Rapture (The Mavis's Album)
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Rapture (The Mavis's Album)
''Rapture'' is the third studio album by Australian pop band, The Mavis's, which was released in March 2003 by their record label, Festival Mushroom Records. It was produced by Kalju Tonuma, who had also worked on their previous two studio albums. The album's lead single, "Coming Home" (July 2000), peaked at No. 72 on the ARIA Singles Chart. The second single, "Happiness", was released in February 2001, which reached the top 100 on the ARIA Singles Chart and No. 9 on the related ARIA Alternative Singles Chart. The album had been delayed from its originally proposed release date of July 2001 due to problems between the band and the label. According to Matt Atlee of ''Australian Music Scrapbook'' website it was an "amicable split", however, Christie Eliezer of ''Music & Media Business News'' reported that "Despite what both sides say, the Mavis's split from Festival Mushroom Records and the canning of the July-due ''Rapture'' album was far from amicable." In July to ...
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The Mavis's
The Mavis's were an Australian rock band formed in Ballarat, Victoria, in 1987. Founding mainstays are Becky Thomas (a.k.a. Beki Thomas, Beki Colada) on vocals and keyboards, her brother Matt Thomas on guitar and vocals, and Andrea Vendy on drums. They were joined by Nick Gill (a.k.a. Nik Daniel) on guitar in 1990, and Josh Alexander on bass guitar in 1994. They released three studio albums: '' Venus Returning'' (July 1996), ''Pink Pills'' (April 1998) – which reached No. 12 on the ARIA Albums Chart – and ''Rapture'' (March 2003). Their synth-driven single, "Cry" (January 1998), peaked at No. 13 on the ARIA Singles Charts and was listed on the Triple J Hottest 100 for 1998. The band also performed the song on ''Hey Hey It's Saturday''. They disbanded in December 2001 after a farewell tour of Australia. History The Mavis's were formed as a four-piece post-punk, rock band in Ballarat in 1987 by Katherine McNulty on bass guitar; Becky Thomas (a.k.a. Beki Thomas, Beki C ...
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Australian Rock Database
The Australian Rock Database was a website with a searchable online database that listed details of Australian rock music artists, albums, bands, producers and record labels. It was established in 2000 by Swedish national Magnus Holmgren, who had developed an interest in Australian music when visiting as an exchange student. Information for the database entries was initially gleaned from Chris Spencer, Zbig Nowara and Paul McHenry's ''Who's Who of Australian Rock'' (3rd ed, 1993) and Ian McFarlane's ''Encyclopedia of Australian Rock and Pop'' (1999). Australian Government The Australian Government, also known as the Commonwealth Government, is the national government of Australia, a federal parliamentary constitutional monarchy. Like other Westminster-style systems of government, the Australian Government i ...'s former website on Culture and Recreation listed Australian Rock Database as a resource for Australian rock music. References ;General * * NOTE: Online copy ...
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Howie Weinberg
Howie Weinberg is an American audio mastering engineer with over 2,257 mastering credits, three TEC Awards, 21 Grammy Awards, two Juno Awards, and one Mercury Prize. Career Weinberg mastered Herbie Hancock's 1983 album ''Future Shock''. Other mastering works include the Beastie Boys' ''Licensed to Ill'' and Nirvana's ''Nevermind''. Weinberg began working in the mail room at Masterdisk in 1979, delivering recording tapes in New York City. Mastering engineer Bob Ludwig acted as his mentor. In January 2011, he left Masterdisk to set up his own mastering company in Los Angeles, Howie Weinberg Mastering, which appeared in ''Voyage LA''s "Most Inspiring Stories" on February 11, 2021. In 1993, Weinberg worked on the Payolas' song " Eyes of a Stranger". In 1997, ''Polythene'' by Feeder was met with critical acclaim and made the UK Top 75. He appeared on a panel discussion at the 2009 SXSW music festival titled Producers "On Making Classic Records" sometimes working in a teaching cap ...
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Charlotte Caffey
Charlotte Irene Caffey (born October 21, 1953) is an American guitarist, best known for her work in the rock band the Go-Go's in the 1980s, including writing "We Got the Beat". Career Caffey began her musical career playing bass guitar in the early Los Angeles punk band The Eyes before joining the Go-Go's in 1978 and switching to guitar. She remained friends with fellow band member Belinda Carlisle after the initial breakup of the Go-Go's and wrote songs for Carlisle's solo albums. From 1988 until 1992, she led her own band, The Graces, with Meredith Brooks and Gia Ciambotti, who released the album ''Perfect View'' in 1989. Caffey also co-wrote the theme song to the television series ''Clueless'' with Anna Waronker, and played piano on the album version of "Foolish Games" by Jewel, as well as co-writing the No. 1 U.S. country hit " But for the Grace of God" with Keith Urban. Caffey wrote the book, music, and lyrics for '' Lovelace: A Rock Musical'' with Anna Waronker. ...
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Jane Wiedlin
Jane Marie Genevieve Wiedlin (born May 20, 1958) is an American musician and singer, best known as the co-founder, rhythm guitarist and backing vocalist of the new wave music, new wave band The The Go-Go's, Go-Go's. She has also had a successful solo career. The Go-Go's went on to become one of the most successful American bands of the 1980s, helping popularize new wave music with hits such as "We Got the Beat", "Our Lips Are Sealed", and "Vacation (The Go-Go's song), Vacation". As a solo artist, Wiedlin had her biggest hit with the song "Rush Hour (Jane Wiedlin song), Rush Hour", which peaked at number 9 on the Billboard Hot 100, ''Billboard'' Hot 100. As an actress, she had roles as the singing telegram girl in ''Clue (film), Clue'' (1985) and as Joan of Arc in ''Bill & Ted's Excellent Adventure'' (1989). As a member of The Go-Go's, Wiedlin received a star on the Hollywood Walk of Fame. She and the band were inducted into the Rock and Roll Hall of Fame in 2021. Early life W ...
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Australasian Performing Right Association
APRA AMCOS consists of Australasian Performing Right Association (APRA) and Australasian Mechanical Copyright Owners Society (AMCOS), both copyright management organisations or copyright collectives which jointly represent over 100,000 songwriters, composers and music publishers in Australia and New Zealand. The two organisations work together to license public performances and administer performance, communication and reproduction rights on behalf of their members, who are creators of musical works, aiming to ensure fair payments to members and to defend their rights under the '' Australian Copyright Act (1968)''. APRA, which formed in 1926, represents songwriters, composers, and music publishers, providing businesses with a range of licences to use copyrighted music. This covers music that is communicated or performed publicly including on radio, television, online, live gigs in pubs and clubs etc. APRA distributes the royalties from these licence fees back to their compose ...
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Sound Alliance
Junkee Media, formerly known as Sound Alliance, is a digital media company based in Australia. According to the company, Junkee Media's websites attract a monthly audience of over 2 million unique browsers. Nearly 70 per cent of the website's traffic comes from mobile devices and the biggest referrer to the network is Facebook. History Junkee Media was founded in 2000 when Matt Callander, Libby Clark and Andre Lackmann launched their dance music website ''inthemix''. The website began as a part-time hobby for the three, who were soon joined by Neil Ackland. Ackland discovered the site online and got in touch with its creators. Sound Alliance acquired ''Mess+Noise'' in October 2008 from failed media group Destra Corporation. ''Mess+Noise'' had been operating since 2005 when it began as a bimonthly print publication. In 2006, Tim Duggan co-founded national LGBT site ''Same Same'' with Sound Alliance. Sound Alliance launched ''Junkee'' in March 2013, an online title aimed at an au ...
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ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ...
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All Media Guide
RhythmOne , previously known as Blinkx, and also known as RhythmOne Group, is an American digital advertising technology company that owns and operates the web properties AllMusic, AllMovie, and SideReel. Blinkx was founded in 2004, went public on the AIM market of the London Stock Exchange in 2007, and began trading as RhythmOne in 2017. The company is headquartered in San Francisco, California, and London, England. RhythmOne acquired All Media Network and its portfolio of web properties in April 2015. In April 2019, RhythmOne merged with Taptica International (renamed Tremor International in June 2019), an advertising technology company headquartered in Israel. History Blinkx was named after blinkx.com, an Internet Media platform that connects online video viewers with publishers and distributors, using advertising to monetize those interactions. Blinkx has an index of over 35 million hours of video and 800 media partnerships, as well as 111 patents related to the site's se ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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