Ramblin' On My Mind (Lucinda Williams Album)
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Ramblin' On My Mind (Lucinda Williams Album)
''Ramblin' on My Mind'' is the debut studio album by American singer-songwriter Lucinda Williams, released in 1979, by Folkways Records. Produced by Tom Royals, and recorded in Mississippi in the late 1970s, the album features a collection of traditional folk and country standards arranged and performed by Williams, with accompaniment by John Grimaudo on his six-string guitar. When the album was re-issued on CD in 1991 by Smithsonian Folkways, the title was shortened to ''Ramblin and featured an alternate album cover. Background and reception Smithsonian Folkways says her "Southern blues roots are unmistakable on her debut record ..showcasing the artistry that would make her an icon." ''Trouser Press'' called it "a warm, lively album of covers" that "shows off Williams’ affecting vocals and her roots — from the bayou to the church choir to the Opry". Track listing Credits adapted from the album's liner notes Liner notes (also sleeve notes or album notes) are the writ ...
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Lucinda Williams
Lucinda Gayle Williams (born January 26, 1953) is an American singer-songwriter and a solo guitarist. She recorded her first two albums: '' Ramblin' on My Mind'' (1979) and '' Happy Woman Blues'' (1980), in a traditional country and blues style that received critical praise but little public or radio attention. In 1988, she released her third album, ''Lucinda Williams'', to widespread critical acclaim. Widely regarded as "an Americana classic", the album also features "Passionate Kisses", a song later recorded by Mary Chapin Carpenter for her 1992 album ''Come On Come On'', which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams' fourth album; '' Sweet Old World'', appeared four years later in 1992. ''Sweet Old World'' was met with further critical acclaim, and was voted the 11th best album of 1992 in ''The Village Voice''s Pazz & Jop, an annual poll of prominent music critics. Robert Christgau, the poll's creator, ranke ...
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Clifton Chenier
Clifton Chenier (June 25, 1925 – December 12, 1987), was an American Creole musician known as a pioneer of zydeco, a style of music which arose from Creole music, with rhythm and blues, R&B, blues, and Cajun music, Cajun influences. He sang and played the accordion and won a Grammy Award in 1983. He was known as the King of Zydeco, and also billed as the King of the South. Biography Chenier was a native of Leonville, Louisiana, near Opelousas, Louisiana, Opelousas. He spoke Louisiana French as a first language. Chenier began his recording career in 1954, when he signed with Elko Records and released ''Cliston's Blues'' [sic], a regional success. In 1955 he signed with Specialty Records and garnered his first national hit with his label debut "Ay-Tete Fi" (Hey, Little Girl) (a cover version, cover of Professor Longhair's song). The national success of the release led to numerous tours with popular rhythm and blues performers such as Ray Charles, Etta James, and Lowell Fulso ...
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Roy Acuff
Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music", Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952, Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God." Acuff began his music career in the 1930s and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff and Fred Rose founded Acuff-Rose Music, the first major Nashville-based country music publishing company, which signed such a ...
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The Great Speckled Bird (song)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ...
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Hank Williams
Hank Williams (born Hiram Williams; September 17, 1923 – January 1, 1953) was an American singer, songwriter, and musician. Regarded as one of the most significant and influential American singers and songwriters of the 20th century, he recorded 55 singles (five released posthumously) that reached the top 10 of the ''Billboard'' Country & Western Best Sellers chart, including 12 that reached No. 1 (three posthumously). Born and raised in Alabama, Williams was given guitar lessons by African-American blues musician Rufus Payne in exchange for meals or money. Payne, along with Roy Acuff and Ernest Tubb, had a major influence on Williams' later musical style. Williams began his music career in Montgomery in 1937, when producers at local radio station WSFA hired him to perform and host a 15-minute program. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. When several of his band members wer ...
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Jambalaya (On The Bayou)
"Jambalaya (On the Bayou)" is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. It is Williams' most covered song. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres. Composition Williams began writing the song while listening to the Cajuns talk about food on the Hadacol Caravan bus. With a melody based on the Cajun song "Grand Texas", some sources, including AllMusic, claim that the song was co-written by Williams and Moon Mullican, with Williams credited as sole author and Mullican receiving ongoing royalties. Williams' biographer Colin Escott speculates that it is likely Mullican wrote at least some of the song and Hank's music publisher Fred Rose paid him surreptitiously so that he wouldn't have to split the publishing with Moon's label King Records. Williams' song resembles "Grand Texas" in melody only. " ...
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Make Me A Pallet On The Floor
"Make Me a Pallet on the Floor" (also "Make Me a Pallet on your Floor", "Make Me a Pallet", or "Pallet on the Floor") is a blues/jazz/folk song. It is considered a standard. Jelly Roll Morton explained the title: "A pallet is something that – you get some quilts – in other words, it's a bed that's made on a floor without any four posters on 'em." Structure The melody is 16 bars long. One writer describes the structure as "a proto-blues ..thathas little in common musically with regular blues". When played in the key of C, the typical structure is: History The composition probably originates from the end of the nineteenth century. One jazz historian states that the song "could have been sung around New Orleans in the mid-1890s." A 1906 report in the ''Indianapolis Freeman'' referred to a performance of the song by "The Texas Teaser, Bennie Jones". It appeared in sheet music in 1908 as part of " Blind Boone's Southern Rag Medley No. One: Strains from the Alleys." "The lyrics fi ...
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Hammie Nixon
Hammie Nixon (January 22, 1908 – August 17, 1984) was an American harmonica player. Life and career Born Hammie Nickerson in Brownsville, Tennessee, he began his music career with jug bands in the 1920s. He is best known as a country blues harmonica player, but he also played the kazoo, guitar and jug. He played with the guitarist Sleepy John Estes for half a century, first recording with Estes in 1929 for Victor Records. He also recorded with Little Buddy Doyle, Lee Green, Clayton T. Driver, Charlie Pickett and Son Bonds. During the 1920s Nixon helped to pioneer the use of the harmonica as a rhythm instrument in a band setting, rather than as a novelty solo instrument. After Estes died in 1979, Nixon played with the Beale Street Jug Band (also called the Memphis Jug Band). Nixon's last recording, "Tappin' That Thing" (Hmg Records), was recorded shortly before his death in 1984, in Jackson, Tennessee. See also *Blues harp The Richter-tuned harmonica, or 10-hole ha ...
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Sleepy John Estes
John Adam Estes (January 25, 1899 or 1900June 5, 1977),
known as Sleepy John Estes, was an American guitarist, songwriter and vocalist. His music influenced such artists as , and .


Life and career

Estes was born in

Stop Breakin' Down
"Stop Breaking Down" or "Stop Breakin' Down Blues" is a Delta blues song recorded by Robert Johnson in 1937. An "upbeat boogie with a strong chorus line", the lyrics are partly based on Johnson's experience with certain women: The song shares elements with earlier blues songs and became popular largely through later interpretations by other artists, such as Sonny Boy Williamson I in 1945 and the Rolling Stones in 1972. Recording and composition Robert Johnson recorded "Stop Breakin' Down Blues" during his last recording session in 1937 in Dallas, Texas. The song is a solo piece with Johnson providing guitar accompaniment to his vocals. Several songs have been identified as "melodic precedents": "Caught Me Wrong Again" (Memphis Minnie, 1936), "Stop Hanging Around" (Buddy Moss, 1935), and "You Got to Move" (Memphis Minnie and Joe McCoy, 1934). Of his Dallas recordings, it is Johnson's most uptempo song, with "his exhuberant vocal driv nghome the story line". Two takes of the song ...
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Memphis Jug Band
The Memphis Jug Band was an American band (music), musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard (musical instrument), washboard, washtub bass and Jug (musical instrument), jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band. Beginning in 1926, African American, African-American musicians in the Memphis area grouped around the singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of the band varied from day to day, with Shade booking gigs and arranging recording sessions. The band was as a training ground for musicians who would go on to make careers of their own. Members Among the recorded members of the Memphis Jug ...
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Melvin Jackson
Melvin "Lil' Son" Jackson (August 16, 1915, Tyler, TexasMay 30, 1976, Dallas) was an American blues guitarist and singer. He was a contemporary of Lightnin' Hopkins. Biography Jackson's mother played gospel guitar, and he played early on in a gospel group, the Blue Eagle Four. He became a mechanic and served in the U.S. Army during World War II, after which he pursued a career as a blues musician. He recorded a demo and sent it to Bill Quinn, the owner of Gold Star Records, in 1946. Quinn signed him to a recording contract and released "Freedom Train Blues" in 1948, which became a nationwide hit in the U.S. Jackson recorded for Imperial Records between 1950 and 1954, both as a solo artist and with a backing band. His 1950 song "Rockin' and Rollin" was recast by later musicians as " Rock Me Baby". Jackson was injured in a car crash in the mid-1950s and gave up his music career, returning to work as a mechanic. He recorded an album for Arhoolie Records in 1960, but did not resum ...
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