Reaching For The Moon (musical)
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Reaching For The Moon (musical)
Reaching for the Moon may refer to: * ''Reaching for the Moon'' (1917 film), a silent adventure film * ''Reaching for the Moon'' (1930 film), a film musical * "Reaching for the Moon" (song), written by Irving Berlin for the 1930 film * ''Reaching for the Moon'' (album), a 1991 album by jazz singer Roseanna Vitro * ''Reaching for the Moon'' (2013 film), a Brazilian biographical drama film {{disambiguation ...
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Reaching For The Moon (1917 Film)
''Reaching for the Moon'' is a 1917 American silent adventure film directed by John Emerson and written by John Emerson, Joseph Henabery, and Anita Loos. The film stars Douglas Fairbanks, Eileen Percy, Richard Henry Cummings, Millard Webb, Eugene Ormonde, and Frank Campeau. The film was released on November 17, 1917, by Paramount Pictures. It has been released on DVD. Fairbanks later starred in a 1930 film of the same name that is unrelated to the 1917 film. Plot As described in a film magazine, Alexis Caesar Napoleon Brown (Fairbanks) learns that his mother was a great princess from the European province of Vulgaria but became an outcast because she did not marry royal blood. Alexis believes that if one concentrates on one thing long enough, it will come true. He is continuously concentrating on the idea some day he will be king of Vulgaria. He tells his ambitions to the girl of his dreams (Percy), who is the "patient listener." After one of his conferences with his p ...
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Reaching For The Moon (1930 Film)
''Reaching for the Moon'' is a 1930 American pre-Code black and white musical film. Originally released at 91 minutes; surviving versions are usually cut to 62 minutes. A 74-minute version aired in 1998 on AMC. The DVD version runs just under 72 minutes. The film's working title was ''Lucky Break'' and is known as ''Para alcanzar la Luna'' in Spain. It is not to be confused with the Fairbanks silent film '' Reaching for the Moon'' (1917). Background The film was originally intended to be a musical with songs written by Irving Berlin but problems soon developed. From the start, Berlin found Edmund Goulding, the director, difficult to work with. Also by mid-1930 the studio realized that the public's demand for musicals had disappeared. So Goulding jettisoned many of Berlin's songs from the score. Although just five Berlin songs had been recorded, the film, even in its scaled-down form, proved very expensive to make. By the time the filming was complete, the costs had come to about ...
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Reaching For The Moon (song)
"Reaching for the Moon" is a popular song written by Irving Berlin for the 1930 musical film of the same name. In 1930, United Artists prepared this original music film written by Irving Berlin with his music and lyrics. Director Edmund Goulding and Berlin fought over Goulding's decision to cut most of the songs from the film (due to the temporary disfavor of movie musicals). The film starred Douglas Fairbanks Sr. and Bebe Daniels. The title song is only used as background music. Titles of the unused Irving Berlin songs are: "It's Yours"; "What a Lucky Break for Me"; "They're Going Down (Brokers' and Customers' Song) - which was rewritten as "Wedding and Crash"; "If You Believe" - a revised version was sung by Johnnie Ray in There's No Business Like Show Business (1954); "The Little Things in Life" - which provided hit records for Gus Arnheim and His Cocoanut Orchestra (vocal by Bing Crosby) on Victor, and Ted Wallace and His Campus Boys (vocal by Dick Dickson) on Columbia; " ...
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Reaching For The Moon (album)
''Reaching for the Moon'' is the third album by jazz singer Roseanna Vitro, released in 1991 on the CMG label. Vitro explores a number of genres, accompanied by pianist-arranger Kenny Werner and a varying cast of featured and supporting players, including saxophonists George Coleman, Joe Lovano and Kirk Whalum, drummer Tom Rainey, bassists Harvie Swartz and Ratzo Harris, and percussionists Mino Cinelu, Steve Berrios and Café. Reception AllMusic's retrospective review awards the album 2½ stars out of 5. While acknowledging Kenny Werner as "an under-appreciated pianist" and affirming that Vitro herself "is in good voice throughout," reviewer Ken Dryden portrays the album as a less than ideal showcase for their talents, citing both the "strange engineering" of vocals (causing "a slow fade which proves to be very distracting") and a perceived over-reliance on "bland synthesizer" on many tracks. By contrast, contemporaneous reviews by '' JazzTimes'' and '' CD Review'' were ...
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