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Rawicz And Landauer
Rawicz and Landauer were an immensely popular piano duo team that performed from 1932 to 1970. They were initially based in Vienna, Austria, but moved to the United Kingdom in the early part of their career. They were known for their arrangements of popular classics. Marjan (or Maryan) Rawicz (189830 January 1970) was Polish. He studied in Poland, and in Vienna under Richard Robert, and also studied law at the University of Kraków, playing the piano at seaside resorts in his holidays to make ends meet. Walter Landauer (4 September 19104 August 1983) was born in Vienna. He studied at the Vienna Music Academy and under Emil von Sauer. Career Rawicz and Landauer met by chance at a resort in 1930 or 1931, when Landauer heard Rawicz whistling a tune he liked, and asked him what it was and how to play it on the piano. It proved to be a polka by Bedřich Smetana. They soon discovered a mutual interest, and their duo was born.
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Richard Tauber
Richard Tauber (16 May 1891 – 8 January 1948) was an Austrian tenor and film actor. Early life Richard Tauber was born in Linz, Austria, to Elisabeth Seifferth (née Denemy), a widow and an actress who played soubrette roles at the local theatre, and Richard Anton Tauber, an actor; his parents were not married and his father was reportedly unaware of the birth as he was touring North America at the time. The child was given the name Richard Denemy; he was sometimes known as arlRichard Tauber, and also used his mother's married name, Seiffert; but the claim by the ''Encyclopædia Britannica'' that he was ever known as Ernst Seiffert has no support from any of the 12 published books and monographs about him listed in Daniel O'Hara's comprehensive Richard Tauber Chronology. After he was adopted by his father in 1913, his legal name became Richard Denemy-Tauber. Tauber accompanied his mother on tour to theatres, but she found it increasingly difficult to cope, and left him with fos ...
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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Sabre Dance
"Sabre Dance", ''Suserov par''; russian: Танец с саблями, ''Tanets s sablyami'' is a movement in the final act of Aram Khachaturian's ballet '' Gayane'' (1942), where the dancers display their skill with sabres. It is Khachaturian's best known and most recognizable work worldwide. It is notable for its employment of percussion instruments, especially the xylophone. Its middle section is based on an unnamed Armenian folk song. According to Tigran Mansurian, it is a synthesis of an Armenian wedding dance tune from Gyumri tied in a saxophone counterpoint "that seems to come straight from America." "Sabre Dance" is considered one of the signature pieces of 20th-century popular music. It was popularized by covers by pop artists, first in the US in 1948 and later elsewhere. Its use in a wide range in films and television over the decades have significantly contributed to its renown. "Sabre Dance" has also been used by a number of figure skaters from at least five countr ...
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Aram Khachaturian
Aram Ilyich Khachaturian (; rus, Арам Ильич Хачатурян, , ɐˈram ɨˈlʲjitɕ xətɕɪtʊˈrʲan, Ru-Aram Ilyich Khachaturian.ogg; hy, Արամ Խաչատրյան, ''Aram Xačʿatryan''; 1 May 1978) was a Soviet and Armenian composer and conductor. He is considered one of the leading Soviet composers. Born and raised in Tbilisi, the multicultural capital of Georgia, Khachaturian moved to Moscow in 1921 following the Sovietization of the Caucasus. Without prior music training, he enrolled in the Gnessin Musical Institute, subsequently studying at the Moscow Conservatory in the class of Nikolai Myaskovsky, among others. His first major work, the Piano Concerto (1936), popularized his name within and outside the Soviet Union. It was followed by the Violin Concerto (1940) and the Cello Concerto (1946). His other significant compositions include the '' Masquerade Suite'' (1941), the Anthem of the Armenian SSR (1944), three symphonies (1935, 1943, 1947), and ar ...
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Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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Warsaw Concerto
The ''Warsaw Concerto'' is a short work for piano and orchestra by Richard Addinsell, written for the 1941 British film '' Dangerous Moonlight'', which is about the Polish struggle against the 1939 invasion by Nazi Germany. In performance it normally lasts just under ten minutes. The concerto is an example of programme music, representing both the struggle for Warsaw and the romance of the leading characters in the film. It became very popular in Britain during World War II. The concerto is written in imitation of the style of Sergei Rachmaninoff. It initiated a trend for similar short piano concertos in the Romantic style, which have been dubbed "tabloid concertos", or " Denham concertos" (the latter term coined by Steve Race). Background The composer, Richard Addinsell, was born in London and initially studied law before turning to a career in music. His time at the Royal College of Music was brief, as he was soon drawn to musical theatre, and he also wrote for radio, but his m ...
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Richard Addinsell
Richard Stewart Addinsell (13 January 190414 November 1977) was an English composer, best known for film music, primarily his ''Warsaw Concerto'', composed for the 1941 film ''Dangerous Moonlight'' (also known under the later title ''Suicide Squadron''). Biography Early life Richard Addinsell was born in Woburn Square, London, to William Arthur Addinsell, who was a chartered accountant, and his wife, Annie Beatrice Richards.Lamb, Andrew (2004)'Addinsell, Richard Stewart (1904–1977)' ''Oxford Dictionary of National Biography'', Oxford University Press. Retrieved 13 September 2011. The younger of two brothers, Addinsell was educated at home before attending Hertford College, Oxford, to study Law but went down after just 18 months. He then became interested in music. Early career In 1925, he enrolled at the Royal College of Music but lasted only two terms before leaving, again without obtaining any formal qualification. By this time Addinsell was already collaborating with Noel ...
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John Barbirolli
Sir John Barbirolli ( Giovanni Battista Barbirolli; 2 December 189929 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On ...
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The Carnival Of The Animals
''The Carnival of the Animals'' (''Le Carnaval des animaux'') is a humorous musical suite of fourteen movements, including "The Swan", by the French composer Camille Saint-Saëns. The work, about 25 minutes in duration, was written for private performance by two pianos and chamber ensemble; Saint-Saëns prohibited public performance of the work during his lifetime, feeling that its frivolity would damage his standing as a serious composer. The suite was published in 1922, the year after his death. A public performance in the same year was greeted with enthusiasm, and the work has remained among his most popular. In addition to the original version for chamber ensemble, the suite is frequently performed with a full orchestral complement of strings. History Following a disastrous concert tour of Germany in 1885–86, Saint-Saëns withdrew to a small Austrian village, where he composed ''The Carnival of the Animals'' in February 1886. From the beginning he regarded the work as a ...
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Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ...
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