Raphaël Fumet
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Raphaël Fumet
Raphaël Marie Paul Fumet (31 May 1898 – 1979) was a 20th-century French composer and organist. Biography Born in Juilly (Seine-et-Marne), the son of composer Dynam-Victor Fumet (a student with César Franck, 1867–1949), brother of writer Stanislas Fumet, father of flautist Gabriel Fumet, Raphaël Fumet showed exceptional talent as a pianist and improviser at an early age. In parallel to his studies of musical composition with Vincent d'Indy at the Schola Cantorum de Paris, he was employed in many Parisian cinemas where his extraordinary facilities allowed him to improvise directly on the organ on the images of silent films of that time. His charisma as a musician earned him the friendship of many artists, mainly in Montparnasse; he was especially connected with painters and sculptors as yet unknown as Soutine, Modigliani, Jeannette Hébuterne, Juan Gris, Joseph Bernard… Raphaël Fumet, who was very independent by nature and naturally had little incentive to conf ...
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Raphael Aout 1950
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was ...
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Joseph Bernard
Joseph Bernard (1866, Vienne, Isère – 1931) was a modern classical French sculptor, featured on the frontispiece of Elie Faure's 1927 survey of modern art, "Spirit of Forms". Bernard was trained at the École des Beaux-Arts in the atelier of Pierre-Jules Cavelier Pierre-Jules Cavelier (30 August 1814, Paris – 28 January 1894, Paris) was a French academic sculptor. Biography The son of a silversmith and furniture maker, Cavelier was born in Paris. He was a student of the sculptors David d'Angers an .... Gallery File:Dallas Crow Center 13 Bernard Young Girl Carrying Water.jpg, ''Young Girl Carrying Water''Crow Center, Dallas File:Joseph Bernard - Kiss.JPG, ''Kiss'' File:Nîmes-Faune dansant.jpg, ''Faune Dansant'' File:Buste C Jouffray par J Bernard Musée BA Vienne 28072011.jpg, ''Camille Jouffray'' File:Le Remords, Elément du Monument à Michel Servet. 1908-1911. Signé J. Bernard 1907. Pierre d’Euville. Taille directe. Vienne, Jardin public. Photo, Jamie Mul ...
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Wind Quintet
A wind quintet, also known as a woodwind quintet, is a group of five wind players (most commonly flute, oboe, clarinet, French horn and bassoon). Unlike the string quartet (of 4 string instruments) with its homogeneous blend of sound color, the instruments in a wind quintet differ from each other considerably in technique, idiom, and timbre. The modern wind quintet sprang from the octet ensemble favored in the court of Joseph II in late 18th century Vienna: two oboes, two clarinets, two (natural) horns, and two bassoons. The influence of Haydn's chamber writing suggested similar possibilities for winds, and advances in the building of these instruments in that period made them more useful in small ensemble settings, leading composers to attempt smaller combinations. It was Anton Reicha's twenty-four quintets, begun in 1811, and the nine quintets of Franz Danzi that established the genre, and their pieces are still standards of the repertoire. Though the form fell out of favor in t ...
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Budapest String Quartet
The Budapest String Quartet was a string quartet in existence from 1917 to 1967. It originally consisted of three Hungarians and a Dutchman; at the end, the quartet consisted of four Russians. A number of recordings were made for HMV/Victor through 1938; from 1940 through 1967 it recorded for Columbia Records. Additionally, several of the Quartet's live performances were recorded, at the Library of Congress and other venues. Members 1st violin: * Emil Hauser (1893–1978) (from 1917 to 1932) * Josef Roisman (Joe) (1900–1974) (from 1932 to 1967) 2nd violin: * Alfred Indig (1892–?) (from 1917 to 1920) * Imre Pogany (1893–1975) (from 1920 to 1927) * Josef Roisman (Joe) (1900–1974) (from 1927 to 1932) * Alexander Schneider (Sasha) (1908–1993) (from 1932 to 1944 and from 1955 to 1967) * Edgar Ortenberg (1900–1996) (from 1944 to 1949) * Jac Gorodetzky (1913–1955) (from 1949 to 1955) Viola: * István Ipolyi (1886–1955) (from 1917 to 1936) * Boris Kr ...
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Via Nova Quartet
The Via Nova Quartet is a French string quartet ensemble established in 1968. History Founded in 1968 by musicians who had met at the Cyrne Arte festival ( Corsica) four years earlier, it first took the festival's name. Its repertoire ranges from classical composers to contemporary classical music. It was subsidized in 1976 by the French Ministry of Culture. Members * Jean Mouillère, first violin * Jean-Pierre Sabouret (1968, then from 1975), Hervé le Floch (1968-1971), Alain Moglia (1971-1975), second violin * René Jeanneray (1968–1969), Gérard Caussé (1969-1971), Claude Naveau (1971-) viola * René Benedetti (1968–1971), Roland Pidoux (1971-1978), Jean-Marie Gamard (1978-) cello Premieres * André Casanova's string quartet n° 3 (1989) * Jacques Castérède Jacques Castérède (10 April 1926 – 6 April 2014)Centre de documentation de la musique contemporaine">Centre de documentation de la musique contemporaine (CDMC) biographical pagebr>Musique Contemporaine ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Janà ...
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Avant-gardism
The avant-garde (; In 'advance guard' or 'vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the or the ''

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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ...
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Raphael Compose
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He w ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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