and his Orchestra with Roy Eldridge (trumpet), Jimmy Powell and Lester Boone (alto saxophone), Ernie Powell (trumpet), Eddie Heywood (piano), Johan Robins (guitar), Paul Chapman (guitar), Grachan Moncur II (bass), Herbert Cowans (drums), Billie Holiday (vocal). Second recording (Session #65, her final Decca session): Los Angeles March 8, 1950, Gordon Jenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records Albums
Columbia may refer to: * Columbia (personification), the historical female national personification of the United States, and a poetic name for America Places North America Natural features * Columbia Plateau, a geologic and geographic region in the U.S. Pacific Northwest * Columbia River, in Canada and the United States ** Columbia Bar, a sandbar in the estuary of the Columbia River ** Columbia Country, the region of British Columbia encompassing the northern portion of that river's upper reaches ***Columbia Valley, a region within the Columbia Country ** Columbia Lake, a lake at the head of the Columbia River *** Columbia Wetlands, a protected area near Columbia Lake ** Columbia Slough, along the Columbia watercourse near Portland, Oregon * Glacial Lake Columbia, a proglacial lake in Washington state * Columbia Icefield, in the Canadian Rockies * Columbia Island (District of Columbia), in the Potomac River * Columbia Island (New York), in Long Island Sound Populated places * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Heath
Albert "Tootie" Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson's Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career. Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop. Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Persip, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanky DeBrest
Jimmy "Spanky" DeBrest (April 24, 1937 in Philadelphia – March 2, 1973 in Philadelphia) was an American jazz bassist. DeBrest played with Lee Morgan in his early years in Philadelphia. In 1957 he was a member of Ray Draper's Quintet, Jackie McLean, pianist Mal Waldron, and drummer Ben Dixon.AllMusic ''Tuba Sounds'' review/ref> He played with Art Blakey's Jazz Messengers until 1958 which included Bill Hardman on trumpet and certain sessions with Thelonious Monk on piano. Other credits include work with John Coltrane, Clifford Jordan, Ray Draper, Lee Morgan, and J. J. Johnson. His last recordings were made in 1971. Discography With Art Blakey * ''Hard Bop'' (Columbia, 1956) * ''Originally'' (Columbia, 1956 982 *'' Ritual: The Modern Jazz Messengers'' (Pacific Jazz, 1957) *''Drum Suite'' (Columbia, 1956) *''Mirage'' (Savoy, 1957) * '' Selections from Lerner and Loewe's...'' (Vik, 1957) *''Tough!'' (Cadet, 1957 966 *''A Night in Tunisia'' (Vik, 1957) - reissued as ''Theory of Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedar Walton
Cedar Anthony Walton Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D". Early life Walton was born and grew up in Dallas, Texas."Pianist-Composer Cedar Walton Dies at Age 79" , ''DownBeat'', August 20, 2013. His mother Ruth, an aspiring concert pianist, was his first teacher, and took him to jazz performances around Dallas. Walton cited |
Bobby Jaspar
Bobby Jaspar (20 February 1926 – 28 February 1963) was a Belgian cool jazz and hard bop saxophonist, flautist and composer. Early life Born in Liège, Belgium, Jaspar learned to play piano and clarinet at a young age. Later, he took up the tenor saxophone and flute. Career With the "Bop Shots" band, he took his first steps in the jazz world. In 1950, Jaspar moved to Paris, playing and recording with the best musicians of the era. Here he met singer Blossom Dearie; the two were married in 1954 but separated in 1957. In 1956, Jaspar was persuaded to try his luck in the United States, where his reputation in jazz circles had preceded him. He played and recorded with the quintet of J. J. Johnson, with Kenny Burrell, Miles Davis, John Coltrane, Toshiko Akiyoshi, Donald Byrd and many others. In 1961/1962, Jaspar returned to Europe for a year for a series of concerts and a number of recordings. With his colleague, Belgian guitarist René Thomas, he formed a successful quinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogden Nash
Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse, of which he wrote over 500 pieces. With his unconventional rhyming schemes, he was declared by ''The New York Times'' the country's best-known producer of humorous poetry. Early life Nash was born in Rye, New York, the son of Mattie (Chenault) and Edmund Strudwick Nash. His father owned and operated an import–export company, and because of business obligations, the family often relocated. Nash was descended from Abner Nash, an early governor of North Carolina. The city of Nashville, Tennessee, was named after Abner's brother, Francis, a Revolutionary War general. Throughout his life, Nash loved to rhyme. "I think in terms of rhyme, and have since I was six years old," he stated in a 1958 news interview. He had a fondness for crafting his own words whenever rhyming words did not exist but admitted that crafting rhymes was not always the easiest task. His family lived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Speak Low
"Speak Low" (1943) is a popular song composed by Kurt Weill, with lyrics by Ogden Nash. Background It was introduced by Mary Martin and Kenny Baker in the Broadway musical ''One Touch of Venus'' (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. Actress Ava Gardner (dubbed by Eileen Wilson) and Dick Haymes sang the song in the feature film version of ''One Touch of Venus'' (1948). The tune is a jazz standard that has been widely recorded, both by vocal artists from Billie Holiday and Tony Bennett to the Miracles and Dee Dee Bridgewater, and such instrumentalists as James Moody, Chet Baker, Gerry Mulligan, Bill Evans, Sonny Clark with Donald Byrd and John Coltrane, Roy Hargrove, Coleman Hawkins, Woody Shaw, Bobby Shew, Eumir Deodato and Brian Bromberg. Pianist Walter Bishop Jr. in 1961 recorded an album, ''Speak Low'', featuring the song. Ella Fitzgerald and Joe Pass recorded this in 1983 (on CD ''Speak Love''). Al Caiola's 1961 vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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