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Randy Sandke
Jay Randall Sandke (born May 5, 1949 in Chicago, Illinois) is a jazz trumpeter and guitarist. While a student at Indiana University in 1968, he and Michael Brecker started a jazz-rock band (Mrs. Seamon's Sound Band) that performed at the Notre Dame Collegiate Jazz Festival. He was invited to be a member of the backing band for rock singer Janis Joplin, but a throat problem kept him from performing. Despite a successful operation on his throat, he gave up the trumpet, moved to New York City, and played guitar for the next ten years. When he returned to the trumpet, he became a member of the Nighthawks Orchestra led by Vince Giordano, followed by membership in Bechet's Legacy led by Bob Wilber. From 1984–1985, he was part of Benny Goodman's last band. Sandke remarks in the liner notes to ''The Subway Ballet'': "Okay – I worked with Benny Goodman, but so did Fats Navarro and Herbie Hancock and nobody refers to them as 'swing musicians.' ...Being thus labeled is somewhat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Barron
Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era. Biography Born in Philadelphia, Pennsylvania, Kenny Barron is the younger brother of tenor saxophonist Bill Barron (1927–1989). One of his first gigs was as pianist with the Dizzy Gillespie quartet. Barron was briefly a member of the Jazztet around 1962, but did not record with them. He graduated in 1978 with a BA in arts from Empire State College (Metropolitan Center, New York City). He co-led the groups Sphere and the Classical Jazz Quartet. Between 1987 and 1991, Barron recorded several albums with Stan Getz, most notably '' Voyage'', '' Bossas & Ballads – The Lost Sessions'', '' Serenity'', ''Anniversary'' and ''People Time'', a two-CD set. He has been nominated nine times for Grammy Awards and for the American Jazz Hall of Fame. He was elected a Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Anderson (musician)
Ray Anderson (born October 16, 1952) is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in ''DownBeat'' magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s. Biography After studying in California, he moved to New York in 1972 and freelanced. In 1977, he joined Anthony Braxton's Quartet (replacing George E. Lewis) and started working with Barry Altschul's group. In addition to leading his own groups since the late 1970s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the 1990s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart). Ander ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Jazz
Mainstream jazz is a term coined in the 1950s by music journalist Stanley Dance, who considered anything within the popular jazz of the Swing Era "mainstream",McRae, Barry. 2005. "Sound Investment: Mainstream." ''Jazz Journal International'', Aug 1, 10. and did not include the bebop style. Jazz in the mainstream After Dance defined mainstream jazz in the 1950s, the definition changed with the evolution and progression of jazz music. What was mainstream then would not be considered mainstream now. In a general sense, mainstream jazz can be considered what was most popular at the time: For example, during the Swing era, swing and big band music were in their prime and what target audiences were looking for. Although bebop was introduced into jazz during that time, audiences had not developed an ear for it. Mainstream jazz musicians The jazz musicians listed below were either considered "mainstream" musicians, or were influenced by mainstream musicians. Swing era * Duke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viols
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordan Sandke
Jordan Sandke is an American jazz trumpeter, cornetist, and fluegelhornist. Biography Sandke was born around 1946. His main area of musical interest is the swing era.Wilson, John S. (March 2, 1988 ''The New York Times''. He and his brother, Randy Sandke, played in the Widespread Depression Jazz Orchestra. His recording debut as sole leader was ''Rhythm Is Our Business'', for Stash Records in 1985.Fitzgerlad, Michael (October 2, 2011"Jordan Sandke Leader Entry" jazzdiscography.com. He played both trumpet and cornet on the album, which also featured Tad Shull (tenor sax), Jaki Byard (piano), Milt Hinton (bass), and Charlie Braugham (drums). Playing style A 1988 reviewer commented that "Sandke, using both trumpet and fluegelhorn, is rich-toned and mellow at one moment or crisply biting at another." With the Widespread Depression Orchestra, he played "gloriously growling full-bodied Cootie Williams solos".Wilson, John S. (December 26, 1980) "Jazz: Depression Quintet". ''The New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangements
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Rosenthal
Ted Rosenthal (born 1959) is an American jazz pianist. He was featured on David Sanborn's series '' Night Music'', and has performed worldwide, both as a leader and as a sideman with many jazz greats, including Gerry Mulligan, Art Farmer, Phil Woods, Bob Brookmeyer, and Jon Faddis. Rosenthal has released 15 CDs as a leader, which include Great American Songbook standards, jazz classical compositions, and Rosenthal's own original compositions. In addition to his career as a performing artist, Rosenthal holds faculty positions at the Juilliard School, Manhattan School of Music, and The New School. Early life Rosenthal was born and raised in Great Neck, Long Island, New York. He began playing by ear at a young age, and started studying at 12 with Tony Aless, a sideman with Charlie Parker and Stan Getz. In high school, he studied briefly with Jaki Byard and Lennie Tristano, and attended workshops with Billy Taylor, Woody Shaw and others. Although jazz was Rosenthal's main pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Smith
Marvin "Smitty" Smith (born June 24, 1961) is an American jazz drummer and composer. Marvin Smith was born in Waukegan, Illinois, where his father, Marvin Sr., was a drummer. "Smitty" was exposed to music at a young age, receiving formal musical training at the age of three. After graduating from Waukegan East High School, Smith attended Berklee, graduating in 1981. Smith has recorded 200 albums with various artists, as well as two solo albums. He has toured with, among others, Sting, Dave Holland, Sonny Rollins, Willie Nelson and Steve Coleman. He is a former member of The New York Jazz Quartet, and was the drummer for the ''Tonight Show with Jay Leno'' band, led by Kevin Eubanks, from January 30, 1995 until the show's end on May 29, 2009. Smith was also the drummer for the ''Jay Leno Show'' band in 2009-10. Discography As leader *''Keeper of the Drums'' (Concord Jazz, 1987) *''The Road Less Traveled'' (Concord Jazz, 1989) As sideman With Michel Camilo ('' One More On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Peplowski
Ken Peplowski (born May 23, 1959) is an American jazz clarinetist and tenor saxophonist. He was born in Cleveland, Ohio, United States, and known primarily for playing swing music. For over a decade, Peplowski recorded for Concord Records. In 2007, Peplowski was named jazz advisor of Oregon Festival of American Music and music director of Jazz Party at The Shedd, both in Eugene, Oregon. Awards and honors * Best Jazz Record of the Year, Preis der deutschen Schallplattenkritik, ''The Natural Touch'' (1992) *The ''Satchmo Award'' presented by the Jazz Club of Sarasota in March, 2014 Discography As leader/co-leader * ''Double Exposure'' (Concord Jazz, 1988) – recorded in 1987 * ''Sonny Side'' (Concord Jazz, 1989) * The Ken Peplowski Quintet, ''Mr. Gentle and Mr. Cool'' (Concord Jazz, 1990) * ''Illuminations'' (Concord Jazz, 1991) * ''Natural Touch'' (Concord Jazz, 1992) * ''Steppin' with Peps'' (Concord Jazz, 1993) * ''Ken Peplowski and Howard Alden'' with Howard Alden (Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Barrett (musician)
Dan Barrett (born December 14, 1955 in Pasadena, California) is an American arranger, cornetist, and trombonist. The earliest mention of Dan Barrett was in the ''Melody Maker'', 10 February 1973, which reported that he played " Ory's Creole Trombone" at the end of Kid Ory's Funeral on 28 January that year. He also played with Teddy Buckner, Andy Blakeney, and Alton Redd, all members of Ory's band, during the funeral proceedings. Barrett played valve trombone on the soundtrack to the film, ''The Cotton Club'', in 1984. In addition to leading a quintet with Howard Alden, Barrett has performed as a sideman with Benny Goodman and Buck Clayton. Barrett is the musical director for Arbors Records in Clearwater, Florida. Discography As leader * ''Strictly Instrumental'' (Concord Jazz, 1987) * ''Let's Be Buddies'' with George Masso (Arbors, 1994) * ''Reunion with Al'' (Arbors, 1995) * ''Two Sleepy People'' with John Sheridan (Arbors, 1996) * ''In Australia'' with Tom Baker (Arbor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
