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Ralph Shapey
Ralph Shapey (12 March 1921 – 13 June 2002) was an American composer and conductor. Biography Shapey was born in Philadelphia, Pennsylvania. He is known for his work as a composition professor at the University of Chicago, where he taught from 1964 to 1991 and where he founded and directed the Contemporary Chamber Players. Shapey studied violin with Emanuel Zeitlin and composition with Stefan Wolpe. He served in the United States Army in World War II before moving to New York City, where he worked as a violinist, composer, conductor, and pedagogue. In 1963, he conducted the orchestra and chorus at the University of Pennsylvania before accepting his position in Chicago."Ralph Shapey, Radical Traditionalist Composer, 1921–2002." The University of Chicago News Office. 13 June ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Perle
George Perle (6 May 1915 – 23 January 2009) was an American composer and music theorist. As a composer, his music was largely atonal, using methods similar to the twelve-tone technique of the Second Viennese School. This serialist style, and atonality in general, was the subject of much of his theoretical writings. His 1962 book, ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'' remains a standard text for 20th-century classical music theory. Among Perle's awards was the 1986 Pulitzer Prize for Music for his Wind Quintet No. 4. Life and career Perle was born in Bayonne, New Jersey. He graduated from DePaul University, where he studied with Wesley LaViolette and received private lessons from Ernst Krenek. Later, he served as a technician fifth grade in the United States Army during World War II. He earned his doctorate at New York University in 1956. Perle composed with a technique of his own devising called "twelve-tone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Philadelphia Inquirer
''The Philadelphia Inquirer'' is a daily newspaper headquartered in Philadelphia, Pennsylvania. The newspaper's circulation is the largest in both the U.S. state of Pennsylvania and the Delaware Valley metropolitan region of Southeastern Pennsylvania, South Jersey, Delaware, and the northern Eastern Shore of Maryland, and the 17th largest in the United States as of 2017. Founded on June 1, 1829 as ''The Pennsylvania Inquirer'', the newspaper is the third longest continuously operating daily newspaper in the nation. It has won 20 Pulitzer Prizes . ''The Inquirer'' first became a major newspaper during the American Civil War. The paper's circulation dropped after the Civil War's conclusion but then rose again by the end of the 19th century. Originally supportive of the Democratic Party, ''The Inquirers political orientation eventually shifted toward the Whig Party and then the Republican Party before officially becoming politically independent in the middle of the 20th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lang (publisher)
Peter Lang is an academic publisher specializing in the humanities and social sciences. It has its headquarters in Pieterlen and Bern, Switzerland, with offices in Brussels, Frankfurt am Main, New York City, Dublin, Oxford, Vienna, and Warsaw. Peter Lang publishes over 1,800 academic titles annually, both in print and digital formats, with a backlist of over 55,000 books. It has its complete online journals collection available on Ingentaconnect, and distributes its digital textbooks globally through Kortext. Areas of publication The company specializes in the following twelve subject areas: History The company was founded in Frankfurt am Main in 1970 by Swiss editor Peter Lang. Since 1982 it has an American subsidiary, Peter Lang Publishing USA, specializing in textbooks for classroom use in education, media and communication, and Black studies, as well as monographs in the humanities and social sciences. Academic journals Peter Lang publishers 23 academic journals An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Kraft
William Kraft (September 6, 1923 – February 12, 2022) was an American composer, conductor, teacher, timpanist, and percussionist. Biography Early life and education (1923–1954) Kraft was born in Chicago, Illinois. He was awarded two Anton Seidl Fellowships at Columbia University, graduating with a bachelor's degree cum laude in 1951 and a master's degree in 1954. He studied composition with Jack Beeson and Henry Cowell, orchestration with Henry Brant, percussion with Morris Goldenberg, timpani from Saul Goodman, and conducting with Rudolph Thomas and Fritz Zweig. While in New York City, Kraft worked as a freelance musician and was an extra percussionist at the Metropolitan Opera. In 1954, Kraft joined the Dallas Symphony. After one season, he accepted a position as percussionist with the Los Angeles Philharmonic. At the Los Angeles Philharmonic (1955–1985) Kraft began as a member of the Los Angeles Philharmonic's percussion section, before being promoted to the orchestra's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kennedy Center Friedheim Award
The Kennedy Center Friedheim Award was an annual award given for instrumental music composition by the John F. Kennedy Center for the Performing Arts in Washington, D.C. It was established in 1978 and ended in 1995. The award was given only to American composers. The award was established by Eric Friedheim (1910–2002), the publisher of ''Travel Agent'' magazine and a patron of the arts, and funded by the Eric Friedheim Foundation and the Kennedy Center Corporate Fund. He endowed the award in honor of his father, the pianist Arthur Friedheim (1859–1932), who had studied with Franz Liszt. The first prize was US$5,000, the second prize was $2,500 (originally $2,000), the third prize was $1,000, and the fourth prize was $500. There was no fourth prize until 1984, and the third prize was originally $500. The winners were narrowed down from often over 100 entries, to four or five finalists. The works were performed and the awards were given at an awards ceremony, which was held each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulitzer Prize For Music
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year." Because of the requirement that the composition have its world premiere during the year of its award, the winning work had rarely been recorded and sometimes had received only one performance. In 2004 the terms were modified to read, "For a distinguished musical composition by an American that has had its first performance or recording in the United States during the year." History In his will, dated April 16, 1904, Joseph Pulitzer established annual prizes for a number of creative accomplishments by living Americans, including prizes for journalism, novels, plays, historie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Cello, Piano, And String Orchestra
The Concerto for Cello, Piano, and String Orchestra is a composition for solo cello, piano, and a large string orchestra by the American composer Ralph Shapey. The work was composed for the cellist Joel Krosnick and the pianist Gilbert Kalish and was first performed at Tanglewood in 1989. It was first performed by Krosnick, Kalish, and the Berkshire Music Chamber Orchestra under the composer on July 31, 1989. The piece was a finalist for the 1990 Pulitzer Prize for Music and shared the top Kennedy Center Friedheim Award prize with William Kraft for ''Veils and Variations for Horn and Orchestra''. Composition The concerto has a duration of roughly minutes and is composed in three movements: #Prologue #Psalm #Rondo Reception Anthony Tommasini of ''The New York Times'' called it a "visionary work" and wrote, "The score calls, crazily, for an orchestra of 48 strings. The concerto begins with an inexorable Prologue, which is followed by a subdued Psalm, almost Hebraic in its myste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Object Permanence
Object permanence is the understanding that Physical object, objects continue to Existence, exist even when they cannot be Sense, sensed. This is a fundamental concept studied in the field of developmental psychology, the subfield of psychology that addresses the development of young children's social and mental capacities. There is not yet scientific consensus on when the understanding of object permanence emerges in human development. Jean Piaget, the Swiss psychologist who first studied object permanence in infants, argued that it is one of an infant's most important accomplishments, as, without this concept, objects would have no separate, permanent existence. In Piaget's theory of cognitive development, infants develop this understanding by the end of the "sensorimotor stage", which lasts from birth to about two years of age. Piaget thought that an infant's perception and understanding of the world depended on their Motor skill, motor development, which was required for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval Class
In musical set theory, an interval class (often abbreviated: ic), also known as unordered pitch-class interval, interval distance, undirected interval, or "(even completely incorrectly) as 'interval mod 6'" (; ), is the shortest distance in pitch class space between two unordered pitch classes. For example, the interval class between pitch classes 4 and 9 is 5 because 9 − 4 = 5 is less than 4 − 9 = −5 ≡ 7 (mod 12). See modular arithmetic for more on modulo 12. The largest interval class is 6 since any greater interval ''n'' may be reduced to 12 − ''n''. Use of interval classes The concept of interval class accounts for octave, enharmonic, and inversional equivalency. Consider, for instance, the following passage: (To hear a MIDI realization, click the following: In the example above, all four labeled pitch-pairs, or dyads, share a common "intervallic color." In atonal theory, this sim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idioms in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
