Rarestonebowie
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Rarestonebowie
''Rarestonebowie'' is a compilation album by English musician David Bowie. This release was one in the series of mid-nineties releases by MainMan, Bowie's former management company during the seventies (other ones being ''Santa Monica '72'' and the Ava Cherry & The Astronettes album '' People from Bad Homes''). All these albums were released without Bowie's approval and are currently out of print. Track listing In 1995 Trident Music International released the ''Rarestonebowie'' compilation CD in the United Kingdom on the Golden Years label (Catalog # GY 014). The pregap before track one, "All the Young Dudes", contains an RCA Records 1973 radio advertisement for the David Bowie album ''Pin Ups ''Pin Ups'' (also referred to as ''Pinups'' and ''Pin-Ups'') is the seventh studio album by English musician David Bowie, released on 19October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a cove ...''. ''Rarestonebowie'' was re ...
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Santa Monica '72
''Santa Monica '72'' is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM's radio broadcast,Roy Carr & Charles Shaar Murray (1981). ''Bowie: An Illustrated Record'': p.116 it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a "proper Bowie fan". The recording was issued semi-legally/officially and without Bowie's approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. Songs This live album features a quite different setlist to the one found on '' Ziggy Stardust - The Motion Picture'' (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recordi ...
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All The Young Dudes
"All the Young Dudes" is a song written by English singer-songwriter David Bowie, originally recorded and released as a single by the English rock band Mott the Hoople in 1972 by Columbia Records. Bowie produced the song, which he had given to the band after they rejected his "Suffragette City". Bowie would subsequently record the song himself. Regarded as an anthem of glam rock, the song has received acclaim and was a commercial success. In 2021, ''Rolling Stone'' ranked "All the Young Dudes" number 166 in its list of the 500 Greatest Songs of All Time. It is also one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Background and recording By 1972, Mott the Hoople were on the verge of splitting up. Having been together for three years, the band had released four well-received albums and developed a small loyal following but had failed to garner commercial success. An appearance on the BBC television programme ''Top of the Pops'' in late 1971 was not en ...
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Queen Bitch
"Queen Bitch" is a song by English singer-songwriter David Bowie. It was originally released on his 1971 album ''Hunky Dory'' before appearing as the B-side of the single "Rebel Rebel" in the United Kingdom in early 1974. The song was inspired by the Velvet Underground and, in particular, lead singer Lou Reed. It was debuted on BBC radio in June 1971 before being properly recorded at Trident Studios in London between late June and mid-July. Co-produced by Bowie and Ken Scott, the lineup consisted of the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. As a tribute to the Velvet Underground, the song contains both musical and lyrical references to the band. The provocative lyrics concern a male character whose lover searches for drag queens and hookups after the narrator refuses his advances. The drag queen is described using stereotypical phrases. Unlike the majority of ''Hunky Dory''s track ...
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I Wish I Could Shimmy Like My Sister Kate
"I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. Louis Armstrong claimed he had written the song and sold it for 10$ he never received. Kate was a murdered brothel madame named Katie Townsend. Kid Ory recorded it with original Armstrong lyrics in Denmark Nov 13th 1959, but never used this lyrics in the USA. Early recordings listed at Discogsbr>include 1922 sides by Mary Straine And Joseph Smith's Jazz Band on Black Swan Records; The Virginians on Victor; and The Original Memphis Five, as an instrumental, on Pathé Actuelle. Vocalist Anna Jones recorded it accompanied by Fats Waller on piano in 1923. Arrangements ranged from big band jazz to the Alabama Jug Band in the 1930s, a precursor to jug band revival versions during the 1960s' by Dave Van Ronk and Jim Kweskin (see below). The lyrics of the song are narrated first person by Kate's sister, who sings about Kate's impressive d ...
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Sound And Vision
"Sound and Vision" is a song by English musician David Bowie. It was released in January 1977 by RCA Records on side one of his 11th studio album '' Low''. RCA later chose it as the first single from the album. Co-produced by Bowie and Tony Visconti, the song was recorded at the Château d'Hérouville in Hérouville, France, in September 1976, and completed at Hansa Studios in West Berlin in October and November. The song began as a simple G major chord progression that Bowie gave to the backing musicians, writing and recording his vocals afterward. It features backing vocals from Brian Eno and Visconti's then-wife Mary Hopkin. Regarded by biographers as the closest to a "conventional pop song" on ''Low'', "Sound and Vision" is oddly structured. Beginning as an instrumental, elements are added throughout the song's runtime; Bowie's vocals do not appear for over a minute and a half. The song's lyrics are dark and introspective, reflecting Bowie's mental state after years of ...
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Time (David Bowie Song)
"Time" is a song by English singer-songwriter David Bowie. Written in New Orleans in November 1972 during the American leg of the Ziggy Stardust Tour, it was recorded in London in January 1973 and released as the opening track on side two of the album '' Aladdin Sane'' that April. An edited version of the song supplanted the release of the single "Drive-In Saturday" in the United States, Canada and Japan. It was also released in France and South Africa, while early Spanish copies of ''David Live'' included a free copy of the single. Production and style The piece has been described as " burlesque vamp", and compared to the cabaret music of Jacques Brel and Bertolt Brecht/ Kurt Weill. Keyboardist Mike Garson said that he employed "the old stride piano style from the 20s and I mixed it up with avant-garde jazz styles plus it had the element of show music, plus it was very European." Co-producer Ken Scott took credit for the idea of mixing the sound of Bowie's breathing right u ...
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Be My Wife
"Be My Wife" is a song by English musician David Bowie. It was the second single from '' Low'' (1977), released on 17 June 1977. Its presence in ''Low'' tones down the electronic feel of the rest of the album. The song also features a more conventional lyric which is closer to a traditional rock song than the more fragmented lyrics elsewhere on that album. The song features a ragtime piano opening, which serves the somewhat retro lyrics some justice, although it is soon set against a backdrop of guitars and drums. The song repeats its lyrics, changing the spacing of the lyrics amongst the song's verse. The song closes simply with a fadeout, as the song returns to the introductory ragtime riff repeating indefinitely, with the rest of the band playing behind it. "Be My Wife" became the first new Bowie release since "Changes" to fail to break into the UK chart. It was frequently played live on the various tours after its release and Bowie is said to have repeatedly announced thi ...
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Outside (David Bowie Album)
''Outside'' (stylised as ''1. Outside'' and subtitled ''The Nathan Adler Diaries: A Hyper-cycle'') is the 20th studio album by English musician David Bowie, released on 25 September 1995 through Virgin Records in the United States and Arista Records, Bertelsmann Music Group, BMG and RCA Records in other territories. Reuniting Bowie with musician Brian Eno following the late 1970s Berlin Trilogy, the two were inspired by concepts "outside" the mainstream, such as various Outsider art, outsider and Performance art, performance artists. Recorded throughout 1994, the experimental sessions saw Bowie conceive a world where "art crimes", such as murder, pervade society. The resulting ''Leon'' project initially faced resistance from labels due to its uncommercial nature. The project's Bootleg recording, bootlegging led to additional sessions in 1995 to revise the concept and record more commercial material, inspired by a diary Bowie wrote for ''Q (magazine), Q'' magazine. Influenc ...
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The Singles Collection (David Bowie Album)
''The Singles Collection'' is a compilation album by English musician David Bowie, released in 1993 in the UK and (with some changes) as ''The Singles 1969 to 1993'' in the United States. A video companion, '' Bowie – The Video Collection'', was released on VHS at the same time. Release Released in late 1993, this "singles" collection included some tracks that were never officially released as singles (such as " Ziggy Stardust"). This release marked the first time some 7"/single edits were available on CD, and included some unusual or rare versions, such as the shortened mixes of " TVC 15", "Space Oddity" and " Loving the Alien". The US release included the full-length original version of Bowie's "Cat People (Putting Out Fire)" and the 4:01 remix of "Under Pressure" from ''Classic Queen'', while the UK version instead includes a 3:58 edit originally found on Queen's '' Greatest Hits II''. The first 40,000 copies of the US CD release included a third disc containing a single t ...
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The Dick Cavett Show
''The Dick Cavett Show'' was the title of several talk shows hosted by Dick Cavett on various television networks, including: * ABC daytime, (March 4, 1968–January 24, 1969) originally titled ''This Morning'' * ABC prime time, Tuesdays, Wednesdays & Fridays (May 26 – September 19, 1969) * ABC late night (December 29, 1969 – January 1, 1975) * CBS prime time, Saturdays (August 16 – September 6, 1975; this version was actually more of a variety show) * PBS, early evenings, weeknights (October 10, 1977 – October 8, 1982) * USA Network prime time (September 30, 1985 – September 23, 1986) * ABC late night, Tuesdays & Wednesday nights (September 22 – December 30, 1986) * CNBC (April 17, 1989 – January 26, 1996) * TCM (2006–2007) Cavett normally taped his programs in New York City, though occasionally he would venture elsewhere, including Los Angeles, New Orleans and London. Show history ''The Dick Cavett Show'' refers to television ...
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Aladdin Sane
''Aladdin Sane'' is the sixth studio album by English musician David Bowie, released on 20April 1973 through RCA Records. The follow-up to his breakthrough ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), it was the first album he wrote and released from a position of stardom. It was produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars — Mick Ronson, Trevor Bolder and Mick Woodmansey — as well as pianist Mike Garson, two saxophonists and three backing vocalists. Recorded at Trident Studios in London and RCA Studios in New York City between legs of the Ziggy Stardust Tour, the record was Bowie's final album with the full Spiders lineup. Bowie wrote most of the tracks on the road in the US between shows. Because of this, many of the tracks are greatly influenced by America and Bowie's perceptions of the country. Due to the American influence and the fast-paced songwriting, the record features a to ...
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Marquee Club
The Marquee Club was a music venue first located at 165 Oxford Street in London, when it opened in 1958 with a range of jazz and skiffle acts. Its most famous period was from 1964 to 1988 at 90 Wardour Street in Soho, and it finally closed when at 105 Charing Cross Road in 1996, although the name has been revived unsuccessfully three times in the 21st century. It was a small and relatively cheap club, located in the heart of the music industry in London's West End, and used to launch the careers of generations of rock acts. It was a key venue for early performances by bands who were to achieve worldwide fame in the 1960s and remained a venue for young bands in the following decades. It was the location of the first-ever live performance by the Rolling Stones on 12 July 1962. Origins The club was established by Harold Pendleton, an accountant whose love of jazz had led him to become secretary of the National Jazz Federation. Originally it was located in the Marquee Ballroom ...
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