Real Rock Drive
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Real Rock Drive
"Real Rock Drive" was the title of an early rock and roll song written by, and first recorded by Bill Haley & His Comets under the name Bill Haley with Haley's Comets in 1952. The song was released as an Essex Records 78 single. History The music and the lyrics were written by Bill Haley (musician), Bill Haley. The song was recorded in Chester, Pennsylvania, and was released by Essex Records as a A-side and B-side, B-side of a single in November, 1952. Personnel on the recording included Haley's core Comets members Marshall Lytle (bass), Billy Williamson (guitarist), Billy Williamson (steel guitar), and Johnny Grande (piano), plus session musicians Danny Cedrone (lead guitar) and Billy Gussak (drums). The recording was released on Essex Records as Essex 310 backed with "Stop Beatin' Round the Mulberry Bush". The recording was also released on Trans-Word Records as 718 backed with "Yes, Indeed". The single did not chart. The recording was also released on London Records as a 78 ...
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Bill Haley And His Comets
Bill(s) may refer to: Common meanings * Banknote, paper cash (especially in the United States) * Bill (law), a proposed law put before a legislature * Invoice, commercial document issued by a seller to a buyer * Bill, a bird or animal's beak Places * Bill, Wyoming, an unincorporated community, United States * Billstown, Arkansas, an unincorporated community, United States * Billville, Indiana, an unincorporated community, United States People * Bill (given name) * Bill (surname) * Bill (footballer, born 1978), ''Alessandro Faria'', Togolese football forward * Bill (footballer, born 1984), ''Rosimar Amâncio'', a Brazilian football forward * Bill (footballer, born 1999), ''Fabricio Rodrigues da Silva Ferreira'', a Brazilian forward Arts, media, and entertainment Characters * Bill (''Kill Bill''), a character in the ''Kill Bill'' films * William “Bill“ S. Preston, Esquire, The first of the titular duo of the Bill & Ted film series * A lizard in Lewis Carroll's ''Alice's Adv ...
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Johnny Grande
John Andrew Grande (January 14, 1930 – June 3, 2006) was a member of Bill Haley's backing band, The Comets. Life and career Born in South Philadelphia, Grande played piano and accordion with Bill Haley and the Saddlemen, later known as Bill Haley & His Comets, from 1949 to 1962-63. One of his jobs was to keep track of musical arrangements for the group as he was one of the few members who could read sheet music. Grande and steel guitarist Billy Williamson were both members of the country band, Southern Swingsters before convincing Bill Haley to start a new group, the Saddlemen in 1949. Grande was one of the original business partners who formed the Saddlemen (the other partners being Bill Haley himself (d. 1981) and steel guitarist Billy Williamson (d. 1995)). During the Labor Day weekend of 1952, the Saddlemen, realizing that their musical style was moving away from country and western decided to change their name to The Comets. Although primarily a piano player, Grande pe ...
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Songs Written By Bill Haley
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Rockabilly Songs
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues. Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; but progressive addition of different instruments and vocal harmonies led to its "dilution". Initially p ...
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Bill Haley Songs
Bill(s) may refer to: Common meanings * Banknote, paper cash (especially in the United States) * Bill (law), a proposed law put before a legislature * Invoice, commercial document issued by a seller to a buyer * Bill, a bird or animal's beak Places * Bill, Wyoming, an unincorporated community, United States * Billstown, Arkansas, an unincorporated community, United States * Billville, Indiana, an unincorporated community, United States People * Bill (given name) * Bill (surname) * Bill (footballer, born 1978), ''Alessandro Faria'', Togolese football forward * Bill (footballer, born 1984), ''Rosimar Amâncio'', a Brazilian football forward * Bill (footballer, born 1999), ''Fabricio Rodrigues da Silva Ferreira'', a Brazilian forward Arts, media, and entertainment Characters * Bill (''Kill Bill''), a character in the ''Kill Bill'' films * William “Bill“ S. Preston, Esquire, The first of the titular duo of the Bill & Ted film series * A lizard in Lewis Carroll's ''Alice's Adv ...
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1952 Singles
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his head ...
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American Music (album)
''American Music'' is the debut album by American rock band The Blasters, released in 1980. The song "Marie Marie" became a breakthrough hit for Shakin' Stevens in 1980 (from ''This Ole House''). Matchbox recorded the song for their 1980 album ''Midnite Dynamos''. In 1997, the album was released on CD by Hightone Records. The tracks "Marie Marie" and "American Music" were rerecorded for The Blasters' second and wider-distributed eponymous album. Track listing All songs composed by Dave Alvin, except where noted. ;Side 1 #"American Music" – 2:08 #" Real Rock Drive" (Bill Haley) – 2:03 #"Barefoot Rock" ( Joseph Scott, Bud Harper) – 2:19 #"I Don't Want To" – 1:56 #"Marie Marie" – 2:02 #" I Wish You Would" (Billy Boy Arnold) - 2:41 #"She Ain't Got the Beat" (Dave Alvin, Phil Alvin) - 1:30 ;Side 2 #"Flattop Joint" - 2:27 #"Crazy Baby" (Ron Volz, Ron Wemsman) - 2:26 #"Never No Mo' Blues" ( Elsie McWilliams, Jimmie Rodgers) - 2:46 #" Buzz Buzz Buzz" (Robert B ...
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The Blasters
The Blasters are an American rock band formed in 1979 in Downey, California, by brothers Phil Alvin (vocals and guitar) and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman. Their self-described " American Music" is a blend of rockabilly, early rock and roll, punk rock, mountain music, and rhythm and blues and country. Band history Origins and heyday (1979–1985) The Alvin brothers grew up in a household filled with music and parents who exposed their sons to different kinds of American music. They made friends with Bazz and Bateman, and together the boys were brave enough to go into Los Angeles blues clubs to watch their musical idols. They learned firsthand from the likes of Joe Turner and T-Bone Walker. Phil Alvin recalled how his mother would drive the boys anywhere, and around 1965 or 1966, she took Phil to see Sonny Terry and Brownie McGhee. At Phil's request, Big Joe Williams introduced him to Terry, and Phil wound up taking a number ...
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London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name — as London American Recordings, often shortened to London American — was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti. In a ...
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Billy Gussak
William Gussak (1920 – 1994) was an American jazz and recording session drummer, best known for being the drummer on the classic 12 April 1954 recording of "Rock Around The Clock" by Bill Haley and His Comets. Some sources incorrectly spell his name as Guesak. Career Gussak was a well-respected session drummer, who had been used by Haley on some of his 1953 recordings, including "Real Rock Drive" and "Crazy Man, Crazy" in preference to the Comets' usual live drummer Dick Boccelli (also known as Dick Richards). According to one source , it was record producer Milt Gabler who insisted on using Gussak. "Gabler, who wanted to stress the big beat sound that he could get from'' ecording studio''Pythian Temple's acoustics, brought in his own session drummer ... Beginning with his three rim shots at the start of the record, Gussak would drop echoed snare bombs throughout, giving a dynamic to "Rock Around The Clock" that Haley's material had never had before." Gussak continued as ...
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Danny Cedrone
Donato Joseph "Danny" Cedrone (June 20, 1920 – June 17, 1954) was an American guitarist and bandleader, best known for his work with Bill Haley & His Comets on their epochal "Rock Around the Clock" in 1954. Career Cedrone was born in Jamesville, New York. Cedrone's musical career began in the 1940s, but he came into his own in the early 1950s, first as a session guitarist hired by what was then a country and western musical group based out of Chester, Pennsylvania called Bill Haley and His Saddlemen. In 1951, Cedrone played lead on their recording of " Rocket 88" which is considered one of the first acknowledged rock and roll recordings. At around this time, Cedrone formed his own group, The Esquire Boys and this is believed to be one of the reasons he never joined Haley's group as a full-time member. In 1952, Cedrone played lead guitar on Haley's version of "Rock the Joint", and his swift guitar solo, which combined a jazz-influenced first half followed by a lightning-fast d ...
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Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ...
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